DJ Snake Tests Positive For COVID


All this week, we’ve been getting good news from DJ Snake as he’s teased his next single, “Selfish Love” with Selena Gomez, out next Friday. Unfortunately, that’s been followed up with news that DJ Snake has tested positive for COVID-19.

COVID cases in France have generally plateaued since the beginning of the year, averaging around 20,000 cases per 7-day period since January 13. According to VOA News, “The French government Wednesday said the COVID-19 situation is deteriorating in about 10 French regions, including the Paris-Ile-de-France area around the capital, and said it is considering additional restrictions to address the situation.”

Though, they’re reportedly doing all they can to avoid another lockdown.

We wish DJ Snake all the best and hope for a swift recovery!

 

Photo via Rukes.com





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Maximono’s Parasoul Music lifts off with ‘Tremblin’ [Q&A] – Dancing Astronaut Maximono’s Parasoul Music lifts off with ‘Tremblin’ [Q&A]


The idiom goes “when one door closes, another opens,” but in Maximono‘s case, it can be rescripted to state when one imprint closes, another initiates. The name “Maximono” is synonymous with stamina; after earning his sonic street creds in the late ’90s, the German innovator well-known for his marriage of facets of R&B, hip-hop, soul, funk, and drum ‘n’ bass became a fixture at labels such as Confession, Sweat It Out, Dirtybird, and This Ain’t Bristol, among others. After years spent garnering the experience necessary to be a discerning label head in a saturated musical space, Maximono is answering the retirement of the This Ain’t Bristol label with the conceptualization of Parasoul Music, an imprint that will mold to his own musical visions while providing a platform for likeminded talents who’d like their original issues to stand under Maximono’s ‘Parasoul.’

On February 26, Maximono gave shape to the sound that will define Parasoul with “Tremblin,” a label-instituting single that sits at the intersection of soul- and R&B-infused house music. “Tremblin” notably sources its vocals from Los Angeles’ own Saígo, of whom Maximono said,

“When I came up with the unstrumental idea of ‘Tremblin,’ I started looking for a male singer with a certain warmth and clarity in his voice. When I stumbled across Saígo, I knew he was the one I was looking for and he absolutely nailed the vocals.”

Dancing Astronaut connected with Maximono ahead of this career-defining development to discuss the future of Parasoul Music, near and distant, and “Tremblin’s” significance as its installing number. The full interview is available below.


Parasoul Music is heralded as “the latest musical chapter” for you. Let’s get a little more granular: what does this new “chapter” specifically entail, and what were your motivations for turning the page now in your career?

Maximono: “It was always clear to me that after the success of This Ain’t Bristol, I’d have to come up with a new label one day. I didn’t put any pressure on it, but after working on tons of new music during the pandemic, the picture became clearer and clearer. My love for soulful electronic music has always been there and it kept growing over the past 12 months. I worked on my Maximono productions a lot and all the new music that came out was something new that didn’t really fit with any existing labels. So, I decided to create my own outlet and start surrounding myself with likeminded artists that are working on the same style of music. The influence of urban music like R&B, funk, soul and hip-hop has always been super present in my career, so it really felt like a natural step to launch this label.”

How does “Tremblin” embody what is to come from Parasoul Music, and what were your motivations for selecting this single as the debut?

Maximono: “‘Tremblin’ stands for the new me and for how both Maximono and Parasoul will sound in the future. Therefore, it only made sense to use it as the debut single in order to lead into that new direction. I’ve used the time in lockdown to work on my production skills a lot, especially in terms of songwriting and working with vocalists, and ‘Tremblin” was probably my favorite one from the latest productions, so it was a no-brainer for me to use it as a statement for the start of Parasoul.”

You’ve stated your aims to make Parasoul Music a hub for cross-genre diversity and a place for “other likeminded artists.” Are you able to specify some of the artists who will be working with Parasoul in the immediate future?

Maximono: “As people know, Maximono always stood for genre diversity and included many different influences. Combining urban music with electronic club music is something that moves me a lot and so the label is set to become a hub for all different sorts of electronic music that has a good amount of soul and punch for the dance floor at the same time. No matter if its house, garage, drum ‘n’ bass, lo-fi beats etc., as long as you can feel the artist putting soul and character into the song, it’s a potential Parasoul release. I’m just starting to build the new label roster so besides Maximono, I cannot announce any names yet, but you’ll be surprised of some names where you didn’t expect them to go into that direction.”

How developed is Parasoul Music’s roster of new music to be distributed this year; can you tell us about any of the projects that the newly minted label will host?

Maximono: “I’ve got the first three records ready to go and I’ve just started signing more music and filling the release schedule for 2021. Release number two will be the ‘Tremblin Remix EP’ featuring some super exciting artists that all represent the diversity of music to come on Parasoul. I’m looking forward to hear a lot more demos over the next weeks, so please send in your SoundCloud links: demos@parasoulmusic.com“

On a personal level, musically, what does 2021 hold for Maximono?

Maximono: “It’s a super exciting time for me and I’ve never been more productive than I have over the past couple of months. I feel like this whole situation around the pandemic has opened my eyes to rethink what I’m doing in the studio and what I’m putting out. Not writing music to get bookings but to actually get people to listen is a perspective that got a little bit lost for me. Bringing more soul and R&B influences back into my music is something that feels very right and I cannot wait to share more of that with my fans. Most of it will come on Parasoul, but let’s see where the new direction takes me.”

Featured image: Maximono/Instagram

Tags: MAXIMONO, Tremblin

Categories: Features, Music






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Redux Saints – Break Yourself


In demand contemporary tech house pioneer Redux Saints makes a huge debut on HoTL Records with another fresh and direct new track “Break Yourself”. This is an incredible new tune of 2021 from the Chicago-born, LA-based DJ / producer and Deep Tech Los Angeles Records label boss, who once again shows a subtle evolution, making each beat simply irresistible. A.k.a Jason Trevor Miller, Redux Saints was one of the hardest working artists in 2020. Despite the pandemic, he never took his foot off the gas and found plenty of fresh new ideas in every one of his many releases on labels including LOW CEILING, Stealth, Incorrect Music, Toolroom, and his own DTLA Records. Check out a quote from Redux Saints on the new tune below and under that be sure to stream “Break Yourself”. Enjoy!

“Redux Saints caught my ear as soon as I started getting promos from the label. I’ve been dropping them in my sets to great success. He makes this Tech House vibe with a unique touch and that’s what I want on my dancefloor and on my label. Here we go!”

 





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Ice Cube alleges Warner Bros. won’t make more ‘Friday’ films


In a new post to Instagram, Ice Cube has alleged that Warner Bros. has “hi-jacked” the Friday film franchise.

Friday – Ice Cube’s 1995 screenwriting debut – tells the story of two friends, Craig (Ice Cube) and Smokey (Chris Tucker), who spend the day smoking weed after Craig gets fired from his job.

As the day unfolds, the pair have to deal with a neighbourhood bully, relationship woes, an angry drug dealer and a whole host of other oddball characters that crop up.

Taking to the social media platform on Friday (February 26), Ice Cube posted an animated image of the film’s original cast alongside a blunt caption that accused the studio of not green lighting further films.

“#freefriday from the jaws of Warner Bros. who refuses to make more sequels. They have hi-jacked the happiness of the culture,” the post reads.

At the time of writing, more than a quarter of a million people had liked Ice Cube’s post.

The rapper’s post is the latest in a series of teases made over the last decade of additional sequels to the original Friday and its two subsequent films.

A second instalment, Next Friday, was released in 2000, with a third, Friday After Next, following two years later.

In a 2019 appearance on US network ESPN’s The Jump, Ice Cube – aka O’Shea Jackson – said he and a team had completed the script for a fourth film, entitled Last Friday, and his intention was to release it to celebrate the original film’s 25th anniversary.

“We are pushing for it, we finished the script, we are getting notes from the studio and it’s going back and forth,” Ice Cube said.

“Get into pre-production and start hiring. It would be nice for this to come out on the 25th anniversary.”

That never panned out, however, with sources telling TMZ that Jackson is getting more frustrated by the studio and is now looking to produce further sequels with another company. Warner Bros., however, reportedly refuses to release the rights to Jackson.

Following the 2019 death of John Witherspoon, who played Willie “Pops” Jones in the franchise, Jackson said it would be “back to the drawing board” on the script for Last Friday. He claimed that production studio New Line Cinema had be slow on green-lighting the script that was “full of Mr. Jones”.

“I’ve been pissed off about it since Spoon passed away,” Jackson said.





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Alesso & Armin van Buuren Drop First-Ever Collab “Leave A Little Love” [LISTEN]


The stars have finally aligned as Alesso and Armin van Buuren unleash their much-anticipated collaboration together, “Leave A Little Love.”

With expectations set high, the producers join forces for a ripe summer anthem. Heartfelt vocals and sweet, uplifting chords open up the track before finding a danceable groove and deep bassline. Every sound translates into tonal emotion, as the catchy sing-along engraves its love-stricken lyrics in our minds.

MORE: Armin van Buuren Drops ‘A State of Trance 1000 Celebration Mix’ [LISTEN]

The superstar producers began teasing this collab on Valentine’s Day, leaving enough time to build the hype and gain support. It’s no wonder “Leave A Little Love” is already well received on the day of its release.

Alesso and Armin could have taken their first collaboration together in pretty much any direction and we would be here for it. Listen below and let us know how it hits you.

Out now via Armada Music.

Alesso & Armin van Buuren – Leave A Little Love

Stream/download: AlessoAvB.lnk.to/LALLTO 



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Carl Cox Delivers Second Remix of BreakCode’s “What Lies Beneath”

You know an artist is heading in the right direction when virtually all of the biggest names in electronic music are showing them love. BreakCode is having that moment. The live electronic act is catching everyone’s attention by delivering music quite unlike anything we’ve heard. Case in point: “What Lies Beneath,” a 2019 track that has now received its second remix from the legend himself, Carl Cox





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Jiqui’s ‘Alchemy’ EP induces dubstep chaos – Dancing Astronaut Jiqui’s ‘Alchemy’ EP induces dubstep chaos


If you’re still unfamiliar with the name Jiqui, take our word for it, now is the time to get acquainted. The up-and-coming bass music talent has already gained the coveted attention of big-name acts such Subtronics, NGHTMRE, Slander, while securing releases on Subtronics’ Cyclops Recordings in addition to Never Say Die Black Label and Disciple Round Table. With an already impressive resume, Jiqui is further bolstering his discography with the release of four relentless bass tunes, corralled under the Alchemist banner.

Jiqui’s Alchemist EP, released via Never Say Die Black Label, features some of his most innovative sound design to date. The first break of “Juicez,” for instance, features a bright, bubbly synth and erratic pauses that create a unique flow before moving into a classic headbanger-optimized second break sure to destroy dance floors. Another standout track on the EP, “Close To U” opens its drops with a funky stab pattern before giving way to a massive dubstep section. A lingering high-pitched synth coasts in the background as bone-crushing sound design repeatedly hits the listener. Jiqui’s latest EP is a testament to the producer’s bass-centered expertise, and you can experience it in four-track form below.

Tags: dubstep, jiqui, never say die, never say die black label

Categories: Music






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Redondo & Adam Griffin – Neon Boulevard (feat. Cally Rhodes)


London chart-topping label, Perfect Havoc welcomes back Dutch production outfit Redondo as they team up with label A&R boss and producer, Adam Griffin for their new single ‘Neon Boulevard’ featuring UK singer-songwriter and BBC Introducing Artist of The Year, Cally Rhodes. Out now, the collective produces a danceable, classic 90s piano house groover with modern appeal, set alight by Cally’s powerhouse vocal. With Perfect Havoc’s stream count of over one billion and with big singles from Joel Corry, Tobtok and Kokiri all flying high, this new single is sure to follow suit and be a treat for crossover house fans everywhere. Hailing from Amsterdam in The Netherlands, the production duo Redondo have been producing music for almost 10 years. Their biggest tracks include ‘Make Your Move’ with Anton Powers, which has achieved over 30 million streams to date along with ‘Love Too Deep’ with Ferrick Dawn, ‘Every Single Piece’ and ‘Casually’ (feat. Maria Z), all racking up a global stream count of 200 million plays, altogether demonstrating a swelling fanbase around the world. Check out the lyric video for “Neon Boulevard” below now!





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AFI drop two new tracks, announce album release date


AFI have shared two new tracks, ‘Looking Tragic’ and ‘Begging For Trouble’, ahead of the release of their eleventh studio album.
To coincide with their new singles, the group have announced that their new record, ‘Bodies’, will drop on June 11 via Rise Records.
AFI’s two new songs will feature on ‘Bodies’, alongside previously released tracks ‘Escape From Los Angeles’ and ‘Twisted Tongues’.

‘Looking Tragic’ arrives with an official music video, directed by Adam Mason.

Watch it below.

A visualiser for ‘Begging For Trouble’ is also out and can be viewed below.

In a press statement, frontman Davey Havok explained that ‘Looking Tragic’ “addresses the theme of overstimulation resulting in desensitisation”.

“Melodic and driving, the song came to life quickly and immediately stood out as a track to make bodies, if not sentiments, move,” he said.

Drummer Adam Carson added, “After years of receiving early versions of songs from Jade [Puget, guitarist] and Davey, in forms that span loosely arranged chords and scratch vocal to fully realised demos, I think I have become quite adept at knowing which songs will or will not make the record.

“’Begging For Trouble’ was greenlit, at least in my mind, the moment I heard the vocals come in. To me, the track is a cornerstone of the new record.”

‘Bodies’ will be AFI’s first full-length release since sharing their self-titled album in 2017. In the years since, they’ve dropped one EP, 2018’s ‘The Missing Man’.





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Farrah & SENZA Join Forces On Experimental Trap Collab “TEMPLE” [LISTEN]


Farrah and SENZA join forces on a collaborative new effort and mood, TEMPLE.

This trap-infused slapper starts off with a single sound, an intriguing tone that leads into the track’s rhythm and flow. The atmosphere only builds from there, as Farrah and SENZA add in layers of lush synths and gritty bass. Ultimately, the track drops into a buzzing, bouncy arrangement that never loses our interest — then pulls back, builds, and drops again — this time with alluring vocal chops to compliment the production.

Farrah is positioned as one of our Top 40 Artists to Watch for 2021 and “TEMPLE” marks the producer’s third release this year, following up “Clairvoyance” and “Boiling.” Meanwhile, SENZA is carving a path of her own with heavy-hitting mixes and originals, most recently “Full Moon.”

From the sounds of it, Farrah and SENZA are thriving a little more with every release.

Listen to “TEMPLE” and link up with both artists below!

Farrah x SENZA – TEMPLE

Connect with Farrah

SoundCloud | Spotify | Facebook | Twitter | Instagram

Connect with SENZA

SoundCloud | Spotify | Facebook | Twitter | Instagram





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