Watch Primal Scream’s Bobby Gillespie be part of Eric Cantona on stage to sing music ex-footballer penned for Palestine


Primal Scream’s Bobby Gillespie has teamed up with Eric Cantona on a music the ex-footballer penned for Palestinians.

The pair joined forces on vocals at a live performance at King’s Place in London for the monitor ‘Give Us A Ticket’. You’ll be able to view the footage beneath.

Writing on the official Primal Scream Instagram, Gillespie wrote: “Final night time I used to be honoured to sing with my buddy @ericcantona on a music he has written about Palestine titled ‘Give Us a Ticket’.

“Eric is on tour simply now along with his band – Their sound reminds certainly one of Serge Gainsbourg, Tom Waits and Charles Baudilaire ( if he wore the quantity 7 shirt ) What an incredible live performance. Thanks Eric.”

Each Cantona and Gillespie have closely campaigned for Palestinians with the previous beforehand becoming a member of The Libertines and Patti Smith on stage at a profit live performance for Palestine.

He additionally teamed up with Primal Scream in 2022 to advertise a “Palestinadelica” shirt, the title of which is a play on the group’s third album ‘Screamadelica‘ (1991), by sharing an Instagram picture of him posing within the shirt.

On the time the band collaborated with Aida Celtic FC and style model A Quantity Of Names* (Anon*) for a brand new shirt to assist fundraiser for the refugee camp soccer staff.

In the meantime, Brian Eno, Nadine Shah and Maxine Peake have been among the many performers at a particular profit occasion in assist of Palestinians at London’s Union Chapel final night time (April 18).

Idles additionally just lately confirmed their solidarity in the course of the launch present for brand spanking new album ‘Tangk‘ at Brixton Electrical in London earlier this yr.

On the time of writing, over 32,916 Palestinians have been killed in Gaza, with round 1,410 Israeilis killed and round 100 Israeli hostages nonetheless remaining in Hamas captivity after the October 7 assaults.

In the meantime, two file labels, Alcopop! and Massive Scary Monsters, have confirmed they’re becoming a member of the boycott of The Nice Escape over its ties to Barclays financial institution.

The Brighton-based pageant is sponsored by the financial institution, which has been a supply of controversy amid the present occasions in Gaza due to its monetary funding in corporations that provide arms to Israel.

The problem was first highlighted by a petition began by the promoter How you can Catch a Pig and the band The Menstrual Cramps, and has since been signed by artists together with Kneecap, Lambrini Ladies, Alfie Templeman, Lip Critic, Wunderhorse and Mary within the Junkyard who’ve urged the pageant to drop Barclays as a sponsor. Altogether, 208 of the 440 bands who had initially been booked for the line-up have signed the petition, which has 977 signees in complete.





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Listed here are the total album credit


The total album credit for Taylor Swift‘s new album ‘The Tortured Poets Division’ have been unveiled.

Swift dropped the brand new album this morning (April 19) and later introduced it’s in reality a double album as she shared the remaining tracks.

Now the total credit to the primary half of the album have emerged. You possibly can hearken to it beneath.

The opening observe ‘Fortnight’ as beforehand reported options Submit Malone whereas Florence + The Machine seems on ‘Florence’. Swift additionally labored with producers Bleachers‘ Jack Antonoff  and The Nationwide‘s Aaron Dessner but once more on her eleventh studio effort.

The file additionally noticed her group up with recording engineers Laura Sisk and Jonathan Low, Grammy-winning mixer Serban Ghenea, Wilco drummer Glenn Kotche, string participant and arranger Rob Moose, violinist Galya Bisengalieva, pianist Thomas Bartlett (aka Doveman), longtime Submit Malone collaborator Louis Bell, The Nationwide’s Bryce Dessner and the non-Antonoff members of Bleachers – Zem Audu, Mikey Freedom Hart, Sean Hutchinson, Michael Riddleberger, and Evan Smith.

Following the discharge of the brand new file, Swift additionally shared the trailer for her upcoming ‘Fortnight’ music video, which can star Malone.

Reviewing the file, NME awarded it three stars and described it as a “uncommon misstep” for Swift. It added: “Arriving on the peak of her imperial part, Swift’s eleventh studio album is surprisingly flat and, at occasions, cringeworthy.”

Followers additionally took to social media to recommend that the file is about The 1975‘s Matty Healy. The pair had been romantically linked for a brief interval time in 2023.

Elsewhere, those who bought the album bodily are opening the file to poems from each Swift and Fleetwood Mac frontwoman Stevie Nicks.

Following the LP’s launch, Swift will resume her career-spanning ‘Eras Tour’ in Europe subsequent month earlier than heading to the UK and Eire in June. Swift is because of play eight exhibits at Wembley Stadium in London this summer season as a part of the run, with assist coming from Paramore.

You possibly can view the total record of credit for ‘The Tortured Poets Division’ beneath:

1. ‘Fortnight’ [ft. Post Malone]
Producer: Jack Antonoff, Taylor Swift
Composer: Austin Submit, Jack Antonoff, Taylor Swift
Lyricist: Austin Submit, Jack Antonoff, Taylor Swift
Acoustic Guitar: Jack Antonoff
Related Performer: Jack Antonoff, Louis Bell, Submit Malone, Sean Hutchinson, Taylor Swift
Asst. Recording Engineer: Jack Manning, Jon Sher, Lauren Marquez
Drums: Jack Antonoff, Sean Hutchinson
Electrical Guitar: Jack Antonoff
Featured Artist: Submit Malone
Mastering Engineer: Randy Merrill, Ryan Smith
Combine Engineer: Bryce Bordone
Mixer: Serban Ghenea
Percussion: Jack Antonoff
Programming: Jack Antonoff
Recording Engineer: Laura Sisk, Michael Riddleberger, Oli Jacobs, Sean Hutchinson
Studio Personnel: Bryce Bordone, Jack Manning, Jon Sher, Laura Sisk, Lauren Marquez, Louis Bell, Michael Riddleberger, Oli Jacobs, Randy Merrill, Ryan Smith, Sean Hutchinson, Serban Ghenea
Synthesizer: Jack Antonoff
Vocal Engineer: Louis Bell
Vocal Producer: Louis Bell
Vocals: Submit Malone, Taylor Swift

2. ‘The Tortured Poets Division’
Producer: Jack Antonoff, Taylor Swift
Composer: Jack Antonoff, Taylor Swift
Lyricist: Jack Antonoff, Taylor Swift
Acoustic Guitar: Mikey Freedom Hart
Related Performer: Evan Smith, Jack Antonoff, Michael Riddleberger, Mikey Freedom Hart, Taylor Swift, Zem Audu
Asst. Recording Engineer: Jack Manning, Jon Sher
Background Vocalist: Jack Antonoff
Bass: Mikey Freedom Hart
Cello: Jack Antonoff
Drums: Michael Riddleberger
Electrical Guitar: Mikey Freedom Hart
Hammond B3: Mikey Freedom Hart
Mastering Engineer: Randy Merrill, Ryan Smith
Combine Engineer: Bryce Bordone
Mixer: Serban Ghenea
Piano: Jack Antonoff, Mikey Freedom Hart
Programming: Jack Antonoff
Recording Engineer: David Hart, Evan Smith, Laura Sisk, Michael Riddleberger, Mikey Freedom Hart, Oli Jacobs, Sean Hutchinson, Zem Audu
Studio Personnel: Bryce Bordone, David Hart, Evan Smith, Jack Manning, Jon Sher, Laura Sisk, Michael Riddleberger, Mikey Freedom Hart, Oli Jacobs, Randy Merrill, Ryan Smith, Sean Hutchinson, Serban Ghenea, Zem Audu
Synthesizer: Evan Smith, Jack Antonoff, Zem Audu
Vocals: Taylor Swift

3. ‘My Boy Solely Breaks His Favourite Toys’
Producer: Jack Antonoff, Taylor Swift
Composer: Taylor Swift
Lyricist: Taylor Swift
Related Performer: Jack Antonoff, Taylor Swift
Asst. Recording Engineer: Jack Manning, Jon Sher
Bass: Jack Antonoff
Drums: Jack Antonoff
Electrical Guitar: Jack Antonoff
Mastering Engineer: Randy Merrill, Ryan Smith
Combine Engineer: Bryce Bordone
Mixer: Serban Ghenea
Piano: Taylor Swift
Programming: Jack Antonoff
Recording Engineer: Laura Sisk, Oli Jacobs
Studio Personnel: Bryce Bordone, Jack Manning, Jon Sher, Laura Sisk, Oli Jacobs, Randy Merrill, Ryan Smith, Serban Ghenea
Synthesizer: Jack Antonoff
Vocals: Taylor Swift

4. ‘Down Dangerous’
Producer: Jack Antonoff, Taylor Swift
Composer: Jack Antonoff, Taylor Swift
Lyricist: Jack Antonoff, Taylor Swift
Related Performer: Evan Smith, Jack Antonoff, Mikey Freedom Hart, Sean Hutchinson, Taylor Swift, Zem Audu
Asst. Recording Engineer: Jack Manning, Jon Sher
Drums: Jack Antonoff
Mastering Engineer: Randy Merrill, Ryan Smith
Mellotron: Mikey Freedom Hart
Combine Engineer: Bryce Bordone
Mixer: Serban Ghenea
Percussion: Jack Antonoff, Sean Hutchinson
Piano: Jack Antonoff
Programming: Jack Antonoff
Recording Engineer: Jack Manning, Laura Sisk, Michael Riddleberger, Oli Jacobs, Sean Hutchinson

5. ‘So Lengthy, London’
Producer: Aaron Dessner, Taylor Swift
Composer: Aaron Dessner, Taylor Swift
Lyricist: Aaron Dessner, Taylor Swift
Related Performer: Aaron Dessner, Benjamin Lanz, Taylor Swift
Drum Programming: Aaron Dessner
Electrical Guitar: Aaron Dessner
Mastering Engineer: Randy Merrill, Ryan Smith
Combine Engineer: Bryce Bordone
Mixer: Serban Ghenea
Piano: Aaron Dessner
Recording Engineer: Aaron Dessner, Bella Blasko, Benjamin Lanz, Jonathan Low
Studio Personnel: Aaron Dessner, Bella Blasko, Benjamin Lanz, Bryce Bordon, Jonathan Low, Randy Merrill, Ryan Smith, Serban Ghenea
Synthesizer: Aaron Dessner, Benjamin Lanz
Vocals: Taylor Swift

6. ‘However Daddy I Love Him’
Producer: Aaron Dessner, Jack Antonoff, Taylor Swift
Composer: Aaron Dessner, Taylor Swift
Lyricist: Aaron Dessner, Taylor Swift
Acoustic Guitar: Aaron Dessner, Jack Antonoff
Related Performer: Aaron Dessner, Bobby Hawk, Evan Smith, Jack Antonoff, Mikey Freedom Hart, Sean Hutchinson, Taylor Swift, Zem Audu
Asst. Recording Engineer: Jack Manning, Jon Sher
Background Vocalist: Jack Antonoff
Bass: Jack Antonoff
Cello: Jack Antonoff
Drums: Sean Hutchinson
Electrical Guitar: Jack Antonoff
Mastering Engineer: Randy Merrill, Ryan Smith
Mellotron: Jack Antonoff
Combine Engineer: Bryce Bordone
Mixer: Serban Ghenea
Programming: Jack Antonoff
Recording Engineer: Bella Blasko, David Hart, Evan Smith, Jonathan Low, Laura Sisk, Michael Riddleberger, Mikey Freedom Hart, Oli Jacobs, Sean Hutchinson, Zem Audu
Strings: Bobby Hawk
Studio Personnel: Bella Blasko, Bryce Bordone, David Hart, Evan Smith, Jack Manning, Jon Sher, Jonathan Low, Laura Sisk, Michael Riddleberger, Mikey Freedom Hart, Oli Jacobs, Randy Merrill, Ryan Smith, Sean Hutchinson, Serban Ghenea, Zem Audu
Synthesizer: Evan Smith, Jack Antonoff, Mikey Freedom Hart, Zem Audu
Vocals: Taylor Swift

7. ‘Contemporary Out The Slammer’
Producer: Jack Antonoff, Taylor Swift
Composer: Jack Antonoff, Taylor Swift
Lyricist: Jack Antonoff, Taylor Swift
Acoustic Guitar: Jack Antonoff
Related Performer: Jack Antonoff, Taylor Swift
Asst. Recording Engineer: Jack Manning, James Snider, Jon Sher
Drums: Jack Antonoff
Electrical Guitar: Jack Antonoff
Mastering Engineer: Randy Merrill, Ryan Smith
Combine Engineer: Bryce Bordone
Mixer: Serban Ghenea
Organ: Jack Antonoff
Percussion: Jack Antonoff
Programming: Jack Antonoff
Recording Engineer: Laura Sisk, Oli Jacobs
Studio Personnel: Bryce Bordone, Christopher Rowe, Jack Manning, Jesse Snider, Jon Sher, Laura Sisk, Oli Jacobs, Randy Merrill, Ryan Smith, Serban Ghenea
Synthesizer: Jack Antonoff
Vocal Engineer: Christopher Rowe, Laura Sisk
Vocals: Taylor Swift

8. ‘Florida!!!’ [ft. Florence and the Machine]
Producer: Jack Antonoff, Taylor Swift
Composer: Florence Welch, Taylor Swift
Lyricist: Florence Welch, Taylor Swift
Acoustic Guitar: Jack Antonoff
Related Performer: Florence Welch, Jack Antonoff, Taylor Swift
Asst. Recording Engineer: Jack Manning, James Snider, Jon Sher
Bass: Jack Antonoff
Cello: Jack Antonoff
Drums: Florence Welch, Jack Antonoff
Electrical Guitar: Jack Antonoff
Featured Artist: Florence and the Machine
Mastering Engineer: Randy Merrill, Ryan Smith
Mellotron: Jack Antonoff
Combine Engineer: Bryce Bordone
Mixer: Serban Ghenea
Percussion: Florence Welch
Piano: Florence Welch, Jack Antonoff
Programming: Jack Antonoff
Recording Engineer: Ben Loveland, Laura Sisk, Oli Jacobs
Studio Personnel: Ben Loveland, Bryce Bordone, Jack Manning, Jesse Snider, Jon Sher, Laura Sisk, Oli Jacobs, Randy Merrill, Ryan Smith, Serban Ghenea
Synthesizer: Jack Antonoff
Vocals: Florence Welch, Taylor Swift

9. ‘Responsible As Sin?’
Producer: Jack Antonoff, Taylor Swift
Composer: Jack Antonoff, Taylor Swift
Lyricist: Jack Antonoff, Taylor Swift
Acoustic Guitar: Jack Antonoff
Related Performer: Bobby Hawk, Jack Antonoff, Taylor Swift
Asst. Recording Engineer: Jack Manning, Jon Sher
Bass: Jack Antonoff
Drums: Jack Antonoff
Electrical Guitar: Jack Antonoff
Mastering Engineer: Randy Merrill, Ryan Smith
Combine Engineer: Bryce Bordone
Mixer: Serban Ghenea
Percussion: Jack Antonoff
Programming: Jack Antonoff
Recoding Engineer: Laura Sisk, Oli Jacobs
Strings: Bobby Hawk
Studio Personnel: Bryce Bordone, Christopher Rowe, Jack Manning, Jon Sher, Laura Sisk, Oli Jacobs, Randy Merrill, Ryan Smith, Serban Ghenea
Synthesizer: Jack Antonoff
Vocal Engineer: Christopher Rowe, Laura Sisk
Vocals: Taylor Swift

10. ‘Who’s Afraid Of Little Previous Me?’
Producer: Jack Antonoff, Taylor Swift
Composer: Taylor Swift
Lyricist: Taylor Swift
Related Performer: Aaron Dessner, Evan Smith, Jack Antonoff, Michael Riddleberger, Mikey Freedom Hart, Sean Hutchinson, Taylor Swift, Zem Audu
Asst. Recording Engineer: Jack Manning, Jesse Snider, Joe Caldwell, Jon Sher
Bass: Jack Antonoff
Cello: Jack Antonoff
Drums: Jack Antonoff, Sean Hutchinson
Electrical Guitar: Jack Antonoff
Mastering Engineer: Randy Merrill, Ryan Smith
Mellotron: Jack Antonoff
Combine Engineer: Bryce Bordone
Mixer: Serban Ghenea
Percussion: Michael Riddleberger
Piano: Aaron Dessner, Jack Antonoff
Programming: Jack Antonoff
Recording Engineer: Bella Blasko, David Hart, Evan Smith, Jack Manning, Joey Miller, Jonathan Low, Laura Sisk, Michael Riddleberger, Mikey Freedom Hart, Oli Jacobs, Sean Hutchinson, Zem Audu
Studio Personnel: Bella Blasko, Bryce Bordone, David Hart, Evan Smith, Jack Manning, Jesse Snider, Joe Caldwell, Joey Miller, Jon Sher, Jonathan Low, Laura Sisk, Michael Riddleberger, Mikey Freedom Hart, Oli Jacobs, Randy Merrill, Ryan Smith, Sean Hutchinson, Serban Ghenea, Zem Audu
Synthesizer: Evan Smith, Jack Antonoff, Mikey Freedom Hart, Zem Audu
Vocals: Taylor Swift

11. ‘I Can Repair Him (No Actually I Can)’
Producer: Jack Antonoff, Taylor Swift
Composer: Jack Antonoff, Taylor Swift
Lyricist: Jack Antonoff, Taylor Swift
Acoustic Guitar: Jack Antonoff
Related Performer: Jack Antonoff, Taylor Swift
Asst. Recording Engineer: Jack Manning, Jon Sher, Rémy Dumelz
Bass: Jack Antonoff
Electrical Guitar: Jack Antonoff
Mastering Engineer: Randy Merrill, Ryan Smith
Mellotron: Jack Antonoff
Combine Engineer: Bryce Bordone
Mixer: Serban Ghenea
Percussion: Jack Antonoff
Piano: Jack Antonoff
Programming: Jack Antonoff
Recording Engineer: Laura Sisk, Oli Jacobs
Studio Personnel: Bryce Bordone, Christopher Rowe, Jack Manning, Jon Sher, Laura Sisk, Oli Jacobs, Randy Merrill, Ryan Smith, Rémy Dumelz, Serban Ghenea
Synthesizer: Jack Antonoff
Vocal Engineer: Christopher Rowe, Laura Sisk
Vocals: Taylor Swift

12. ‘LOML’
Producer: Aaron Dessner, Taylor Swift
Composer: Aaron Dessner, Taylor Swift
Lyricist: Aaron Dessner, Taylor Swift
Related Performer: Aaron Dessner, Glenn Kotche, Taylor Swift
Drums: Glenn Kotche
Keyboards: Aaron Dessner
Mastering Engineer: Randy Merrill, Ryan Smith
Combine Engineer: Bryce Bordone
Mixer: Serban Ghenea
Percussion: Glenn Kotche
Piano: Aaron Dessner
Recording Engineer: Bella Blasko, Jonathan Low
Studio Personnel: Bella Blasko, Bryce Bordone, Christopher Rowe, Jonathan Low, Laura Sisk, Randy Merrill, Ryan Smith, Serbsn Ghenea
Synthesizer: Aaron Dessner
Vocal Engineer: Christopher Rowe, Laura Sisk
Vocals: Taylor Swift

13. ‘I Can Do It With A Damaged Coronary heart’
Producer: Jack Antonoff, Taylor Swift
Composer: Jack Antonoff, Taylor Swift
Lyricist: Jack Antonoff, Taylor Swift
Related Performer: Jack Antonoff, Oli Jacobs, Taylor Swift
Asst. Recording Engineer: Jack Manning, Joe Caldwell, Joey Miller, Jon Sher, Lauren Marquez
Background Vocalist: Oli Jacobs
Drums: Jack Antonoff
Mastering Engineer: Randy Merrill, Ryan Smith
Combine Engineer: Bryce Bordone
Mixer: Serban Ghenea
Percussion: Jack Antonoff, Oli Jacobs
Piano: Jack Antonoff
Programming: Jack Antonoff, Oli Jacobs
Recording Engineer: Laura Sisk, Oli Jacobs
Spoken Phrase: Oli Jacobs
Studio Personnel: Bryce Bordone, Jack Manning, Joe Caldwell, Joey Miller, Jon Sher, Laura Sisk, Lauren Marquez, Oli Jacobs, Randy Merrill, Ryan Smith, Serban Ghenea
Synthesizer: Jack Antonoff
Vocals: Taylor Swift

14. ‘The Smallest Man Who Ever Lived’
Producer: Aaron Dessner, Taylor Swift
Composer: Aaron Dessner, Taylor Swift
Lyricist: Aaron Dessner, Taylor Swift
Extra Engineer: Beau Sorenson
Related Performer: Aaron Dessner, James McAlister, Jason Slota, Rob Moose, Taylor Swift
Bass Guitar: Aaron Dessner
Drum Programming: Aaron Dessner
Drums: James McAlister
Electrical Guitar: Aaron Dessner, James McAlister
Mastering Engineer: Randy Merrill, Ryan Smith
Combine Engineer: Bryce Bordone
Mixer: Serban Ghenea
Percussion: James McAlister, Jason Slota
Piano: Aaron Dessner
Recording Arranger: Rob Moose
Recording Engineer: Aaron Dessner, Beau Sorenson, Bella Blasko, James McAlister, Rob Moose
Studio Personnel: Aaron Dessner, Beau Sorenson, Bella Blasko, Bryce Bordone, James McAlister, Laura Sisk, Randy Merrill, Rob Moose, Ryan Smith, Serban Ghenea
Synthesizer: Aaron Dessner, James McAlister
Viola: Rob Moose
Violin: Rob Moose
Vocal Engineer: Laura Sisk
Vocals: Taylor Swift

15. ‘The Alchemy’
Producer: Jack Antonoff, Taylor Swift
Composer: Jack Antonoff, Taylor Swift
Lyricist: Jack Antonoff, Taylor Swift
Related Performer: Jack Antonoff, Sean Hutchinson, Taylor Swift
Asst. Recording Engineer: Jack Manning, Jon Sher
Background Vocalist: Jack Antonoff
Cello: Jack Antonoff
Drums: Jack Antonoff, Sean Hutchinson
Electrical Guitar: Jack Antonoff
Mastering Engineer: Randy Merrill, Ryan Smith
Combine Engineer: Bryce Bordone
Mixer: Serban Ghenea
Percussion: Jack Antonoff
Programming: Jack Antonoff
Recording Engineer: Laura Sisk, Oli Jacobs, Sean Hutchinson
Studio Personnel: Bryce Bordone, Christopher Rowe, Jack Manning, Jon Sher, Laura Sisk, Oli Jacobs, Randy Merrill, Ryan Smith, Sean Hutchinson, Serban Ghenea
Synthesizer: Jack Antonoff
Vocal Engineer: Christopher Rowe, Laura Sisk
Vocals: Taylor Swift

16. ‘Clara Bow’
Producer: Aaron Dessner, Taylor Swift
Composer: Aaron Dessner, Taylor Swift
Lyricist: Aaron Dessner, Taylor Swift
Extra Engineer: Bella Blasko
Related Performer: Aaron Dessner, Abi Hyde-Smith, Agata Daraskaite, Akiko Ishikawa, Amy Swain, Anna de Bruin, Brian O’Kane, Bryce Dessner, Cara Laskaris, Chris Kelly, Dan Oates, Dave Brown, Elisa Bergersen, Eloisa-Fleur Thom, Emily Holland, Galya Bisengalieva, Glenn Kotche, Iona Allan, JT Bates, James McAlister, Julian Azkoul, Kirsty Mangan, Marianne Haynes, Matthew Kettle, Max Ruisi, Morgan Goff, Nicholas Bootiman, Nicole Crespo O’Donoghue, Reinoud Ford, Ronald Lengthy, Sophie Mather, Sophie Roper, Taylor Swift, Thomas Bartlett
Asst. Recording Engineer: Laura Beck
Bass Guitar: Aaron Dessner
Cello: Abi Hyde-Smith Brian O’Kane, Max Ruisi, Reinoud Ford
Conductor: Robert Ames
Double Bass: Chris Kelly, Dave Brown, Sophie Roper
Drum Programming: Aaron Dessner
Drums: Glenn Kotche, JT Bates
Keyboards: James McAlister, Thomas Bartlett
Mastering Engineer: Randy Merrill, Ryan Smith
Combine Engineer: Bryce Bordone
Mixer: Serban Ghenea
Percussion: Aaron Dessner, Glenn Kotche, James McAlister
Piano: Aaron Dessner, Thomas Bartlett
Recording Arranger: Aaron Dessner
Recording Engineer: Bella Blasko, James McAlister, Jeremy Murphy, Jonathan Low, Thomas Bartlett
Studio Personnel: Bella Blasko, Bryce Bordone, James McAlister, Jeremy Murphy, Jonathan Low, Laura Beck, Randy Merrill, Ryan Smith, Serban Ghenea, Thomas Bartlett
Synthesizer: Aaron Dessner, James McAlister, Thomas Bartlett
Viola: Amy Swain, Elisa Bergersen, Matthew Kettle, Morgan Goff, Nicholas Bootiman
Violin: Agata Daraskaite, Akiko Ishikawa, Anna de Bruin, Cara Laskaris, Dan Oates, Eloisa-Fleur Thom, Emily Holland, Galya Bisengalieva, Iona Allan, Julian Azkoul, Kirsty Mangan, Marianne Haynes, Nicole Crespo O’Donoghue, Ronald Lengthy, Sophie Mather
Vocals: Taylor Swift





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The Disco Biscuits launch ninth studio album ‘Revolution in Movement’ – Dancing Astronaut


by: Andrew Spada


Apr 18, 2024

The Disco Biscuits unveil their ninth studio album, “Revolution in Movement,” an bold area opera spanning 14 tracks. Produced by Derek VanScoten, often called Cloudchord, and visually complemented by 3D animated movies created by Blunt Motion, the mission has been launched in 4 elements on the band’s YouTube channel.

“Revolution in Movement” follows an intriguing story of aliens who arrive in New York Metropolis with a plan to freeze and abduct people for analysis to profit their very own planet. Unphased by the extraterrestrial guests, The Disco Biscuits emerge as unlikely heroes, embarking on a mission to save lots of humanity. The story progresses because the band follows these misfit aliens again to their world, confronting the alien queen with the unifying energy of music, proposing it as an answer to quell dissent amongst her topics.

Every monitor on the album has been honed and refined over two years of stay performances, turning into staples of the band’s reveals and platforms for intensive improvisational play. The idea for this distinctive opera was developed by guitarist and lead vocalist Jon Barber along with his good friend Joey Friedman in August 2021. Describing their new music as “music aliens would love.”

And people too.

Tags: disco biscuits

Classes: Music





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Taylor Swift and Stevie Nicks share poems on bodily model of ‘The Tortured Poets Division’


Taylor Swift and Stevie Nicks have each shared poems on the bodily model of her new album ‘The Tortured Poets Division’.

Followers who bought the star’s eleventh studio album, which arrived in the present day (April 19) and you’ll take heed to beneath, are being greeted by a written poem by the Fleetwood Mac frontwoman as they open the LP gatefolds or CD booklets.

As along with her different data, Swift has additionally included her personal hand written poem after the lyrics within the booklets.

Nicks’ poem that accompanies the file is dated August 13, 2023, with a dateline saying it was put to paper in Austin, Texas. The header says, “For T,” which then is adopted by the phrases “and me…”.

“He was in love along with her / Or at the very least she thought so,” Nicks begins. “She was damaged hearted – Perhaps he was, too – Neither of them knew. She was manner too sizzling to deal with… He was manner too excessive to strive.”

The poem goes on to say that “He’s afraid of her / He’s hiding from her / And he is aware of that he’s hurting her” earlier than including “She tells the reality / She writes about it / She’s an informer”. Nicks concludes, “She was simply flying by way of the clouds / When he noticed her… / She was simply making her technique to the celebrities / When he misplaced her.”

Swift’s poem in the meantime begins with the title: “In Summation” earlier than she describes a transition from one romantic relationship to a different, noting that “the pendulum swings,” and “The chaos it brings / Leads the caged beast to do / Probably the most curious issues.”

She continues: “Lovers spend years denying what’s sick fated / Resentment rotting away / galaxies we created,” earlier than including: “Tried hoping on comets / Tried dimming the shine / Tried to orbit his planet / Some stars by no means align / And in a single dialog, I tore down the entire sky.”

She later states: “He by no means even scratched the floor of me. None of them did,” earlier than concluding: “All’s honest in love and poetry. Sincerely, The Chairman of The Tortured Poets Division.”

Revewing the file, NME awarded it three stars and described it as a “uncommon misstep” for Swift.

It added: “Arriving on the peak of her imperial section, Swift’s eleventh studio album is surprisingly flat and, at occasions, cringeworthy.”

Elsewhere, Swift this morning revealed that the ‘The Tortured Poets Division’ is in truth a double album and he or she shared the remaining tracks. She additionally revealed its full title, ‘The Tortured Poets Division: The Anthology’.

She additionally shared the trailer for her upcoming ‘Fortnight’ music video, which will even star Put up Malone.

Followers have additionally taken to social media to counsel that the file is about The 1975‘s Matty Healy. The pair have been romantically linked for a brief interval time in 2023.

Following the LP’s launch, Swift will resume her career-spanning ‘Eras Tour’ in Europe subsequent month earlier than heading to the UK and Eire in June. Swift is because of play eight reveals at Wembley Stadium in London this summer time as a part of the run, with help coming from Paramore.





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Wealthy Furniss drops ‘Launch Your self’ ft. Terry Hunter and James Patterson – Dancing Astronaut


by: Andrew Spada


Apr 18, 2024

Following a standout 2023 filled with sold-out exhibits and a string of profitable releases, Wealthy Furniss continues to comprehend his musical imaginative and prescient, a journey he first launched into in 2021. Amidst a busy manufacturing schedule, Furniss additionally serves because the president of Sound Collective in New York, juggling a myriad of tasks and ventures.

His newest single, “Launch Your self,” is poised to be considered one of his most vital releases but. The monitor, a collaboration with James Patterson and home music legend Terry Hunter, blends the quintessential parts of every artist right into a compelling home music expertise. “Launch Your self” captures the soulful essence of the style’s golden age with heartfelt vocals, hypnotic percussion, and melodies that present a comforting nostalgia, all wrapped up in a simple but fascinating association.

Tags: Wealthy Furniss

Classes: Music





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Right here is the tracklist for Billie Eilish’s new album


Billie Eilish has revealed the tracklist for her extremely anticipated third studio album, ‘Hit Me Onerous And Tender’ – test it out under.

  • READ MORE: Overheated: Billie Eilish and mom “proud” to platform change makers at London local weather occasion

Yesterday (April 18) – a month forward of the album’s launch – Eilish took to social media, the place she revealed the titles of all 10 tracks on the album. Nevertheless, the tracklist doesn’t embody different info together with tracks’ size, credit, or if there will probably be any visitor options.

The tracklist for Billie Eilish’s ‘Hit Me Onerous And Tender’ is:

  1. ‘Skinny’
  2. ‘Lunch’
  3. ‘Chihiro’
  4. ‘Birds Of A Feather’
  5. ‘Wildflower’
  6. ‘The Biggest’
  7. ‘L’Amour De Ma Vie’
  8. ‘The Diner’
  9. ‘Bittersuite’
  10. ‘Blue’

The brand new album is about to reach on Could 17 and is offered for pre-order here. Her third album will arrive in digital and restricted bodily variants. Based on the sustainability tab on Eilish’s official website, ‘Hit Me Onerous And Tender’ will probably be launched on eight totally different vinyl variants which will probably be produced “with essentially the most sustainable practices accessible”.

Billie Eilish first introduced ‘Hit Me Onerous And Tender’ earlier this month (April 8). Upon saying the file, Eilish shared that she wouldn’t be dropping singles from the album forward of its Could 17 launch as she desires to offer the album to followers “abruptly”.

Billie Eilish, 2024. CREDIT: William Drumm

This previous weekend (April 15), Eilish previewed ‘Lunch’ and two different songs from the upcoming album throughout a secret set at Coachella. In the course of the DJ set, she previewed three new songs, ‘L’Amour De Ma Vie’, ‘Chihiro’ and ‘Lunch’.

Eilish’s shock efficiency got here after Lana Del Rey introduced the singer out for ‘Ocean Eyes’ and ‘Video Video games’ at Coachella. Following the efficiency, Del Rey informed the gang that Eilish is “the voice of your technology”, including that she is “so fucking grateful that she’s standing to me proper now singing my favorite tune of hers.”

In response, Eilish pointed to Del Rey and stated: “That is the rationale for half of you bitches’ existence, together with mine.”





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Don Diablo and Felix Jaehn collaborate on ‘Monster’ – Dancing Astronaut


by: Dancing Astronaut


Apr 18, 2024

EDM titans Don Diablo and Felix Jaehn have joined forces to launch “Monster,” a dynamic new observe below Diablo’s HEXAGON label. Steeped within the vibrant power of 90s rave tradition, “Monster” affords extra than simply rhythmic enchantment—it carries a poignant message in regards to the significance of psychological well being consciousness. The observe is a seamless mix of Don Diablo’s cutting-edge sounds and Felix Jaehn’s simple rhythms, merging right into a dance anthem that appears again nostalgically whereas pushing the sound ahead.

To amplify the music’s psychological well being message, the duo filmed a particular music video in Berlin, a metropolis celebrated for its wealthy musical legacy and profound historic significance. The video not solely enhances the observe’s deep message but in addition portrays the distinctive inventive identities of each Diablo and Jaehn towards the backdrop of a metropolis synonymous with transformation and resilience. This collaboration stands as a landmark of their careers, using their musical platform to spotlight psychological well being complexities and promote open discussions on well-being.

Tags: Don Diablo, felix jaehn

Classes: Music





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Metropolis Ladies’ JT urges followers to defy Common’s TikTok ban for brand spanking new single


JT has suggested followers to make use of unofficial variations of her upcoming solo single on TikTok regardless of Common Music Group (UMG)‘s banning their music from the platform.

In January, Common introduced that it will withdraw its artists’ songs from the platform, citing unfair compensation for the artists and the dangerous results of A.I. Days later, TikTok confirmed that it had additionally began to take away songs from songwriters signed with Common Music Publishing Group.

Now, Metropolis Ladies member JT – who’s signed to Motown Data, a subsidiary of UMG – is ready to launch ‘Okay’ tomorrow (April 19). Forward of its launch, she urged her followers on X/Twitter to advertise the tune on TikTok, as UMG’s ongoing dispute with the app will forestall her from importing the official audio.

“Keep in mind I’m with UMG so as soon as [the] tune is out, [the] TikTok [sound] can be muted so attempt to get a distorted sound going,” JT tweeted. “I’ve one on my TikTok, use it if you’d like or make your personal. IDC – simply unfold the sound [megaphone emoji]”

‘Okay’ is JT’s third single to this point and may be anticipated to characteristic on the Miami star’s upcoming solo mixtape, ‘Metropolis Cinderella’.

Though JT appears to be the primary artist to overtly defy UMG’s determination to take away their catalogue from TikTok, others signed to the conglomerate nonetheless handle to share their music on the app. Olivia Rodrigo has posted movies of her singing alongside to songs from her newest album ‘Guts’, together with one where she promotes a fan upload of ‘Obsessed’.

As well as, Taylor Swift’s music has lately returned to TikTok after being eliminated earlier this yr, possible as a consequence of Swift now proudly owning her masters and publishing rights. This coincides with the discharge of her upcoming album, ‘The Tortured Poets Division’.

Different artists signed to the label who’ve been affected by UMG’s determination embody Dangerous Bunny, The Weeknd, Drake, Billie Eilish, Justin Bieber, Adele, Coldplay, J Balvin, Submit Malone and Sophie Ellis-Bextor.

Common Music Group, TikTok. Credit: SOPA Photographs/LightRocket through Getty Photographs

On the time, UMG defined that its licensing settlement with TikTok expired on January 31 and that negotiations to resume the contract had fallen quick.

UMG acknowledged that they pushed for “three important points” whereas renegotiating their contract with TikTok: the “applicable compensation for [their] artists and songwriters, defending human artists from the dangerous results of A.I. and on-line security for TikTok’s customers.” The label additionally believed that “TikTok is making an attempt to construct a music-based enterprise, with out paying honest worth for the music.”

They added that “TikTok encourages A.I. music creation on the platform itself” and “demanding a contractual proper which might enable this content material to massively dilute the royalty pool for human artists, in a transfer that’s nothing in need of sponsoring artist substitute by A.I.”

UMG concluded that “TikTok’s ways are apparent: use its platform energy to harm weak artists and attempt to intimidate us into conceding to a foul deal that undervalues music and shortchanges artists and songwriters in addition to their followers.”

TikTok published its own statement in response to UMG, accusing the writer of pushing a “false narrative and rhetoric” and for placing its “personal greed above the pursuits of their artists and songwriters”.

The platform’s quick assertion famous that UMG had “chosen to stroll away from the highly effective assist of a platform with effectively over a billion customers that serves as a free promotional and discovery car for his or her expertise”.





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KSHMR celebrates 10 years with 22Bullets on 90s throwback ‘Devotion’ – Dancing Astronaut


by: Dancing Astronaut


Apr 18, 2024

KSHMR marks a decade beneath his the moniker with the discharge of “Devotion,” a robust membership anthem he’s been showcasing on tour. Celebrating 10 years as a DJ and producer, KSHMR honors his Indian roots and different international cultures, collaborating with Thai artist 22Bullets for this newest observe.

“Devotion” blends sturdy basslines with vibrant instrumental synths and KSHMR’s iconic melodies, making a fascinating sound that transcends typical style boundaries. The observe, which cleverly incorporates a pattern from Nomad’s Nineteen Nineties hit “(I Wanna Give You) Devotion,” has already grow to be a crowd favourite in KSHMR’s North American membership tour and through his efficiency finally month’s Extremely Music Pageant Miami Foremost Stage. 22Bullets, recognized for his work with artists like David Guetta and Ty Dolla $ign, and for his releases on KSHMR’s Dharma imprint, beforehand teamed up with KSHMR on the 2022 observe “It Isn’t Me.”

“I’ve been eager to work with 22Bullets on a observe for my units for a very long time; he’s one in all my favourite up-and-coming producers that’s launched on my label Dharma earlier than. He’s additionally one of many few producers representing Thailand within the digital scene. Flipping this pattern was the right collaboration, I knew it will get massive reactions stay. It’s been an enormous hit all through my units on this membership tour celebrating 10 years of KSHMR.” – KSHMR

Tags: 22bullets, KSHMR

Classes: Music





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Rihanna has “received stuff she may make hits out of” for brand new album


Rihanna has offered an replace on her long-awaited new album, saying she’s “already received stuff she may make hits out of”.

Yesterday (April 17), the Bajan singer attended a launch occasion for her FENTY x PUMA Creeper Phatty Earth Tone shoe line in London. On the occasion, she spoke to Entertainment Tonight about her new assortment, her trend sense and motherhood.

After sharing that her sons RZA and Riot‘s favorite tune is ‘Wheels On The Bus’, Rihanna revealed if her youngsters would seem on any of her new music.

“I imply, it’s as much as them,” the ‘Wanted Me’ singer mentioned. “I already received stuff I really feel like I may make hits out of. Me and [partner, A$AP] Rocky are actually attempting to determine who’s going to make use of what as a result of it’s so good.”

Earlier this month, the pop juggernaut shared that she has “quite a lot of visible concepts” for her hotly-anticipated ninth album.

“It’s bizarre,” she mentioned. “My mind is working backwards proper now. I often have the music first, and the music leads me into all of those visible alternatives, and now I’m having all of those visuals, and I don’t have the songs for them but, however possibly that’s the important thing, this time. Possibly the visible concepts are main me to the songs that I must make.”

When requested if she noticed the venture as considerably of a “rebirth”, Rihanna responded: “Random concepts, quirky concepts, issues that don’t have anything to do with me in any respect. I imply, I can’t let you know. The opps is watching.”

Whereas speaking with ET, she confirmed that she nonetheless “doesn’t have the songs simply but” to go together with her visible concepts. Afterwards, Rihanna diverted the chat away from her upcoming music, saying: “I can’t let you know [anymore]. That’s like me snitching on my document.”

Rihanna’s final full-length album was her 2016 eighth album ‘Anti’. She has been teasing the follow-up – dubbed ‘R9’ – since 2018, initially promising followers in an Instagram remark that it might arrive the next yr. In 2019, she additional taunted followers by importing a video of a dog dancing to Home Of Ache’s ‘Soar Round’ with the message “Replace: me listening to R9 on my own and refusing to launch it.”

Rihanna at FENTY X Puma Creepers Phatty Earth Tone occasion. Photograph credit score: Neil Mockford/WireImage

In 2020, nevertheless, she dampened the hopes for the album when she informed followers to cease asking her to launch new materials throughout the pandemic.

Final yr, Rihanna signed a brand new take care of Dwell Nation and it was reported that the singer deliberate to launch new music forward of a possible world tour within the subsequent few years.

In December, Rihanna added to the rumours by alluding that there could also be new music and a world tour on the horizon. “Effectively, we’re all the time gonna return on tour. [But] I really feel I wish to do a tour when there’s new music. We already know what that’s gonna be, with the songs that I’ve carried out on my final tour. That was a very long time in the past,” she informed Entertainment Tonight.

“I really feel prefer it’s solely truthful that my followers get what they’ve been ready on, which is new music. After that, let’s similar to, blow all the pieces up.”

Extra just lately, A$AP Rocky confirmed in February that Rihanna was nonetheless “engaged on” her ninth album.

Rihanna’s final launch was the 2022 tune ‘Raise Me Up’, the sombre lead single to the Black Panther: Wakanda Eternally soundtrack and a tribute to late actor Chadwick Boseman.





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