Listen to Sam Smith’s new Christmas song ‘The Lighthouse Keeper’


Sam Smith has released a new Christmas song called ‘The Lighthouse Keeper’ – you can listen to it below.

Written and produced by Labrinth, it’s the second time Smith has worked with the ‘Earthquake’ hitmaker, who produced the title track for their new album ‘Love Goes’.

“If any year could make me look forward to the sounds of Christmas, it would be 2020 as more than ever before we are yearning to be around our friends and family once again,” Smith said in a statement about the song.

“Christmas symbolises that for me and earlier this year I was inspired to write a Christmas love song. Labrinth and I poured our hearts into this one and it has honestly been pure joy to create and make.”

On the song, Smith sings: “When you set sail on your journey and happiness is far away/ Love will guide you til the morning, lead your heart down to the bay/ Don’t resist the rain and storm, I’ll never leave you lost at sea.”

Closing out the chorus, they add: “I will be your lighthouse keeper, bring you safely home to me/ I will be your lighthouse keeper, bring you safely home.

You can listen to ‘The Lighthouse Keeper’ below:

Earlier this week, Smith admitted that they weren’t prepared for the “ridicule” they faced after coming out as non-binary.

The Oscar-winning star changed their pronouns to they/them in September 2019, some six months after first coming out.

Meanwhile, Mariah Carey has announced plans for a new Christmas album and TV special next month.

The show, which will premiere on AppleTV+ on December 4, will include musical performances and guest appearances from Ariana Grande, Jennifer Hudson and Snoop Dogg.

Other Christmas releases and shows that have been recently released or announced, include those by John Cooper Clarke, Shaggy, Robbie Williams and Justin Bieber.





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Wolfgang Gartner & Kill The Noise Team Up For Electrifying Debut Collab, “Battlestations”


The combination of Wolfgang Gartner and Kill The Noise, two legends of dance music, feels like it should have happened years ago. But, better late than never as the two finally release their electrifying debut collaboration, “Battlestations.”

“Battlestations” combines the best of both artists, with shimmering electro synths and uplifting melodic chords, punctuated by robotic vocal samples and flittering bleeps and bloops. It’s a brilliant melodic tune that just gets better the longer and more you listen to it. The final drop, especially, is some perfect electro gold that wonderfully encapsulates the abilities of both artists and easily puts this in our “on repeat” column.

Check out “Battlestations” from Wolfgang Gartner and Kill The Noise below!



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BeauDamian Is Back With Groovy New Electronic Tune “Butterflies”

A versatile and creative producer, Dutch talent BeauDamian has been gathering a lot of attention over the past few years, releasing a slew of stunning originals. Channeling his various musical influences, BeauDamian has collaborated with the likes of ZEKE BEATS, Cesqeaux and Mike Cervello, on top of releasing music on prestigious labels such as Martin Garrix’s STMPD RCRDS, San Holo’s bitbird, Monstercat, Barong Family and more.

Now, BeauDamian is making his debut on UZ’s Quality Goods Records with his uplifting original “Butterflies,” part of the label’s “Quality Vibes” series, which was launched earlier this year. “Butterflies” is a bright and playful sonic journey, filled with quirky melodies and uplifting rhythms. Soothing atmospheres introduce the sonic journey with the help of breezy keys before the drop explodes with the help of groovy drums, warm chords and blissful melodies.





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Ophelia Records spotlights rising talent on second volume of ‘Advent’ EP series featuring STAR SEED, VVN, Xavi, and more


Ophelia Records continues to harvest talent beyond its roster of established label accolades on Ophelia Presents: Advent Volume 2, the genre-spanning follow-up to the bi-annual EP series’ opener, delivered in May. The robust sequel to Ophelia Presents: Advent Volume 1 coalesces 14 ascending acts under the Advent header such as STAR SEED, who notably provided the introduction to the EP on November 16 with “Heaven,” a number that doubled as their Ophelia debut and Advent Volume 2‘s lead single.

Synonymous with future bass, trance, melodic bass, drum ‘n’ bass, and dubstep, Ophelia Presents: Advent Volume 2 is as stylistically roving as it is textured, with Luke Anders, Fahjah, Exede, Xavi, Paper Skies, VVN, and more making impactful acquaintances on the encore EP. Touting a taste for each palate, Advent Volume 2 can be streamed below.

Tags: Advent, heaven, Ophelia Presents: Advent Volume 2, Ophelia Records, STAR SEED

Categories: Music






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Dave Grohl concedes defeat in drum battle with Nandi Bushell


Foo Fighters frontman Dave Grohl has finally conceded defeat in his long-running drum battle with 10-year-old Nandi Bushell.

Across lockdown, the pair have taken part in a series of back-and-forth musical challenges issued to each other.

Bushell, a YouTube star who has been impressing fans for years with her drum covers, was noticed by Grohl after her take on Nirvana‘s ‘In Bloom’ went viral earlier this year.

“She’s beating the crap out of her drum set, and when she does drum rolls, she screams,” Grohl said in a new appearance on The Late Show With Stephen Colbert, remembering watching the ‘In Bloom’ cover. “I was like, oh my God, this kid is a force of nature.”

“There was nothing I could do!” Grohl said of the drum battle, which he has now conceded to Bushell. “I was literally being called out by the school bully — ‘I’ll see you on the playground after school!’ Every time she would put out these videos on her page, I’d be like, oh my God, I’m gonna get my ass kicked again.”

After Grohl noticed the ‘In Bloom’ cover, the frontman responded to a challenge posed by Bushell in August, in which the aspiring rocker challenged the 51-year-old to a drum-off through a video she posted of a cover of Foo Fighters’ hit song ‘Everlong’.

Grohl then composed Bushell her own superhero theme, which Bushell then duly responded to, penning Rock and Grohl – The EPIC Battle’.

In a recent video call organised by the New York Times, the first time Grohl and Bushell had met and spoken in real time, the pair agreed to write a new song together. “I can’t believe I’m talking to you. I feel like I’m meeting a Beatle,” Grohl gushed early in the conversation.

Foo Fighters recently announced details of their 10th album ‘Medicine At Midnight’, and shared new single ‘Shame Shame’.

“This is our Saturday night party album,” Grohl told NME of the new record. “It was written and sequenced in a way that you put on, and nine songs later you’ll just put it on again.”





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Armin van Buuren, DVLM, and Brennan Heart Team Up For New Christmas Single


So, last week, we saw Matoma and Michael Bolton team up for a surprising Christmas single, “It’s Christmas Time.” This week, it’s the combo of Dimitri Vegas & Like Mike, Armin van Buuren, and Brennan Heart who delve into the holiday spirit with their new single, “Christmas Time.”

This isn’t the first time that Armin and DVLM have collaborated, but adding Brennan Heart — typically a hardstyle artist — to the mix, for a Christmas single no less, is where things get a bit unique.

With Jeremy Oceans providing the vocals for the track, the artists involved definitely tap into the holiday sound with jingles and Christmas-esque synths, dropping a new song worthy of a main stage. It’s definitely full of positivity and happiness, perfect for the season of giving.

Check it out below.



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Kraftwerk Announced as Headliner of Playground Festival 2021

Kraftwerk has been announced as one of the headliners of the 2021 edition of Playground Festival, a popular Glasgow music fest. 

Joining the legendary German music group as co-headliners will be two fellow fabled electronic music acts, Underworld and Nile Rodgers & Chic. Kraftwerk’s set is branded as “Kraftwerk 3D” and the group shared a teaser with a man wearing 3D glasses, so fans lucky enough to attend the Scottish festival are in for quite a visual spectacle. Kraftwerk has been incorporating mind-bending 3D visuals in their live performances for many years and they are revered for their pioneering developments in lighting and stage production.





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Elysian aim to reimagine nostalgic trance with EP, ‘Water’ [Roundtable Interview] – Dancing Astronaut


Put to sea in the midst of a bustling era, the Elysian project has declared trance is still alive and well. Consisting of Ilan Bluestone, Maor Levi, and Emma Hewitt, the supergroup surfaced unannounced in April of this year with debut “Moonchild,” which witnessed three of the most formidable scene players coalesce for a new vision.

Despite each artist having individually fruitful schedules, Elysian’s formation came as a no-brainer to the trio, who have all previously collaborated to varying degrees. Most of all, the collective represented the opportunity to explore uncharted territories in the form of combined idiosyncrasies.

So landed Water. The inaugural EP from Elysian delivered a formidable execution of nostalgic dance music, harkening to early days of trance dominance without duplicating the beloved sound. While the eponymous track instills chops reminiscent of the vocal trance epoch, Bluestone and Levi’s mammoth “tronce” stylings breathe new life into the long-lived trope. Similarly, “Beyond The Comfort Zone” and “Moonchild” reap the euphoric cross-marriage of old and new trance forces, with rapturous female vocals clashing harmoniously with industrially-charged production. However, Elysian’s willingness to broach non-electronic spaces as witnessed in “Little Star,” shows the project’s vision is defined not by genre, but by innovation.

Dancing Astronaut spoke to Elysian about the story behind their origination, 80s inspiration in “Little Star,” and more.

Read the full roundtable interview and stream Water below.


What’s the story behind the formation of Elysian? 

Maor Levi: “Ilan and I are known as the dynamic duo of Tronce with all our productions over the years. When Ilan had the idea for the project the first time, he asked me what did I think of joining it, and how exciting it was. He knew that we could make it even more magical if I was to be on board, and we did because we both get along and have a great workflow in the studio so it only made sense to form this group together, with each of us specializing in specific foundations of music, it turned out to be all synced and in harmony.”

Emma Hewitt: “I was working with Ilan in London on a 138 track, and we were discussing a love of old school, early emotional electronic music like Oceanlab, Chicane, and even Enya and we were saying how we would love to create a project inspired by the same kind of emotions. Ilan and Maor already have an amazing chemistry working on songs, and a great friendship. Ilan introduced Maor and I, and we all struck a vibe on the same kinds of sounds so it was just a no brainer then for the three of us to start making songs together.” 

Ilan Bluestone: “Emma originally approached me after our collaboration with my Stoneblue project. She asked me if I wanted to create a super group which I definitely wanted to be a part of. Due to our busy schedules I knew that I would need help with finishing off projects, and at the time I couldn’t think of anyone better than my bro Maor Levi. With his talent for creating amazing grooves and prowess in the studio, we knew he was the perfect addition to the group.”

You’re all highly respected in the sounds you’ve carved for yourselves. What do you hope to achieve by teaming up as Elysian?

Maor Levi: “Mostly to be original and break boundaries, we want this to appeal to everyone, even to non trance listeners. We have a chance to do something new and refreshing and push the envelope forward using all our skills and I find it very exciting.”

Emma Hewitt: “With the three of us together I feel like we are creating something a little different from all of our individual styles. Elysian is starting to form a unique sound and I can’t wait to explore more of that.” 

Ilan Bluestone: “We want to bring our sound to the masses in the way dance music was from the early 90s until 2010. I feel there is a massive gap in the market for us and that dance music isn’t what it used to be. There are a lot of incredible musicians on the scene at the moment, but I do personally feel that the nostalgic melodic factor of dance music though has slightly disappeared. I think with my musical melodies, Emma’s beautiful voice, and Maor’s groove skills, we have the best package.”

How do you approach the songwriting and production process as a trio?

Maor Levi: “It’s a lot easier when all three of us are in the same room, Emma writes all the vocals and lyrics while myself and Ilan focus on the main idea and developing it to fit everyone’s vision, from melodies to groove and overall engineering, which makes it very smooth and easy.”

Emma Hewitt: “We all have a role to play in the songwriting process, which is awesome! Ilan is a melody magician, I’m more about the vocal topline/lyrics, and Maor is creating insane beats and tracks! We have done most of the writing all in the room together, and it seems to just flow! We managed to knock out four songs in three days in our first session together, which is something that very rarely happens.” 

Ilan Bluestone: “I normally sit alone with Emma in the studio and come up with melodic ideas. For example when we wrote ‘Water,’ Maor was out of the studio at the time, but he returned with fresh ears to give his input. I think this is very effective because it gives the other person a fresh ear when analysing the melodic elements. Sometimes, for example as with ‘Moonchild,’ I had a melodic orchestrated piece which I composed in a few hours, played it to Maor and he instantly started working on a groove whilst I filled up more melodic elements. I set up my studio in to two workstations, Maor sits on his own set up behind me another pair of speakers. That way we can work off each other.”

What’s the vision behind Elysian?

Emma Hewitt: “For me, I think we really just want to create music that has a soul, that has a real feeling to it, and conveys something on a deeper level.” 

Ilan Bluestone: “The vision is to take us to the next level and we are going to do things which have not been done before, but I can’t say much more than that 😉 But let’s just say that the experience that you will get from our future shows will be unforgettable.”

Despite Elysian mainly being a trance project, your new EP, Water does explore beyond that. Specifically “Little Star,” harkens to a nostalgic, more classic non-electronic sound with elements like the sax and rock ballad structures. What inspired the direction of this track? 

Maor Levi: “We are all huge fans of the Retro 80s sounds and since this is an EP, we treat it as if it was an album, we had more freedom to work on whatever we desired and we figured since we had three bangers in the pipeline, we can break the rules and approach the fourth track differently so there’s some variety. That’s how ‘Little Star’ was born. It was a random night at Ilan’s studio which turned into a nostalgic trip in music which inspired us to write and produce it, then we decided to modernize it a little, but also keep the key elements of the retro sound.”

Ilan Bluestone: “I’m an 80s boy and always will be.. I love producing 80s stuff, it gives me real satisfaction as well as producing dance music. When I played Maor the original melodic idea of ‘Little Star’ we both knew that it had to be modernised which was where Maor came in to play with the 80s meets dubstep style groove. Emma loved the track and started writing lyrics instantly after hearing it! She really is a magician when it comes down to connecting to the song. I’m actually very happy with the way this track turned out and I’m glad that people are feeling it as much as we are.”

I’ve heard Elysian has a special live performance planned for when shows return. Can you give a sneak-peek of what’s to come? 

Maor Levi: “It will be very special! But, you’ll just have to wait and see ;)”

Emma Hewitt: “Once the touring world comes back to life, we are putting together an epic live show with immersive visuals and some live instruments. The live show has been a driving force in our vision from the start, so we can’t wait to bring the other side of this project out into the world.” 

Ilan Bluestone: “Let’s just say that the visual aspect of the show is going to be somewhat futuristic. I can’t reveal anymore than that, but I will say with what I’ve seen so far… Prepare yourself for something next level.”

As prolific artists with extensive careers in the progressive and melodic trance scene, what do you feel is lacking right now? What has you excited?

Maor Levi: “I personally feel a lot of labels limit themselves to one specific sound and style while the world is hungry for innovation and something new. We thrive to combine what we love and what people wanna hear with a little bit of spice, to make it exciting and fresh.”

Ilan Bluestone: “Something that’s really lacking at the moment in the music world is something different. I hear too much of the same copy and paste beats and melodies and nothing which is making me go WOW. Maybe it’s just me being fussy, but I need melodic orgasms to my ears. I still get excited from all this new genre morphing such as Techno meeting Trance from back in the day. It sounds like Techno and Trance from 2004/8 are back in fashion and that’s exciting times!”

What’s in the pipeline for the coming months? 

Maor Levi: “Another EP, maybe even an album, we are only getting started!”

Emma Hewitt: “We have the remixes for the Water EP on the way, and a second EP on the way. We have written most of this already and can’t wait to share it. Hopefully the touring world bounces back soon and we can kick off the live shows soon too.”

Ilan Bluestone: “I’m currently finishing off my new album which will be revealed very very soon. All I’m gonna say is I’m super proud of it as I’ve been working on it for nearly two years and that’s my main focus as well as the Elysian project. My album has my classic sound, but I’ve obviously tried to take it up a notch and I can’t wait for the world to hear as I still get excited by every record!”

Featured image: Lauren Luxenberg

Tags: Anjunabeats, elysian, Emma Hewitt, Ilan Bluestone, maor levi, Trance, Water

Categories: Features






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James Blake has written an ambient album, and Brian Eno is a fan


James Blake has written a new ambient album, which has been co-signed by Brian Eno.

The prospective new album joins a flurry of new material from the Los Angeles-based producer.

Last month, Blake released a surprise EP called ‘Before’, which saw him “paying homage to his London club days,” while another upcoming ‘Covers’ EP is due in December, and will feature his acclaimed version of Frank Ocean’s ‘Godspeed’.

Speaking on Radio.com’s New Arrivals show, Blake revealed the news that he’s been working on the ambient record, and confirming that he plans to release it one day.

“I’ve made an ambient… like basically made an album,” he said. “I just don’t really know when to put it out so we’ll see. I would say it’s at that point where you go, ‘Oh this is an album’, rather than, ‘Oh this is just a few tracks’, but I’ve always wanted to do something like that.”

Blake then revealed that he “sent it all to Brian Eno and asked him what he thought, and when his feedback was positive, that was when I decided I would put it out one day.”

Brian Eno. Credit: Getty Images.

He expanded: “I used this modular synth and a couple of keyboards and I just got sick of beats. I just heard beats on absolutely everything and was like, I have to get away from it, I need a beat holiday. So I made all this ambient music, and I have to say I absolutely love it.

“I’ve worked with Brian before and he’s always been a sort of guiding light in a way, he gave some constructive criticism and was just very encouraging. It’s a different genre and you’re stepping into something that you can’t necessarily just nail just because you decided to take the beats away.”

Blake concluded: “Ambient music can be delicate. Just taking drum beats away from music does not an ambient album make so… I’ve ended up with all these pieces, that don’t actually make a full picture yet, I think we might have a couple left to go.”

Speaking to NME in a recent Big Read interview, Blake spoke of the upcoming ‘Covers’ EP, calling it “pretty much the complete opposite of ‘Before’”.

“On the next records I want to be more inclusive of the ‘Before’ side of me and the ‘CMYK’ [EP, from 2010] side of me – and all of it,” he added.

Reviewing ‘Before’, NME wrote: “In recent years, balladry has overtaken knob-twiddling as his primary concern. On the ‘Before’ EP, though, he finds a space where both can exist in harmony, even on the same song, and the end product sounds like something approaching a final form for Blake.”





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[PREMIERE] Badklaat Gets Bouncy On Filthy New Single, “Bruise Up”


The legend Badklaat just dropped his new EP, Blunt Force, on NSD: Black Label with four wildly different tracks. “Blunt Force” and “MK5 Missile” are each pretty heavy, with “Automatic” and “Bruise Up” representing some extra flair for the price of admission.

“Bruise Up” is one of the more unique dubstep tracks we’ve reviewed, from Badklaat or otherwise. The whole affair is ridiculously bouncy and rhythmic, especially when that new mid-drop synth comes into play and ups the elasticity. It’s short and sweet and gets to the good parts without much filler, just the way we like it.

Check it out below and listen to the full EP here!

 

Photo via Mark Phipps



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