ZHU Reveals His Next Album is Complete

Fans of the ever-mysterious ZHU were ecstatic to learn that he has finished working on his next album.





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KAYTRANADA wins big at 2021 Grammy Awards [Updated Live] – Dancing Astronaut KAYTRANADA wins big at 2021 Grammy Awards [Updated Live]


by: Rachel Narozniak


Mar 14, 2021

There is perhaps no better reflection of the character of a given year in music than the Grammy Awards. Poised to chart its 63rd annual ceremony this evening at the Staples Center in Los Angeles, “the biggest night in music” will bear witness to performances from some of the largest acts in the industry, while recognizing some of the most highly celebrated releases of the year.

KAYTRANADA swept the “Best Dance Recording” and “Best Dance/Electronic Album” fields, host of the Grammy Awards Premiere Ceremony Jhené Aiko announced during the live Grammy prelude, broadcast at 3:00 p.m. EST / 12:00 p.m. PST. The producer’s Kali Uchis feature “10%” outpaced Diplo and SIDEPIECE‘s “On My Mind,” Disclosure‘s “My High,” Flume and Toro y Moi‘s “The Difference,” and Jayda G‘s “Both Of Us” for “Best Dance Recording” honors. On the “Best Dance/Electronic Album” end, KAYTRANADA’s BUBBA was declared the victor over fellow nominees KiCk I (Arca), PLANET’S MAD (Baauer), ENERGY (Disclosure), and Good Faith (Madeon).

The 2021 awards ceremony, hosted by Trevor Noah, will air live at 8:00 p.m. EST / 5:00 p.m. PST on March 14 on CBS. Dancing Astronaut will update the list of Grammy nominees to denote the winner for each category as the results are announced.

GENERAL FIELD

Best Dance Recording:
“On My Mind” — Diplo and SIDEPIECE
“My High” — Disclosure featuring Aminé and slowthai
“The Difference” — Flume featuring Toro Y Moi
“Both of Us” — Jayda G
“10%” — KAYTRANADA featuring Kali Uchis

Best Dance/Electronic Album:
KiCk i — Arca
PLANET’S MAD — Baauer
ENERGY — Disclosure
BUBBA — KAYTRANADA
Good Faith — Madeon

Record Of The Year:
“Black Parade” — Beyoncé
“Colors” — Black Pumas
“Rockstar” — DaBaby Featuring Roddy Ricch
“Say So” — Doja Cat
“Everything I Wanted” — Billie Eilish
“Don’t Start Now” — Dua Lipa
“Circles” — Post Malone
“Savage” — Megan Thee Stallion Featuring Beyoncé
 
Song Of The Year:
“Black Parade” — Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim “Kaydence” Krysiuk & Rickie “Caso” Tice, songwriters (Beyoncé)
“The Box” — Samuel Gloade & Rodrick Moore, songwriters (Roddy Ricch)
“Cardigan” — Aaron Dessner & Taylor Swift, songwriters (Taylor Swift)
“Circles” — Louis Bell, Adam Feeney, Kaan Gunesberk, Austin Post & Billy Walsh, songwriters (Post Malone)
“Don’t Start Now” — Caroline Ailin, Ian Kirkpatrick, Dua Lipa & Emily Warren, songwriters (Dua Lipa)
“Everything I Wanted” — Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)
“I Can’t Breathe” — Dernst Emile II, H.E.R. & Tiara Thomas, songwriters (H.E.R.)
“If The World Was Ending” — Julia Michaels & JP Saxe, songwriters (JP Saxe Featuring Julia Michaels)
 
Album Of The Year:
Chilombo — Jhené Aiko
Black Pumas (Deluxe Edition) — Black Pumas
Everyday Life — Coldplay
Djesse Vol. 3 — Jacob Collier
Women In Music Pt. III — Haim
Future Nostalgia — Dua Lipa
Hollywood’s Bleeding — Post Malone
Folklore — Taylor Swift
 
Best New Artist:
Ingrid Andress
Phoebe Bridgers
Chika
Noah Cyrus
D Smoke
Doja Cat
Kaytranada
Megan Thee Stallion
 
Best Pop Duo/Group Performance:
“Un Dia (One Day)” — J Balvin, Dua Lipa, Bad Bunny & Tainy
“Intentions” — Justin Bieber Featuring Quavo
“Dynamite” — BTS
“Rain On Me” — Lady Gaga with Ariana Grande
“Exile” — Taylor Swift Featuring Bon Iver
 
Best Pop Vocal Album:
Changes — Justin Bieber
Chromatica — Lady Gaga
Future Nostalgia — Dua Lipa
Fine Line — Harry Styles
Folklore  — Taylor Swift

 
Best Rock Performance:
“Shameika” — Fiona Apple
“Not” — Big Thief
“Kyoto” — Phoebe Bridgers
“The Steps” — HAIM
“Stay High” — Brittany Howard
“Daylight” — Grace Potter
  
Best Progressive R&B Album:
Chilombo — Jhené Aiko
Ungodly Hour — Chloe X Halle
Free Nationals — Free Nationals
F*** Yo Feelings  — Robert Glasper
It Is What It Is — Thundercat
 
Best Rap Performance:
“Deep Reverence” — Big Sean Featuring Nipsey Hussle
“Bop” — DaBaby
“What’s Poppin” — Jack Harlow
“The Bigger Picture” — Lil Baby
“Savage” — Megan Thee Stallion Featuring Beyoncé
“Dior” — Pop Smoke
 
Best Country Album:
Lady Like — Ingrid Andress
Your Life Is A Record — Brandy Clark
Wildcard — Miranda Lambert
Nightfall — Little Big Town
Never Will — Ashley McBryde
 
Best Jazz Vocal Album:
Ona — Thana Alexa
Secrets Are The Best Stories — Kurt Elling Featuring Danilo Pérez
Modern Ancestors — Carmen Lundy
Holy Room: Live At Alte Oper — Somi With Frankfurt Radio Big Band
What’s The Hurry — Kenny Washington
 
Best Latin Pop Or Urban Album:
YHLQMDLG — Bad Bunny
Por Primera Vez — Camilo
Mesa Para Dos — Kany García
Pausa — Ricky Martin
3:33 — Debi Nova
 
Best Americana Album:
Old Flowers — Courtney Marie Andrews
Terms Of Surrender — Hiss Golden Messenger
World On The Ground — Sarah Jarosz
El Dorado — Marcus King
Good Souls Better Angels — Lucinda Williams
 
Best Contemporary Blues Album:
Have You Lost Your Mind Yet? — Fantastic Negrito
Live At The Paramount — Ruthie Foster Big Band
The Juice — G. Love
Blackbirds — Bettye LaVette
Up And Rolling — North Mississippi Allstars
 
Best Global Music Album:
FU Chronicles — Antibalas
Twice As Tall — Burna Boy
Agora — Bebel Gilberto
Love Letters — Anoushka Shankar
Amadjar — Tinariwen
 
Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling):
Acid For The Children: A Memoir — Flea
Alex Trebek – The Answer Is… — Ken Jennings
Blowout: Corrupted Democracy, Rogue State Russia, And The Richest, Most Destructive Industry On Earth — Rachel Maddow
Catch And Kill — Ronan Farrow
Charlotte’s Web (E.B. White) — Meryl Streep (& Full Cast)
 
Best Music Film:
Beastie Boys Story — Beastie Boys
Black Is King — Beyoncé
We Are Freestyle Love Supreme — Freestyle Love Supreme
Linda Ronstadt: The Sound Of My Voice — Linda Ronstadt
That Little Ol’ Band From Texas — ZZ Top

Featured image: Brad Barket/Getty Images

Tags: 2021 Grammys, grammy awards, grammys

Categories: News






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NO PANTS PARTY Keep The Momentum Going With Another Rumbler – ‘HERE WE GO’


Already lighting a fire under multiple Beatport 2021 Hype Charts, LA duo No Pants Party come out swinging for spring with a huge new tech-house banger ‘Here We Go’, out now on Black Hole Recording sub-label Force Of Habit.

A bass-heavy cut that spits synth blips, tightly wound snare percussion, and roiling vocal samples with devastating precision, ‘Here We Go’ has all the hallmarks of a primetime festival weapon. Dripping with intent and produced with dark, dirty dancefloors in mind, it’s yet another effortlessly confident and unapologetically ferocious track from the act.

“The two things we spent a LOT of time with at beginning of creating this track were searching for the perfect knocking kick and crafting a big, rolling bassline,” said Jamie Hanrahan, “so when we found these vocal samples talking about “the kick and the bass” they felt like the perfect match, plus we loved the throwback vibe of them!”

No Pants Party – aka Hanrahan and studio partner Kiraleigh Bohannon – has swiftly carved out a reputation as a name to watch out for within the tech-house genre. Releasing on the likes of Toolroom, Wyldcard, Krafted, Hood Politics, LOW CEILING, and now Force Of Habit, which brings them into the powerful orbit of the Black Hole Recording family, the pair are regulars on the Beatport Hype Charts, having broken into the coveted Top 10 of the Tech-House Hype Chart last week.

“It’s been quite a year,” admitted Bohannon, “but we’ve really enjoyed connecting with our audience in new ways through live streams and virtual events during lockdown, and we’ve been so excited to see the response to the music we’ve been putting out during this time! However, our favorite thing has always been the energy of a packed venue and we absolutely can’t wait to dance with everyone again and play these tracks out in person!”

As the world takes its first expectant steps back towards live events and touring, the possibility of seeing No Pants Party tearing up dancefloors across the US and beyond might finally become more than just wishful thinking. “Here We Go” indeed…

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Blue Ivy Carter just won her first Grammy award at nine years old


Blue Ivy Carter, the daughter of Beyoncé and Jay-Z, just won her first Grammy award at the age of nine.

The musical couple’s child is credited on her mother’s song ‘Brown Skin Girl’, which appeared on Beyoncé’s visual album ‘Black Is King’.

The track was nominated in the Best Music Video category at this year’s Grammys, alongside videos from Future, Anderson .Paak, Harry Styles and Woodkid.

Beyoncé was announced as the category’s winner as the Grammys 2021 premiere ceremony got underway this evening (March 14). The victory makes Blue Ivy one of the youngest Grammys winners in history.

When the nominations were first revealed in November, the child also became one of the youngest nominees at the awards show. However, her name was not on the original list of nominees, but was added to the Recording Academy’s website later.

It’s not the first time Blue Ivy Carter has been recognised for her role in the song and its video. She, along with Beyoncé, Saint JHN and WizKid, won the Soul Train Award for video of the year last month, and also took out the Outstanding Duo, Group or Collaboration award at the NCAAP Image Awards in February.

She also secured her first Billboard 100 hit at the age of seven, when ‘Brown Skin Girl’ debuted at Number 76 on the charts.

Meanwhile, Beyoncé is nominated for nine awards at the Grammys tonight – the most for any artist this year. She has been confirmed not to appear, however, with the show’s producer saying she had chosen not to perform, despite leading the nominations.

You can follow along with all of the winners from tonight’s Grammys Awards here. 





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Nicole Moudaber & Club Space’s Alan T Work Magic in ‘The Volume / The Music’ EP [LISTEN]


Nicole Moudaber is a name that needs no introduction — and she recently dropped an enthralling new EP she describes as “the most important of her career.”

Featuring Club Space icon Alan T, “The Volume” and “The Music Is Mine” transport our minds into the thick of the night, to a time and place where the music, the volume control us. The double-threat release genuinely reminds us of what we’ve been missing out on, championing club culture to the utmost degree.

“The Volume” is a pure party starter, guided by Alan T’s hypnotic vocals and a rolling techno beat signature of Moudaber. Soft synths and hats build interest as the production heats up, then shaking rhythm adds to the mix before moving into the track’s entrancing heart and center. This is where Alan T really shines, leading into one more gentle yet impactful groove that drives “The Volume” even further into the night.

The official music video radiates club energy, featuring beautiful, colorful people, flashing lights and short cuts of Moudaber playing on stage, while Alan T takes to the megaphone. As the camera walks us up the stairs, we see painted words that resonate: TECHNO | LOVE | DEEP | CLUB SPACE | COEXIST | ALL NIGHT | NO HOMOPHOBIA | CLUB SPACE.

“The Music Is Mine” picks up with a heavy kick and spaced out vocals that reiterate and reverberate throughout the production. Delicate rave elements are introduced, moving in and out of the mix in organic fashion, carving out ample room to get lost in — and even surrender to — the music.

Needless to say, we have The Volume / The Music Is Mine EP on repeat. See the must-watch music video for “The Volume” and scroll down to hear both cuts from Nicole Moudaber and Alan T.

Nicole Moudaber ft. Alan T – The Volume (Official Music Video)

Nicole Moudaber – The Volume / The Music Is Mine



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Electric Zoo Announces Schedule for Day One of 2021 Festival

Those interested in spending their Labor Day Weekend at Electric Zoo can now begin planning their festival itineraries. Announced on Friday was the phase one lineup of the event’s first day. On Twitter, organizers shared a graphic revealing who would be performing at the opening of the weekend festival.





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Armin van Buuren supplies vintage trance mix of ‘Leave A Little Love’ – Dancing Astronaut Armin van Buuren supplies vintage trance mix of ‘Leave A Little Love’


by: Ross Goldenberg


Mar 14, 2021

Alesso and Armin van Buuren stunned just about everyone with the revelation of “Leave A Little Love” during February’s final days, but they aren’t walking away from it entirely. To satiate pleas from those searching for a more energetic reading of the single, the two dance music Goliaths have tripled down on their connection following its video game-oriented visual with the single’s club mix.

Originally advertised in A State Of Trance 1005, the companion mix saw Armin van Buuren extend his practice of pairing alternative versions to his releases, driving up every fiber of rapture that “Leave A Little Love” had initially fed. It’s not to say its first form was forgettable by any stretch of the imagination, but the ASOT honcho came through for progressive house and trance purists alike, as hope for both an Alesso self-remix and a further rework package lingers.

Featured image: ASOT/Twitter

Tags: alesso, armada, Armin Van Buuren, leave a little love

Categories: Music






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Fiona Apple explains why she won’t be attending tonight’s Grammys


Fiona Apple has explained that she won’t be attending tonight’s (March 14) Grammy awards in Los Angeles.

Apple is nominated for Best Alternative Music Album for her lauded 2020 record ‘Fetch The Bolt Cutters’, while that album’s track ‘Shameika’ is up for both Best Rock Performance and Best Rock Song.

In a video message posted via her Zelda Hallman’s Instagram today, Apple explained her reasons for not attending the ceremony, which, despite strict COVID-19 protocols, will be open for attendance by a number of nominees.

“It’s not because I’m trying to protest, even though I have problems with the Grammys, it’s not because of that,” she said.

“It’s really because I don’t want to be on national television – I’m just not made for that kind of stuff anymore. I want to stay sober and I can’t do that sober – it doesn’t feel safe to me to be under exposure, scrutiny, comparison to people. I can’t.”

Going on to recognise that “there’s been lots of questions about the transparency of the Grammys,” Apple added: “I feel like that’s important, but it’s not important.

“What really really is undeniably important is the transparency in actual court rooms,” she said, urging fans to sign a petition to keep court rooms, including the Prince George’s County court room in Maryland, where Apple is a court watcher.

In the wake of her Grammy nominations, Apple revealed that she considered boycotting the ceremony over Dr. Luke being nominated.

Speaking in a new interview with The Guardian, Apple discussed the Recording Academy’s decision to nominate the producer (under the pseudonym Tyson Trax) despite Kesha’s allegations that he sexually assaulted her.

“I keep going back to them putting Kesha on stage like, ‘We believe you’ – and I believe her – then two years later, fucking Tyson Trax. Not to go back to that word, but it’s bullshit,” she said.

Apple is part of the Best Rock Performance category at tonight’s awards, part of a list of nominees that is all-female for the first time in history.

Alongside Apple, the nominees include Phoebe Bridgers for ‘Kyoto’, ‘The Steps’ by Haim, ‘Stay High’ by Brittany Howard, Grace Potter’s ‘Daylight’, and ‘Not’ by Big Thief, the band fronted by Adrianne Lenker.





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Dillon Francis Transforms Dua Lipa’s “We’re Good” with Fierce House Remix [LISTEN]


Dillon Francis takes Dua Lipa‘s “We’re Good” for a spin in his latest remix, transforming the pop breakup ballad into a fierce house banger.

Dua’s voice serves as the muse, while Dillon counters her powerhouse performance with uplifting piano strikes and deep, rhythmic elements. He builds up the production layer by layer, before dropping the remix track into an unexpectedly gritty arrangement. Dua’s voice completely washes into the atmosphere out before coming back for another round.

While he’s well known for his transformative remixes, much of Dillon’s recent work has been collab-focused, including his 2021 single with Drove, “Places.” In 2020, Dillon teamed up with BabyJake and Evie Irie. Before that, he popped off in 2019 with Alison Wonderland, TV Noise, Eptic and more. In addition, he just revealed a collab with Illenium in the works.

This is the first time we’ve heard Dillon Francis and Dua Lipa together on the same track, and now our ears are begging for an official collaboration from the two.

Listen here!

Dua Lipa – We’re Good (Dillon Francis Remix)

 

Photo via Rukes.com



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EDM.com Presents Synth Sisters, Vol. 9


There is so much talent within the electronic music community that it’s difficult to keep a finger on its pulse. To assist you on your music discovery journey, EDM.com’s monthly “Synth Sisters” series illuminates releases from brilliant women of all genres and sizes with the hope of celebrating their contributions.





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