Bensley talks the sonic shift that his ‘Cascade’ EP embodies [Interview] – Dancing Astronaut


by: Ariel King


Aug 2, 2021

In 2011, dubstep was within the throes of its golden period, and a 16-year-old Peter Bennett—now higher identified by his Bensley stage identify—attended his first music pageant. Whereas initially there to listen to some dubstep, he discovered himself drawn extra to the drum ‘n’ bass acts, standing within the crowd as greats resembling Noisia and Pendulum took the stage.

The pageant marked a turning level for Bennett, who initially tried his hand at producing dubstep however afterward, started to develop his drum ‘n’ bass skills. The Bensley moniker was born, and shortly thereafter, the Canadian producer spent 5 years solely signed to RAM Data, via which he would launch two albums.

Reverting again to free agent standing in early 2020, Bensley started to develop his sonic horizons. Zeds Useless had lengthy been supporters of Bensley, enjoying his tracks on their Deadbeats Radio present. Along with his Cascade EP, disseminated through Deadbeats, Bensley steps away from drum ‘n’ bass to lean into a brand new type of sound. In an interview on Cascade with Dancing Astronaut, Bensley mentioned,

“I’m making an attempt to grow to be a bit extra of a multi-genre artist I suppose. Like, drum ‘n’ bass continues to be my real love, however I don’t need to be generally known as somebody who solely releases drum ‘n’ bass, and Zeds Useless are among the most profitable multi-genre artists there are within the digital scene, so I actually admire having their assist on this.”

Cascade options lo-fi sounds, pulling from dubstep breakbeat downtempo, home, and trance. The EP, which incorporates one purely drum ‘n’ bass lower, “In My Head,” first got here to fruition shortly after he left RAM, Bensley mentioned. He sat all the way down to create the tracks in a virtually trance-like state:

“I used to be simply tremendous impressed to make one thing bizarre and funky. Some tracks simply write themselves and I really feel like these ones have been an ideal instance of that.”

The Cascade EP was led by its title observe, which featured deeper melodies that spearheaded Bensley’s new inventive course. Falling away from his drum ‘n’ bass roots, the observe encompasses his experimentation whereas sustaining components of the model he’s labored to curate over time.

“Me and Deadbeats each agreed that that was the one which stood out as being totally different in all the nice methods. Prefer it nonetheless has the qualities of one thing that sounds actually massive and grand, particularly within the second half. The opposite tunes on the EP are a bit extra understated and chill. However this one, I consider the second drop is admittedly essentially the most highly effective a part of the EP,” Bensley mentioned of “Cascade.”

The next three inclusions embody Bensley’s goal to grow to be extra genre-fluid. Bensley admits that this concluding triplet, which melds collectively varied genres, might be laborious to outline, however components of breakbeat downtempo, home, and trance might be heard all through them.

“I’m not making an attempt to disregard my roots on this EP or something, so it was undoubtedly essential to get the drum ‘n’ bass tune early on as properly,” Bensley mentioned. “However the third and the final one, ‘Dream On,’ is like actually lo-fi and sonically it’s tremendous totally different from the remainder of the tracks on the EP. So I assumed having that as extra of an outro can be the perfect place to have it quite than like breaking apart the move of the EP.”

Together with the discharge of the EP, Bensley and different members of the Deadbeats crew headed off to Niagra Falls to shoot a music video for “Cascade.” Impressed by a go to a number of years again the place the carousels and retailers have been empty and practically deserted, the music video works to focus on the eerie distinction of bustling crowds and visiting households with shuttered storefronts and lonely carousels.

“The desolate nature of it clearly got here again in an enormous approach when the pandemic got here by, and the companies couldn’t even be open, so we determined to make a music video form of exhibiting the distinction,” Bensley mentioned.

Bensley hopes to proceed sharing drum ‘n’ bass with North America as he expands his sound within the digital area, rising his sound whereas testing the waters of various labels.

Featured picture: Paul Ignatio

Tags: Bensley, Cascade, Deadbeats, Drum & Bass, lo-fi

Classes: Options, Music





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Gianluca Vacchi & Bracket – Africa Ya (ft. Flori Del Pino & NEVRMIND)


Gianluca Vacchi delivers the musical pick-me-up of the summer time with a tropical remake of Bracket’s world hit ‘Mama Africa’. The unique tune was an on the spot hit when it got here out in 2014 and landed #1 on numerous music charts each in Italy and Spain whereas peaking within the high 20 throughout numerous Latin American, African, and Jap European nations. Amassing over 75 million views on YouTube alone, globally famend DJ/producer Gianluca Vacchi determined to deliver again the hit with an exuberant rework.

Working with Bracket allowed Gianluca to remain true to the unique, complimenting the African influences together with his signature levitating sounds. With a extra upbeat tempo, extra clapping drums, and groovy accents, the Italian producer creates a easy summer time ambiance that lifts the unique monitor to a lighter model which is assured to deliver everybody on their toes.

“I instantly fell in love with the tune when it got here out and at all times wished to make my very own model of it. It is wonderful that I obtained the chance to make a world monitor, mixing totally different languages to signify the union of the world by means of music. I actually just like the African vibes and it was an honor to work with Bracket on the remake of their very own tune seven years later and to collaborate with my buddies NEVRMIND and Flori Del Pino,” – Gianluca Vacchi

“I bear in mind when Gianluca reached out to me for this collaboration, I used to be instantly down and all I can say is that it’s a enormous honor to be a part of the remake of such a legendary tune!’‘ – Flori Del Pino.

With a formidable collaboration catalogue and help from the trade’s greatest names, NEVRMIND brings his smooth tones to the monitor. On the monitor, NEVRMIND says, “I’m so excited to be part of such a world love document. Within the gentle of what’s happening in my nation Haiti, there’s no higher time to unfold love than now. This ones for you, ayiti chérie.” 

The same message of affection and unity was shared by the unique monitor’s artists, Bracket, “Let love lead regardless of the place you come from, the color of your pores and skin, your tradition, or faith. Love will at all times unite nations collectively, let love lead!”

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Watch St. Vincent carry out ‘Los Ageless’ from her Down and Out Downtown livestream


St. Vincent has shared a reside efficiency of her observe ‘Los Ageless’ from her forthcoming Down and Out Downtown live-streamed live performance.

‘Los Ageless’ was recorded for St. Vincent’s second-most current album, 2017’s ‘MASSEDUCTION’. For the efficiency, nonetheless, the singer organized the observe to suit extra to the ’70s-inspired aesthetics discovered all through her newest launch, ‘Daddy’s Residence’.

Watch the efficiency beneath:

St. Vincent introduced the Down and Out Downtown live performance final month in assist of ‘Daddy’s Residence’, which arrived in Might. Her first-ever digital live performance will happen on August 4 and August 5 (relying on territory).

The singer – actual title Annie Clark – additionally premiered her performance of ‘Down’ on The Tonight Present Starring Jimmy Fallon final month.

A synopsis for the present reads: “‘Down and Out Downtown’ is a sepia toned tour de pressure of gritty grooves, hungover glamour and spellbinding musicality. From rollicking full band rave-ups to delicate acoustic interludes, ‘Down and Out Downtown’ brings the ’70s-inspired sensibilities of ‘Daddy’s Residence’ to life in a celebration of unforgettable songs and peerless musicians.”

St. Vincent’s Down and Out Downtown Band is made up of Justin Meldal-Johnsen (bass), Jason Falkner (guitar), Rachel Eckroth (keys), Mark Guiliana (drums), and backing vocalists Nayanna Holley, Sy Smith and Neka Hamilton.

NME gave ‘Daddy’s Residence’ 4 stars upon its launch, writing, “her trademark dry humour meets a sunnier sonic palette influenced by Bowie and Sly and The Household Stone.”





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Disco Donnie Presents & Higher Left Staff Up To Deliver Diplo’s Larger Floor Occasion To Seattle


Disco Donnie Presents (DDP) by no means fail to impress us with the reveals they create everywhere in the United States. DDP (and their 16,000+ occasions) have helped to develop love for dance music immensely, showcasing an unbelievable array of expertise and bringing in superb native companions to placed on what’s all the time an unforgettable present for artists and followers alike.

DDP has been concerned within the Pacific Northwest for a while, particularly Portland, however up till lately, haven’t stepped foot in Seattle. The exit of USC Occasions (Paradiso) left an enormous query as to who would fill the footwear. Cue Seattle’s premiere firm for producing a number of the most interesting EDM occasions, Higher Left Stay, led by CEO Sean Majors.

Sean is a real pioneer, held in excessive regard regionally and nationally for the work he does in producing exceptional occasions. 2020 was a heartbreaking 12 months for Majors in what he went via, however his spirit has remained robust. Right here’s what Sean needed to say regarding the DDP partnership and life via the pandemic:

Really heartfelt phrases, ending with a declaration that may’t assist however give us again that pleasure to be again at reveals collectively. Now, with DDP & Higher Left coming collectively, it is smart that their very first present is bringing the largest DJ on the planet, Diplo, and his Larger Floor occasion to Seattle.

Becoming a member of Diplo can be a stacked lineup together with Dom Dolla, Walker & Royce, VNSSA, LP Giobbi, and Subset. It’s protected to say that your complete metropolis is buzzing with anticipation for August 15 for what would be the greatest occasion to occur within the Emerald Metropolis since Covid.

If you happen to dwell in or can be across the space, be sure you get your ticket, as a result of they’re promoting quick!

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Thomas Xavier makes an announcement with ‘Cannot Cease Me’ – Dancing Astronaut


by: Rachel Narozniak


Aug 2, 2021

“Can’t Cease Me” isn’t simply the title of Thomas Xavier‘s “Ballin” successor—it’s additionally a pithy expression of Xavier’s presence within the digital scene. TLDR? He and his sound warrants consideration, and just like the listeners who tapped in early following Xavier’s debut, made via Go To Church in Might, your sights ought to be set on a burgeoning venture that’s positively burning up the G-house nook.

“Ballin,” the primary single from Xavier’s sophomore EP, Pussy On A Pedestal, added some slick head bobbing motion to New Music Friday roundups upon its June 11 issuance. Xavier continues this early custom with “Can’t Cease Me,” a shuffling quantity peppered with percussion and laced with a looping vocal pattern that proves the Xavier venture to be sturdy with promise.

Because the launch of the Thomas Xavier initiative in Might, the Milwaukee-anchored act has signed EPs with Consumer Pleasant and i’m information and supplied assist for BIJOU‘s July 3 stint. He’ll be again to open for Golf Clap on August 12, in a vigorous lead-up to his Pussy On A Pedestal EP, with two pre-release singles nonetheless but to return.

“Can’t Cease Me” is out now through i’m information.

Tags: Ballin, G-Home, Thomas Xavier

Classes: Music





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Sam Feldt – The Riddle (ft Lateshift)


DJ and producer Sam Feldt goals to seek out the reply to the everlasting query of real love with model new Lateshift collaboration ‘The Riddle’.

Dripping with sunshine vibes and oozing the type of summer time warmth that ought to see it populating the world’s largest playlists, ‘The Riddle’ is Sam Feldt in his absolute factor. Rising, syncopated piano progressions, padded percussion, and undulating grooves open up into hands-in-the-air inducing vocal sections courtesy of Lateshift.

“After connecting with Lateshift (Danny & Dom) through the first Heartfeldt writing camp in Scotland again in October 2019, we stayed in contact and continued to work on songs collectively,” Sam Feldt mentioned. “‘The Riddle’ is the primary one we at the moment are premiering with the world, and I’m tremendous pleased with the consequence. I really feel like ‘The Riddle’ is a quintessential Sam Feldt hit, with sturdy melodies and uplifting vibes throughout. I am unable to wait to listen to what my followers consider it!” 

A feel-good smash that works simply as effectively within the automotive with the highest down because it does on the dance flooring, when the world wants a dose of the great things Sam Feldt and Lateshift are proper there to oblige with ‘The Riddle’.





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Shamir declares his first e-book, ‘However I am a Painter’


Shamir has introduced his debut e-book, However I’m a Painter, will arrive on August 27 by way of Bottlecap Press. The blended media chapbook, printed beneath his full identify Shamir Bailey, will characteristic essays written about work he’s created over the past six years.

“I began portray as a toddler earlier than I even picked up the guitar. Though music engulfed my life, portray was at all times my past love,” Bailey commented in an accompanying assertion.

“However I’m a Painter begins with me disillusioned after a rocky descent into the music trade, desperately looking for a artistic outlet that didn’t really feel instantly exploited.

“Rediscovering my love of portray helped me get in contact with my internal baby and granted me catharsis at instances when music and writing weren’t sufficient. However I’m a Painter chronicles my work and the tales behind them. It’s an perception into the thoughts of an artist who’s scrapbooking their life by way of a paintbrush.”

Again in March, Bailey contributed a canopy of Sharon Van Etten’s ‘Dsharpg’ as a part of the tenth anniversary version of Van Etten‘s album ‘Epic’. Again in June, it was introduced that he would be part of Courtney Barnett for a string of US reveals in early 2022.

Bailey launched his seventh studio album, the self-titled ‘Shamir’, in October of final yr. In a four-star overview, NME referred to as it a “vastly centered” and “jubilant” report.

“‘Shamir’ is the sound of a persistently evolving artist reclaiming their path and making the music they wish to make. His seventh, self-titled album is the sound of an artist who’s lastly discovered his musical dwelling.”





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Annie Mac Says Goodbye to BBC Radio 1 with Remaining Heartfelt Signal-Off [WATCH]


After 17 years, dance music icon Annie Mac ended her legendary run at BBC Radio 1 with an emotional, heartfelt message.

For her remaining sign-off on BBC Radio 1, Annie Mac thanked her dad and mom for years of assist and performed out one final music, “Knights of the Jaguar” by DJ Rolando. She reminded listeners that life is brief — and each time the music is nice, to stand up and dance.

Annie Mac shares within the video under:

Thanks. Thanks for having me. Thanks for all the pieces. I’m gonna maintain going. I’m gonna maintain, hopefully, with the ability to deliver you music in different methods — and writing and no matter comes my approach. The final 17 years have been probably the most superb, magical expertise. Thanks a lot for listening.

Since 2004, the radio persona, DJ and tastemaker has shared one of the best in dance music from all world wide, as featured on Radio 1’s Future Sounds with Annie Mac and Radio 1’s Dance Social gathering with Annie Mac.

Watch under and stream Annie’s Final Ever Dance Social gathering Present here!

 





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Spada Unleashes Progressive Gem With “Ibiza ’89”


“Ibiza ’89” is the debut single of Spada on Black Gap Recordings’ foremost imprint, and what a debut it’s.

A up to date progressive home and trance membership weapon for the spin on the basic home sound that interlocks huge synth chords with the loveliest of Balearic vibes, “Ibiza ’89” reveals all of the hallmarks of an evergreen Ibiza anthem. This will likely be a precedence within the luggage of the most well-liked trance DJs throughout the globe, particularly on the white isle.





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Dizzee Rascal charged with assaulting a girl in a “home argument”


Dizzee Rascal has been charged with assaulting a girl in a “home argument” at her south London residence, police have confirmed.

The rapper, actual identify is Dylan Mills, was arrested on June 8 on suspicion of frequent assault and was later launched on bail. He was charged right this moment (August 2) and is because of seem at Croydon Magistrates’ Court docket on September 3.

Metropolitan Police mentioned [via The Sun]: “Dylan Mills, 36, of Sevenoaks, Kent, has been charged with assault after an incident at a residential deal with in Streatham on 8 June.

“Officers attended and a girl reported minor accidents. She didn’t require hospital therapy. Mills is because of seem at Croydon Magistrates’ Court docket on Friday, 3 September.”

NME has reached out to Dizzee Rascal’s representatives for remark.

Dizzee Rascal. CREDIT: Simone Joyner/Getty Photographs

In different information, final month the rapper mentioned that he thinks Glastonbury competition organisers have been “scared” to make him a headliner. He has performed the competition a number of occasions earlier than however has by no means carried out on the prime spot.

“I ought to have headlined Glastonbury,” he advised Chuckie On-line on the JD In The Duffle Bag Podcast. “I’ve accomplished Glastonbury since I believe 2008, may need been the primary time I did it.

“I used to be one from the headline, after which somebody dropped out, so they need to have moved me up, however then they placed on Gorillaz or somebody,” he mentioned, referring to the 2010 version of the competition the place he was on the invoice after Snoop Dogg, Willie Nelson and Vampire Weekend – and was one spot under headliners U2.

U2 have been pressured to drag out of the competition that yr when frontman Bono suffered a again damage. Dizzee mentioned he felt like he ought to have been made a headliner.

Requested why he thought they opted to go along with the Damon Albarn-led outfit as an alternative of him, he answered: “It’s the boldness, they didn’t have the boldness.

“Although they’d seen me smashing the shut out of it, they have been simply scared. After which Gorillaz got here on, and no offence to them, however you’re not getting the identical factor.”





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