Pendulum announce one-off London present for 2023
Pendulum have introduced a one-off London present, resulting from happen in spring 2023.
The Australian EDM legends will play the O2 Academy Brixton on March 5. They shared the information on their social media earlier immediately (September 5), writing: “Brixton! It’s been a very long time.” Tickets can be accessible from 10am on September 7 and might be discovered here.
The band, who had introduced their break up in 2012, launched their first new music in a decade in 2020 with ‘Driver’ and ‘Nothing For Free’. In 2021, they launched their four-track ‘Elemental’ EP, which was their first since 2010’s ‘Immersion’.
Final month, Pendulum carried out a shock set at Studying Competition 2022 and teamed up with Enter Shikari’s Rou Reynolds for a remix of ‘Sorry You’re Not A Winner’.
Brixton! It has been a very long time… Presale reside now 🔥 https://t.co/dRWudFUAtX pic.twitter.com/Y8vD68lEQR
— Pendulum (@Pendulum) September 5, 2022
Having teased the set all through the week earlier than an announcement, Pendulum took to the BBC Radio 1 Dance Stage following A.M.C ft Phantom’s early night set after a countdown appeared on video screens alongside the band’s brand. Arriving proper on cue, the band began their first UK present as a full band since 2018, with 2020’s comeback single ‘Driver’.
Later, Reynolds joined the band on stage for the remix of Enter Shikari’s 2007 breakout single. Forward of the present, the frontman informed NME how the collaboration took place.
“Gareth [McGrillen] and Rob [Swire] simply obtained in contact and principally mentioned that they’re serious about doing a remix of ‘Sorry You’re Not A Winner’, and I used to be like ‘okay sick!’, what a surreal message to get,” Reynolds defined.
“They despatched it over, and there’s plenty of completely different demo modifications in that observe so I used to be like ‘that is so fascinating, what are they going to do with it?’ And it’s so good. It’s killer.”
Talking about rehearsing the tune collectively, Reynolds added: “As a result of sub-bass works higher at sure frequencies they’ve needed to increase the important thing of observe. And you understand, this observe got here out in 2007, I wrote it in 2003, so I may maybe attain these excessive notes a bit of higher, they usually’ve raised it one other tone, tone and a half, so it’s up there.
“So I’m hoping I’ve some vocal chords left after our personal set to destroy with Pendulum.”