As you may know, Elon Musk and his team of engineers at The Boring Company are building underground transportation tunnels in an effort to help speed up local and national travel. While this may lead to a faster way for dance music fans to get to shows across the country, it’s what the company recently shared on their Twitter page that should really excite them.
Described as a “tunnel rave,” the new video posted by The Boring Company shows off the interior of the tunnel with pulsating, rainbow lights overhead. As heard in the clip, the “rave” is soundtracked by Avicii‘s iconic dance anthem “Levels.” This seems appropriate for the Tesla CEO after he released a dance track of his own back in February 2020. This news is also similar to the Tesla factory rendering he shared back in July, which he revealed may feature “an indoor/outdoor rave space on the roof.”
You can check out The Boring Company’s tweet below.
Words by: Natalie Pereira, Mitch Rose, and Jessica Mao
In a year that struck industries down in a snap,dance music has shown true resilience in its ability to combat and overcome the obstacles presented by COVID-19. Despite this year’s numerous setbacks, esteemed trance giant Anjuna has come out as a trailblazing champion, deservedly earning the designation of Dancing Astronaut‘s 2020 Label of the Year.
2020 brought an abrupt end to live events, forcing people away from dance floors and in front of screens for musical liberation. Though, within the challenges posed this year, Anjuna saw opportunities to not only connect with a swelling fan base through a unique series of online livestreams and arts/culture events on Twitch, but also embark on new projects that would define the label’s dominating digital presence in 2020. Anjuna artfully homed in on using music and community initiatives as both a uniting and healing force in a year where we desperately needed those comforts.
Split into imprints Anjunabeats and Anjunadeep, Anjuna has collectively developed a passionate following of dedicated fans spanning all corners of the world. In a typical year, label heads Above & Beyond can be caught hosting weekly radio episodes of their own “Group Therapy” series, jet-setting from Miami to Mumbai for arena and club shows. Of notable importance this year, Above & Beyond were slated to embark on a worldwide tour for the release of their third acoustic album, Acoustic III, though touring plans were placed on an indefinite hold as the year unravelled. Moreover, Anjuna was set to deliver the milestone ABGT400 show—a yearly occurrence marking each 50th episode of Group Therapy that brings together the global community for a two-day festival featuring label artists and friends from both imprints.
Despite not being the ABGT400 many expected, Anjuna’s annual destination celebration still called in a joyous occasion, pivoting to a four-hour extended set from Above & Beyond livestreamed from The River Thames. The virtual congregation featured music from a treasured trove of Anjuna’s 20-year chest laced with welcoming video messages from artists. Anjuna also forged onwards in its momentous 20-year Anjunabeats anniversary this year, simultaneously observing the formative origins of its progressive and trance sounds while embracing its own divergence into new territories.
This year, Above & Beyond honored the importance of mindfulness and mental wellness through their Flow State Meditations album—a series of spoken word meditations in collaboration with female yoga instructors spoken in four different languages. Paired with the album’s release, Anjuna hosted its own Wellness Week on their Twitch channel, featuring a number of free online fitness and conversation sessions to round out the project. This year also saw Above & Beyond take a nostalgic walk through their own extensive vault, unveiling The Club Mix Collection. The three-disc collection convened the trio’s most essential hits over the past 15 years, featuring mixed, unmixed, and extended club versions of tracks like “Sun & Moon,” “Alone Tonight,” “Alchemy,” “Bittersweet & Blue,” and more.
Aside from the bosses’ formidable 2020 output, Anjunabeats also took an all-encompassing approach to highlighting its prolific discography. The first of several celebrations presented a 20-volume artist-curated mix that welcomed Anjunabeats signees to compile their all-time favorite releases from the imprint’s 20-year history. Debuting with the first-ever act signed, Oliver Smith, the bi-weekly installment has since welcomed the likes of Mat Zo, Maor Levi, Nitrous Oxide, Andrew Bayer, ilan Bluestone, and more to the curatorial seat. Spotlighting new and old releases, the series showcases both the Anjuna catalogue’s timelessness and depth. With activity on every side of the label, Anjunabeats still maintained its reputation as home for burgeoning newcomers and veteran producers alike, evidenced by this year’s 34-track Anjunabeats Vol. 15, which spanned releases from Tinlicker, ALPHA 9, Andrew Bayer, and Genix to inaugural appearances from gardenstate and Jordin Post.
The label also unveiled a glossy handful of albums. While Mat Zo made his triumphant return to Anjunabeats with Illusion of Depth in a full-circle moment for the label, which hosted his seminal debut LP, Damage Control, Spencer Brown extended his catalog with his sophomore full-length, Stream of Consciousness. Following up on 2017 indie masterpiece, The Only Road, Gabriel & Dresden also delivered their new studio album, Remedy. 2020 proved a fruitful year for newer artists as well: the supergroup Elysian, comprising Ilan Bluestone, Maor Levi, and Emma Hewitt, surfaced with their debut EP Water, and the Ejeca-headed project Trance Wax submitted his self-titled debut LP.
2020 saw Anjunadeep similarly flourish with an equally impressive stream of new music. James Grant and Jody Wisternoff opened the year on a high note with the surprise release of the first half of Anjunadeep 11. Bringing together Lane 8, Ben Böhmer, and Cubicolor with lesser known artists like HVMP, miru, and several others, Grant said that the compilation surprised dropped early to “give each CD mix its moment in the sun and, more importantly, shine a light on each individual artists’ contribution to the album.” Two weeks later, Yotto, Dosem, and Durante arrived on sidetwo, completing what is arguably the imprint’s most impressive compilation to date.
Just two weeks after the mixed LP dropped in full, Anjunadeep was already back with another full-length record, Cubicolor’s Hardly A Day, Hardly A Night. The trio’s remarkable sophomore LP combined ethereal instrumentation with poignant musical story telling, kicking off Anjunadeep’s 2020 trend of uniquely stunning bodies of work. Just a few weeks later, the imprint was back for another highly anticipated record, this time supplied by Luttrell, whose beaming brand of melodic house shined as a hopeful and inspiring beacon amid COVID-19 doldrums.
Three months and three albums into the year, Anjunadeep was only just warming up. Several more full records would arrive in the following months, including dazzling LPs from Marsh, CRi, Dosem, and Jody Wisternoff.Perhaps Anjunadeep’s most interesting and singular album was Reflections, its first foray into downtempo and ambient music. The nine-track compilation proved to be an immaculate first venture into uncharted waters, managing to stay true to Anjuna’s sound while proving the label’s ability to embrace growth. Throughout 2020, Anjunadeep stayed devout to its ethos while managing to branch out—subtly or dramatically at times—without compromising in the slightest.
The journey to establishing the Anjuna brand as one of the most recognized electronic labels in the world has charted a vast and dynamic history of artists, milestones, and music that have all contributed to the building of a synergetic ecosystem. Its humble origins as Anjunabeats in 2000 first served as a platform for Above & Beyond to release their original works. The creation of sub-label Anjunadeep came in 2005, helmed by James Grant and the Above & Beyond founders, with quality only paralleled by consistency. Now, fast forward to 2020, Anjunabeats now celebrates its twentieth anniversary in the way its always known how—great music and great community—while Anjunadeep reaps its 15th year of existence as not just its counterpart’s underground sister, but as its own distinguished imprint of hyper-prolific releases.
With an industry uprooted by the tumultuous events of the year, Anjuna found exponential reasons and means to connect with its listeners, delivering both depth and range in its programming of state-of-the-art live streams, engaging albums, and exclusive projects. In its continuous effort and dedication to make music the common denominator between us all, Anjuna has solidified itself as a brand to be remembered this year and throughout the ages.
Featured images: Doug Van Sant, Luke Dyson, Rukes, Jake Davis
Tags: abgt, alpha 9, Andrew Bayer, anjuna, Anjunabeats, anjunadeep, ben böhmer, cri, Durante, Emma Hewitt, Genix, Ilan Bluestone, James Grant, Jody Wisternoff, Jono Grant, Luttrell, maor levi, mat zo, Oliver Smith, Paavo Siljamäki, Spencer Brown, Tinlicker, Tony McGuinness, Yotto
Billie Eilish has revealed some of her top songs of the year, giving a special shout out to The Strokes and their latest album ‘The New Abnormal‘.
Speaking to Australian broadcaster triple j in promotion of their annual public-voted countdown, The Hottest 100, Eilish shared a list of nine songs from the past year that she loved.
Also on the list are Drake‘s ‘Time Flies’, ‘Drinks’ by Cyn, ‘Kata’ by Tekno and ‘To Let A Good Thing Die’ by Bruno Major.
READ MORE: Every single Billie Eilish song ranked in order of greatness
Discussing ‘At The Door’, Eilish said that she wishes she could put their whole album as her first choice.
“It’s been my favourite album in many years,” she said.
“There is something about The Strokes, I don’t know what it is, man. I love ‘At The Door’, I love the melodies, I love the lyrics, I love everything about it. The Strokes hit a nerve.”
This isn’t the first time Eilish has shared her love for the band, also giving them a shoutout on her fourth annual ‘Time Capsule’ interview with Vanity Fair.
Eilish made history when she topped triple j’s Hottest 100 at the beginning of this year with ‘Bad Guy’, becoming the first solo female artist and the youngest artist ever to do so.
The singer recently cancelled her ‘When We All Fall Asleep, Where Do We Go?’ world tour, telling fans, “we’ve tried as many different scenarios as possible for the tour but none are possible.”
As the electronic music world continues to mourn the loss of i_o, deadmau5 has dedicated the newest episode of his mau5trap radio show to the late electronic music star. Many remember that i_o was one of mau5trap‘s most exciting artists, releasing a plethora of instant classics on deadmau5’s label. In honor of his career and collection of popular tunes, deadmau5 selected 19 of i_o’s tracks to deliver an hourlong tribute mix.
The mix is the latest in a string of tributes to the late artist from friends, collaborators, fans, and industry players alike. Many shared fond memories of their time with i_o, clips from some of their favorite sets from him, songs that helped them through tough times, and Insomniac even hosted a legacy stream in his honor late last month.
You can listen to deadmau5’s i_o tribute mix below, courtesy of mau5trap radio.
Flux Pavilion is back with “I Believe,” the latest single from his forthcoming album .wav. Originally set to release the highly anticipated album this past year, Flux Pavilion postponed the release until January 21, 2021. Gifting fans two prior singles, “You and I” featuring Kata Kozma and “Sink Your Teeth In” with Drowsy, the distinguished producer continues to keep fans itching for more.
Pairing immaculately with his other 2020 releases, “I Believe” dives deep into a pool of scintillating synths and ethereal vocals. The single makes use of a trap beat while still hanging on tightly to Pavilion’s exemplified production chops for another one-off that’s a step away from his classic dubstep format.
After an unlikely trip to Azerbaijan, this rising French Synth-pop outfit – consisting of Low Bird (vocals) and Jimmy Q (guitars, synthesizers, production) came together to create a new electro group by the name of Caspian Pool. Strongly influenced by 90’s French touch and techno, and synth collectors, the two French characters from Annecy blast their contagious electronic cold wave. The duo just released a new visual for their single “B.I.T.U.’ (aka “Back Into The Universe”) and it’s pretty trippy. The funky, indie electro soundtrack is what really pulled me into this group and I look forward to keeping my eye on them because “B.I.T.U.” is a smash hit in my eyes. Check out a quote from Caspian Pool on their new single below and under that watch the new video for “B.I.T.U.”, Enjoy.
“Back Into The Universe is an ode to our space fantasy, going back to where we come from, a real thirst for universality. I’ve always been fascinated about space walks, the origins of the matter that makes us…and ultimately time travel. Diving into the unknown, outside of gravity…nothing is more thrilling than the thought of this unleashed and uncontrolled freedom!” – Caspian Pool
Music writers and composers take influence and inspiration from the world around them, including the music they listen to in their off time. Sometimes, completely unintentionally, these writers create their own music too similar or nearly identical to existing pieces of music and open themselves up to gung-ho legal teams willing to make a buck on their naivete.
In order to combat this and give songwriters a leg up, Spotify has invented and filed a patent for a “Plagiarism Risk Detector And Interface” technology, which pertains to “Methods, systems and computer program products..for testing a lead sheet for plagiarism,” according to documents obtained by Music Business Worldwide. (A ‘lead sheet’ is a type of music score or musical notation for songs denoting their melody, chords and sometimes lyrics or additional notes.)
The concept would allow for lead sheets to be fed through the detector and analyzed against an existing cache of lead sheets for potential plagiarism conflicts.
“A set of messages would then be displayed,” writes MBW, “describing a detected level of plagiarism regarding ‘a plurality of elements’ such as a chord sequence, melodic fragments, harmony, etc. of a song (see fig 7 below).”
Of course, there are only so many combinations of chords and melodies available to musicians, and some could argue that they might all be exhausted over the course of time. While some degree of similarity in the base notes of a song could be questioned, with today’s available technology, artists also have the ability to augment their music to avoid straight plagiarism.
Turns out the sci-fi action hero we grew up on is actually a cat who loves EDM, at least according to the Academy Award-winning director Taika Waititi. Microsoft recruited the help of the renowned New Zealand cinephile for a new trailer dedicated to the recent release of their new video game console, the Xbox Series X.
The three-and-a-half-minute long story shows a team of researchers enter a woman’s dreams after she plays with the new Xbox. As you would imagine, they become increasingly bizarre, showing off animated characters in the forest, free-falling, and more while she narrates what she sees in her sleep. The video concludes with the main character from the Halo series, Master Chief, begin to DJ with the use of one of the giant space structures from the game as a turntable. Set to an electronic beat, the hero shows off his dance moves and—in true 2020 fashion—it takes one last twist when he removes his mask to show that he is secretly a cat. Yes, really.
You can check out the reimagining of Master Chief’s origin story by Waititi below, courtesy of IGN. The portion of the video featuring the first-person shooter protagonist unmasked can be found at the 2:30 mark.
The Glitch Mob have shared their highly-anticipated reissue, Drink The Sea (10 Year Anniversary Deluxe Edition) in celebration of the long-spanning journey to the trio’s present day status. In the decade revisit to their debut studio album, the electronic stalwarts have delivered remastered versions of the record’s original tracks alongside seven additional releases, from shiny new cuts to coveted remixes.
The 17-track deluxe package pays homage to the distinctive bass sound that has become synonymous with The Glitch Mob, featuring beloved productions like “Fortune Days,” “Animus Vox,” and more. The auditory goody bag also stocks rare remixes including The Glitch Mob’s rework of Linkin Park‘s “Waiting for the End,” Nalepa’s “Monday,” and STS9‘s “Beyond Right Now” as well as a collaborative original with Theophilus London.
Stream below.
Featured image: The Glitch Mob/Instagram
Tags: drink the sea, Drink The Sea (10 Year Anniversary Deluxe Edition), Drink The Sea (10 Year Anniversary Edition), linkin park, nalepa, STS9, the glitch mob, Theophilus London
Surely no one has worked harder or to better effect during this strange year than Redux Saints. He makes his debut on Incorrect Music with ‘Ain’t Got Time’ today, December 4th which features on Vol 6 of Incorrect’s popular 3-track ‘Tres’ series alongside releases from label head, Anthony Attalla and Italian tech house star, Siwell. This hot new Redux Saints track comes as a swift follow up to a trio of terrific cuts: first was ‘That’s Right’ which was awarded ‘Toolroom Academy Track of The Week’ on his own Deep Tech Los Angeles Records, then a debut on Purple Tea, ‘To My Beat,’ which was a Beatport #1 Weekend Pick, and most recently ‘Unhinged’ again on his own label. This true artistic tour de force continues to offer up varied and vital new sounds with this latest track which comes just as he has climbed above BBC Radio 1’s Danny Howard to #87 in the Beatport Top 100 Artists chart. Check out the release below now!
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