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Home / News / Fats White Household mock IDLES’ Joe Talbot

Fats White Household mock IDLES’ Joe Talbot

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Fats White Household’s Lias Saoudi laid into IDLES’ Joe Talbot throughout a riotous set at Glastonbury‘s Woodsies stage at this time (June 29).

  • READ MORE: Glastonbury 2024: take a look at the stage instances and full line-up

Saoudi, sporting pores and skin colored mesh tights, poked enjoyable at IDLES’ set on the Different stage final night time (June 28), throughout which Talbot led a chant of “Fuck the King!” and inadvertently took half in a Banksy-assisted protest.

Earlier than a rendition of ‘I Am Mark E Smith’, Saodui dryly introduced: “It is a music about my feminist zeal – it’s referred to as ‘I’m Joe Talbot’”, and later acknowledged the chants at IDLES set by saying: “God save the King! Fuck off”.

It’s not the primary time the bands have come to blows. Again in April, the Fats White Household frontman accused them of “grandstanding on that woke ticket”.

In a dialog with The Unbiased, he stated on the time: “I don’t thoughts bands being uninteresting or no matter, honest sufficient, however once you’re grandstanding on that woke ticket I simply discover that anathema to what rock n’ roll actually is, which is the reprobates. That is freak nation. We don’t carry that sort of factor in right here.”

Sleaford Mods‘ Jason Williamson has additionally beforehand weighed in, and accused IDLES of “appropriating a working class voice”.

Saodui once more took a swipe following these feedback, backing Williamson by saying: “The very last thing our more and more puritanical tradition wants proper now could be a bunch of self neutering center class boobs telling us to be good to immigrants; you would possibly name that artwork, I name it sententious pedantry.”

Throughout IDLES’ set final night time, Talbot defined ‘Danny Nedelko’ was “a celebration of the bravery and the onerous work of the immigrants who constructed our nation,” and a pretend life-raft bearing life jacket carrying dummies labored it’s approach by the group.

Though it’s now emerged that the migrant boat float was a Banksy piece the band have been unaware of, the politically charged tone of their set drew extremely diversified reactions.

In a four-star overview, NME wrote: “[Talbot] repeatedly publicizes “Viva Palestina!”, incites a crowd to bellow “Fuck the King!” and calls for a circle pit so large it makes “the entire fucking area spin”. He nearly will get his want.”





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