Crystal Skies share final single of ‘Not Since When’ rollout, ‘Gone’ with MitiS and Linney – Dancing Astronaut


by: Zach Salafia


Jan 15, 2022

Two worlds of melodic-bass collide when Crystal Skies and MitiS crew up. “Gone” that includes Linney makes it a whole trilogy of collaborations between the 2 following “Wait” that includes Monika Santucci and “Forgotten,” from Misplaced, which was included amongst our high digital albums of 2021. The Misplaced In Goals-supported single options anthemic builds and melodic drops over easy vocals from Linney. It’s as evenly break up as a collaboration will get and is the final single from Crystal Skies’ debut album Not Since When, set to launch on February 11.

Crystal Skies have change into synonymous with Insomniac’s new melodically targeted label Misplaced In Goals. “Gone” marks their seventh launch on the budding new label—essentially the most of any artist on the label thus far. MitiS is coming off a banner 2021 that noticed the discharge of his Ophelia Data-backed album, Misplaced. “Gone” is his first launch since his sophomore album.

Featured picture: Hutch

Tags: crystal skies, LINNEY, Misplaced In Goals, Mitis

Classes: Music





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Gramatik’s “Water 4 The Soul II” Album Is An Ode to Rising Blockchain Applied sciences – EDM.com

“Strap in your headsets and collect all of your belongings,” instructions Stehreo within the introduction of Gramatik’s new album, Water 4 The Soul II.

Gramatik’s ardour for blockchain know-how is nothing new, however his newest effort reveals the multi-genre producer has solely turn into extra entrenched and enamored with the guarantees of the metaverse, digital collectibles and extra. 

The nine-track effort is simply out there on blockchain-based streaming platform Audius so far, and is chock filled with nods to rising cryptocurrency tech with titles like “Wagmi Categorical” and “Hodlers in Paris.” Musically, Gramatik continues to derive inspiration on the intersection of funk and digital with twangy pluck basses, jazzy piano riffs, and vigorous brass fanfare.





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LP Giobbi takes a piano-focused strategy to flip of DJ Rae, David Morales’ ‘Simply One thing I am Going Via’ – Dancing Astronaut


by: Sami Weisband


Jan 15, 2022

Lauded for her capability to curate effervescent and vibrant instrumental beats, certainly one of Dancing Astronaut’s Artists to Watch in 2022 LP Giobbi has delivered yet one more evocative manufacturing, this one a rework of DJ Rae and David Morales‘ 2021 single, “Simply One thing I’m Going Via.” This newest reduce follows her disco alignment with Born Soiled, “24.”

Including buoyant piano-house to the emotive lyricism, Giobbi brings a little bit of levity to the introspective monitor. Like a lot of her originals and remixes, the Deadhead producer, who was slated to carry out at Lifeless and Firm‘s Enjoying In The Sand competition in Tulum, Mexico, brings a way of hope and optimism to her listeners’ world.

Featured picture: Dave Costantini

Tags: artist to look at 2022, David Morales, DJ Rae, lp giobbi, remix

Classes: Music





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Bonobo picks up the ‘Fragments’ on his seventh LP – Dancing Astronaut


by: Ariel King


Jan 15, 2022

After placing up mysterious billboards around the globe in October to get followers guessing as to what he had up his sleeve, Bonobo has delivered his seventh studio album, Fragments. Led by the singles “Rosewood,” “Tides,” “Otomo,” “Shadows,” and “From You,” Fragments boasts a tracklist stitched along with crooning vocals and soft-textured manufacturing.

Arriving by way of Ninja Tune, Fragments kicks off with the glistening “Polyghost,” winding its manner by way of harmonies and deep vocals, whereas serving as a welcome hear for individuals who have caught with Bonobo all through the years. Stream Fragments under.

Featured picture: @grantspanier/Instagram

Tags: Bonobo, Fragments, Ninja Tune

Classes: Music





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Medical doctors Develop Music-Making App to Battle Mind Fog In Most cancers Sufferers – EDM.com


Medical doctors from the College of Cincinnati are researching revolutionary methods to battle mind fog, and a brand new research has examined the waters of digital music remedy.

In response to a report by WFMZ-TV, neuro-oncologist Dr. Soma Sengupta and her staff have developed an app referred to as ARMcan Energetic Receptive Music, which harnesses music remedy to permit customers to create their very own songs.

“I wished an app that would enable sufferers to precise their musical skill,” Sengupta stated. “In different phrases, to have musical turns the place you can overlay genres and create your personal music monitor.”





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Gabry Ponte, R3HAB, Timmy Trumpet give turbulent tackle Blondie’s 1980 hit ‘Name Me’ – Dancing Astronaut


by: Dancing Astronaut Employees


Jan 14, 2022

As soon as a member of the enduring 90’s outfit Eiffel 65, Gabry Ponte has had a protracted and illustrious profession, nonetheless, his current surging success, it looks like the Italian hitmaker’s greatest days are nonetheless forward of him. Ponte kicks off 2022 alongside two of dance music’s most interesting, bringing in R3HAB and Timmy Trumpet for a turbulent electro rendition of Blondie‘s 1980 smash, “Name Me.”

Greater than 30 years after the unique’s launch, Gabry Ponte, R3HAB, and Timmy Trumpet’s “Name Me” feels as contemporary as ever. Pitched up vocals, electro triplets, and a scathing 140+ beats per minute make the brand new launch a chief candidate for the whole lot from the membership to a exercise playlist.

This isn’t the primary time that Gabry Ponte has crossed paths with both R3HAB or Timmy Trumpet. Simply final yr, Gabry and R3HAB joined for the discharge of “The Portrait (Ooh La La),” and was featured on the title monitor of Timmy Trumpet’s Mad World LP only a yr prior. Hearken to the three dance titans’ newest monitor, “Name Me” beneath.

Featured picture: Press

Classes: Music





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Tchami, AC Slater jumpstart label tour with 10-track compilation, ‘Confession X Night time Bass: The Album’ – Dancing Astronaut


by: Ross Goldenberg


Jan 14, 2022

Tchami and AC Slater co-directing a label tour was one factor, however pulling collectively the best names from each the Confession and Night time Bass expertise swimming pools for an all-original compilation is one thing fully totally different. In becoming celebration of the 11-stop Confession vs Nightbass marketing campaign’s opening evening in Denver, the 2 label bosses rounded up the very names which might be set to affix them throughout the approaching weeks for a undertaking that the home music world might have solely conjure up in its goals.

Confession X Night time Bass: The Album‘s opening sequence couldn’t be piloted by anybody apart from Tchami and AC Slater themselves, calling in Kate Wild—who simply shared a title with the latter on “Inexperienced Mild“—for “Solely One” to function a reunion between the 2 home greats greater than a half-decade faraway from 2015’s “Lacking You.” The co-chaired label enterprise merely piles on the home magic on from there, with Marten Hørger and BRANDON linking up on “Let’s Strive It,” adopted by Blossom, BIJOU and Rick Hyde, Nostalgix, Shift K3Y, Capozzi, Masteria, Taiki Nulight, and in the end capping off with Habstrakt’s bass home enterprise of Tchami and Stacy Barthe’s future home basic, “After Life.”

Put together for one in every of 2022’s must-see excursions with the total compilation under and buy tickets to witness it in motion here.

Featured picture: Tchami/Instagram

Tags: ac slater, bijou, Blossom, Capozzi, confession, Habstrakt, kate wild, Masteria, nightbass, nostalgix, rick hyde, Shift K3y, taiki nulight, Tchami

Classes: Music





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Subtronics Unleashes Large Debut Album ‘FRACTALS’


After over one 12 months of manufacturing, the most important Subtronics challenge thus far has lastly arrived on his personal Cyclops Recordings: the debut full-length Subtronics album FRACTALS spans 16 one-of-a-kind tracks starting from face-melting bass anthems to electro pop-adjacent cuts to leftfield experiments in sound.

“I’ve wished to speak about this album for thus lengthy,” Subtronics stated. “I’m overly clear about my inventive course of, so not having the ability to share it with everybody has been an adjustment. I’ll say, I’ve poured a lot emotional, psychological, and mawkish weight into it. Placing such an enormous challenge on the market, one thing that I’ve been engaged on for nicely over a 12 months, is sort of terrifying. I’ve reworked each element of each monitor, made enhancements, and constructed a universe round all of it. I’ve positively advanced and grown with my sound design and I’m past excited to share FRACTALS with everybody.”

FRACTALS opens with the epic “O.P.U.S.” to set the stage, a monitor that Subtronics stated fairly actually exploded out of him whereas he made it in a single sitting. “I do not know what occurred,” he stated. “I used to be at my desk, hitting keys aimlessly, whereas exploring Kontakt libraries and it introduced me a lot pleasure. Very meditative. I hope it feels as highly effective emotionally for everybody else because it does for me after I hear it. Closing my eyes and turning the intro up full quantity at all times teleports me again to the place I used to be after I began to aimlessly play with chords throughout the lockdown in 2020.”

The album brings again singles “Spacetime” with NEVVE, “Gassed Up” with Zeds Lifeless and Flowdan, in addition to fan-favorite “Griztronics II” with Griz. Different standouts on the album embody “Take Flight VIP” with Sullivan King and “Into Items” with Grabbitz, whose vocals and contributions by no means appear to overlook the mark. There’s additionally “FUNcKED” which lets Subtronics discover a bouncier facet of bass music.

Try the complete album beneath. Along with the discharge of FRACTALS, Subtronics embarks on his large 53-date tour throughout North America starting January 14 in Seattle — full dates and tickets here.

 

Picture through Rukes.com



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Crystal Skies and MitiS Reunite With Linney for Melodic Bass Anthem, “Gone” – EDM.com


Longtime collaborators MitiS and Crystal Skies have teamed up with Linney for “Gone,” out now on Insomniac’s Misplaced in Desires imprint.

“Gone” is one thing followers of MitiS and Crystal Skies’ earlier collaborations will undoubtedly gravitate to. Linney’s stentorian vocals lead listeners right into a dreamy soundscape painted with melancholic guitar riffs, natural percussive parts, and refined piano chords. Because the drop makes its method in, its synths take centerstage, curating that heartfelt future bass sound all of us crave from this pairing of producers.

“Gone” is the primary single from Crystal Skies’ forthcoming debut album, which is due out on February eleventh, 2022. With a little bit below a month till the total document drops, keen followers ought to hold their eyes peeled on the duo’s socials beneath for extra info in addition to further singles.

Hearken to “Gone” beneath and discover the monitor on streaming platforms here.

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FOLLOW MITIS:

Fb: facebook.com/MitisMusic
Twitter: twitter.com/MitisOfficial
Instagram: instagram.com/Mitis
Spotify: spoti.fi/3iY4G6l

FOLLOW CRYSTAL SKIES:

Fb: facebook.com/crystalskiesofficial
Twitter: twitter.com/ItsCrystalSkies
Instagram: instagram.com/crystalskiesofficial
Spotify: spoti.fi/37BCCTM

FOLLOW LINNEY:

Fb: facebook.com/linneyofficial
Twitter: twitter.com/linneyofficial
Instagram: instagram.com/linney
Spotify: spoti.fi/33ARzWg





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Lane 8 previews ‘Reviver’ one final time on first of two Solomon Gray reunions, ‘Computerized’ – Dancing Astronaut


by: Ross Goldenberg


Jan 14, 2022

The one-day countdown till Reviver is on and with Lane 8’s fourth album now a close to shot, he opted to offer a fourth and last preview of what’s to come back later this month. Only a week faraway from his year-opening winter mixtape and handful of hours following his Coachella lineup placement, Lane 8 has recalled British singer-songwriter duo Solomon Gray to give up “Computerized” as one in every of two looming crossovers on Reviver.

Equivalent to fellow Reviver contributor Arctic Lake, Solomon Gray have crossed paths with Lane 8 a few instances earlier than—on each “Hot As You Want” and “Diamonds“—and are set to again a pair of productions on the This By no means Occurred founder’s latest LP. “Computerized”—in any other case referred to as ID4 from Lane 8’s “Winter 2021 Mixtape”—diversifies the dancefloor-driven mindset of Reviver for a fourth successive time, stunningly complimenting Lane 8 and Solomon Gray’s respective manufacturing and lyrical synergy and becoming a member of “Nuclear Lethargy,” “What Have You Completed To Me?” and the album’s title monitor to reaffirm the sheer pleasure everybody has for January 21.

Featured picture: Fixation Images

Tags: Lane 8, Reviver, Solomon Gray, this by no means occurred

Classes: Music





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