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Home / News / Weyes Blood releases new single ‘God Flip Me Into A Flower’

Weyes Blood releases new single ‘God Flip Me Into A Flower’

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Weyes Blood has launched a brand new single, ‘God Flip Me Into A Flower’.

The music is the ultimate single to be taken from her forthcoming album ‘And In The Darkness, Hearts Aglow’. which is out this Friday (November 18). It reworks the Greek delusion of Narcissus, a hunter who turns into obsessed together with his personal reflection, making an attempt to attract fashionable meanings out of it that ring true within the digital age.

“I’d been making an attempt to determine what precisely was the crux of why all the pieces felt so egocentric and unusual,” the artist informed NME. “Colloquially, it’s change into this concept that he was obsessive about himself, that he noticed himself and was simply obsessive about it. However the actual crux of it’s that he didn’t recognise himself. He was obsessive about the reflection, however he didn’t realise it was simply him.”

“All of our errors within the human race come right down to this: we’re repeatedly utilizing these technological frontiers to try nearer to one thing, not realising that it’s our personal demise. By destroying the planet, we destroy ourselves,” she continued.

“On the finish of the parable, Narcissus will get became a flower, which is symbolic for one thing that’s simply form of pliable and goes with the circulate of the universe. And finally, it’s comfortable. That’s the strategy it’s important to take with all of the uncertainty and irrevocable change that’s taking place proper now. If all the pieces’s gonna disintegrate, don’t be weak. Turn out to be comfortable.”

Take heed to the monitor under:

In NME’s five-star overview of ‘And In The Darkness, Hearts Aglow’, El Hunt mentioned: “‘And In The Darkness, Hearts Aglow’ finds itself within the eye of a whirling twister; the isolation that its predecessor predicted now absolutely upon us. Simply as sunsets change into infinitely extra lovely once they’re pumped filled with sun-refracting pollution, Mering’s personal imaginative and prescient of the top of the world is intricately woven and wealthy with melody, whilst loneliness aches on the core.”





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