Hydraulix Leaves No Stone Unturned With Adrenaline-Fueled EP, "Publicity"

There is no higher time to turn out to be acquainted with Hydraulix than along with his model new EP, Publicity.

The Australian bass music star sticks to his weapons on his newest effort, a no-holds-barred, bass-fueled effort that is meant to be performed loud. 

From the outset of “Reese’s Puffs,” which kickstarts with the ominous grind of distorted bass and trembling keys, the challenge blasts off with a tone-setting rush of frenetic synths, barking vocals and pure adrenaline.

Not one to take his foot off the fuel, Hydraulix retains up the motion on the glitched-out “Curler Coaster,” a grungy entice tune that pairs bellowing vowel basses with gated results to blitz the senses. His psychedelic sound design sensibilities are additional felt on the EP’s nearer, “Trippy Shit,” a monitor that hardly yields a respiration second as Leotrix and Hydraulix stomp throughout the end line, going bar for bar with probably the most high-octane synths they might muster.