‘Immortal Songs’ live concert in New York: line-up, tickets and more


Popular South Korean singing reality competition TV series Immortal Songs is headed to New York, featuring NewJeans, ATEEZ and more.

Today (August 30), concert organiser Studio PAV announced the upcoming Immortal Songs live concert in New York. The upcoming show will take place at the Metlife Stadium (which is actually in the nearby state of New Jersey) on October 26.

The show will feature performances by K-pop groups NewJeans and ATEEZ, g.o.d member Kim Tae-woo and P Nation founder Psy. They will be joined by singers Lena Park, Patti Kim and Young Tak, as well as indie rock duo Jannabi.

According to a follow-up tweet by Studio PAV, the upcoming concert will be a four-hour show for a special episode of Immortal Songs. The show will also “commemorat[e] the 120th Anniversary of Korean Immigration to the USA”.

In addition, the concert will also be MC-ed by regular Immortal Songs hosts Shin Dong-yup, Kim Jun-hyun and Lee Chan-won.

Tickets for Immortal Songs live concert in New York will go on sale September 18 at 2pm ET via Ticketmaster. There are 10 different ticket tiers available, priced from US$59 to US$599.

The line-up for Immortal Songs live concert in New York is:

ATEEZ
Jannabi
Kim Tae-woo
Lena Park
Patti Kim
Psy
NewJeans
Young Tak

In other touring news, TWICE have added four new shows to their ongoing ‘Ready To Be’ world tour. It includes a second Melbourne show, the tour’s first Latin American dates and more.





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Purple Disco Machine and Duke Dumont Drop Mesmerizing Single, "Something On My Mind"

Purple Disco Machine has teamed up with chart-topping producer Duke Dumont for an enthralling new collaboration, “Something On My Mind.” Released via Sony Music Germany/RCA Records, the indie-tinged house track seamlessly marries the timeless and nostalgic sound of disco with a glistening, contemporary sound.

Using shimmering vintage synths and a groovy bassline , the track features compelling vocals from rising band Nothing But Thieves. “Something On My Mind” came to fruition after the British rock outfit requested Purple Disco Machine remix a track from their latest album. Instead, he decided to craft this unique original.

Purple Disco Machine has been at the forefront of a disco revival, and he isn’t slowing down anytime soon. He has played a litany of major music festivals this year and he’s now continuing his tour this fall across North America and Europe.

Listen to “Something On My Mind” below and find the new track on streaming platforms here.

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DJ Sliiink drops ‘Bricks to the 6’ EP – Dancing Astronaut


Jersey Club pioneer DJ Sliink’s latest “Bricks To The 6” takes his iconic sound to a new dimension.

This isn’t just another EP of club heat; it’s a collision of Jersey Club, with its relentless beats and Toronto’s soulful harmonies. Together with SAFE, Bandmanrill and Sha EK, ‘Bricks to the 6’ brings Newark’s edge to Drake’s zip code.

The EP’s flagship single “Warrior” sits at the end of the record but the collaboration with SAFE stands out as the freshest of the lot. The rest of the EP – “In the Night” “Jiggiest in Jerz Reloaded” “On Bro” “Real Hips 2” are all wild collisions between the two styles, with Sliink’s trademark style driving the EP’s elevatred pulse. The whole affair is raucous and bombastic but at the heart of “Bricks To The 6” is the wild synergy of sounds

Tags: DJ Sliiink, DJ Sliink

Categories: Music





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Haiku Hands announce new album ‘Pleasure Best’, share latest single ‘Feels So Good’


Haiku Hands have released ‘Feels So Good’, the latest single lifted from their just-announced upcoming album, ‘Pleasure Best’.

“‘Feels So Good’ is a song about speaking your truth into a world that would often much prefer you to stay quiet, polite, in line and obedient,” Haiku Hands band member Beatrice Lewis explained in a press statement. “It can be speaking loud political truths or quiet needs and wants to the people closest to you.”

The single was produced by a team which included Dan Farber and Josh Fountain, who have collectively worked with the likes of Lizzo, T-Kay Maidza and BENEE, among others. According to Haiku Hands’ Claire Nakazawa, ‘Feel So Good’ was inspired by “Fatboy Slim’s anthemic dance vibe,” as well as the British band Gorillaz.

Listen to Haiku Hands’ new single ‘Feels So Good’ below.

It marks the third track to be previewed from the Australian group’s forthcoming sophomore album ‘Pleasure Best’. The Ribongia-assisted lead single ‘Nunchucka’ arrived in May, and was followed up the next month with ‘Ma Ruler’.

Set for release on December 1, ‘Pleasure Best’ is said to chronicle the lives of Haiku Hands’ core trio — namely Lewis and the sibling duo of Claire Nakazawa and Mie Nakazawa — since the release of their self-titled debut album in 2020.

That project, previewed by the singles ‘Manbitch’ and the Sofi Tukker-featuring ‘Fashion Model Art’, earned a four-star review by NME upon its release in September. “[Haiku Hands’] self-titled debut is a much-needed burst of euphoric joy that’ll make you feel like you can take on the world,” NME wrote.

In 2021, Haiku Hands released a deluxe edition of their eponymous debut, which contained four additional tracks including singles ‘Bye Bye’ and ‘Shoot The Shot’. Earlier this year, Haiku Hands performed at the 2023 Governors Ball festival, joining a line-up that also included Lil Nas X, Diplo and Rina Sawayama, among others.





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How a Career Reset Led to Feed Me's New EP, a Creative Reawakening

Feed Me’s first EP in over six years sees the influential producer do what he does best: transform his music into something entirely new while staying true to his sound.

Out now via Ophelia Records, his stunning Feed Me From The Clouds project paints a vivid soundscape rich with the complexities of his typical production mastery. Throughout each of its four tracks, Feed Me traverses through deeply nuanced electro and progressive house, transporting us to the dark and brooding dancefloors he has long cultivated.

Feed Me From The Clouds is nothing short of a masterstroke. Feed Me expertly weaves a spellbinding latticework of genres and sounds, opening the EP with the room-filling track “Total.” The virtuosic Brit turns things around on the ensuing song “Love Control,” where a crooning vocal sample floats atop his airy production.

We caught up with Feed Me to discuss his new EP and what lies ahead for the renowned producer.

EDM.com: What inspired Feed Me From The Clouds?

Feed Me: Wanting to make the sound I want to hear basically, especially post-Covid. The energy, structures; I love trying to do a set that goes through different environments while staying hopeful, energetic and positive. Feed Me has become buoyant and is floating up to collect advice and magic glyphs from the cloud god.

EDM.com: Since your last EP, Feed Me’s Existential Crisis, you’ve released two albums. What made you want to go back to shorter-form releases?

Feed Me: High Street Creeps was very much the product of having a lot of material at once from sessions all over the place, and corralling it all together into something that told a story. Feed Me was a lot more personal, like a lot of artists for me it was a lockdown story and very much an insular experience, buying esoteric equipment, using experimental or vintage techniques.

There’s something quite massive feeling about doing albums though, and with more and more new material and ideas building up I wanted to get back to being more episodic. So here’s the first result of that.

Feed Me/Instagram

EDM.com: When we last spoke, we discussed how 2021’s self-titled Feed Me album was a reset for your project. What’s changed for you musically since?

Feed Me: Connecting with crowds again, and combining the lessons of that lockdown-detached period of creativity with music for a social environment. It’s been a case of finding that point between totally indulgent material and tracks I can do more with in a live setting, that translate in a club or a loop.

EDM.com: In addition to musical changes, what else has changed for Feed Me since your reset?

Feed Me: I’ve taken a lot more on personally, but also become a more efficient and less chaotic person in general, which is probably good news for everyone around me. I’m so fortunate to get to do this, I feel pretty connected to it all lately. I think I’ve just become increasingly grateful and energized by it all.

EDM.com: Your other projects, SPOR and seventh stitch, have been quite busy lately. What more do you have planned for your other aliases at this time?

Feed Me: Launching Seventh Stitch has been a huge catharsis, and I have a great team helping with the logistics. Feed Me is my character, a bit of a mask for mischief, but Seventh Stitch is my diary. I’ve always needed the two aspects to maintain, but making it public feels different. I’m trying to get a Spor record mastered also.

EDM.com: What can fans expect from Feed Me in the near future?

Feed Me: Some collaborations seem to be coming together. Also I have an EP on Sotto Voce, and something else with Ophelia. I didn’t see the point in working with a label that’s new to me unless it was a case of really being involved and feeling connected with what they do. I respect Ophelia and Jeff [Seven Lions] and their artists and team a lot, it’s inspiring to get that sort of contact and really motivating. I bought a really old car to mess around with also so if I go missing something went wrong.


Listen to Feed Me From The Clouds on streaming platforms here.

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Coach Party share wistful new single ‘Be That Girl’


Coach Party have released a new single, ‘Be That Girl’.

The track is the final single to be taken from the band’s new album ‘Killjoy’, which was released on Friday. The Isle Of Wight indie rockers had previously released the singles ‘Parasite’, ‘What’s The Point In Life’, ‘Born Leader’, ‘All I Wanna Do Is Hate’ and ‘Micro Aggression’.

Per a press release, the song “reconciles with the epiphany that you’ve become a different person; one starkly separate from the version you previously knew yourself to be, and the people you used to share the company of”.

The band’s drummer Guy Page said: ““We were touring a lot last year, so a big chunk of the writing for ‘Killjoy’ happened in hotel rooms, such as ‘Be That Girl’ of which the bulk was formed in a morning in Spain before heading out to play BBK Festival. It’s one of the more inward & self reflective songs on the record, and the one with the softest sonic edges. Retrospectively, it feels like a step closer to our early style as a band, which is nice.”

The music video is a diary of the band’s life onstage and backstage over the past year, as they’ve performed over 100 shows while opening for the likes of Queens of the Stone Age and Wet Leg, and played major festivals like Glastonbury and The Great Escape.

Check out the video for ‘Be That Girl’ below:

In a four-star review of ‘Killjoy’, NME wrote: “Though ambitious, this wide emotional spectrum pays off. Often catchy and always from the heart, ‘Killjoy’ is a deeply human debut. Their polished sound benefits massively from the odd punk outburst, and other parts of the album feel destined for boisterous end-of-gig singalongs.

“With their first headlining European tour kicking off this autumn, ‘Killjoy’ sees the band putting their best foot forward – and though they may not be singing about it, Coach Party are certainly closing out this summer on top.”





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Watch Vintage Culture Drop Unreleased Collaboration With ARTBAT

Vintage Culture and ARTBAT are bridging the gap of the electronic music from their homelands, joining forces for a high-profile collaboration.

Hailing from Brazil and Ukraine, respectively, the two headlining dance music mainstays are teasing an unreleased song, which Vintage Culture recently tested out live before recording and sharing a clip on social media.

As a mesmeric spoken-word soliloquy coaxes the audience further into the underground, a tense snare build leads them even deeper. Eventually, a raunchy vocal functions as the starting pistol of the track’s drop, a slice of pumping techno with the kind of raw energy to ignite any dancefloor.

Vintage Culture is currently rolling out his long-awaited debut album, which is expected to release in 2023. We’re unable to confirm at this time whether or not the collaboration with ARTBAT will appear, but the timing of his video suggests it may soon be released as a single. Check out the footage below.

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Experts Only: The story behind the new name of John Summit’s label and event brand – Dancing Astronaut


Experts Only: The story behind the new name of John Summit’s label and event brandIMG 9810
Featured image: Courtesy of John Summit

In skiing, the signs pointing to double black diamond runs are emblazoned with a blunt warning: “Experts Only.”

Beyond them lies extreme and often unpredictable terrain. What may look manageable from the chairlift can be rife with hazards: steep gradients, unmarked rocks and trees, and no fall zones, denoting areas where one tumble could result in grave harm, even death. Double black diamonds consequently require expert technique. In this way, they’re not unlike the music industry, which is replete with its own twists, turns, and general challenges. Of this, John Summit is well aware.

The subject of our call, after all, is the rebrand of Off The Grid Records, founded in May 2022. Since its establishment, the label, complete with a live events arm, has hosted Summit’s own releases, as well as compelling outputs from Danny Avila, Mau P, Max Styler, and Deeper Purpose, among others. Off The Grid has also plotted several live events, most notably its “cave rave” in The Caverns, a 400-million-year-old limestone sediment cave in Pelham, Tennessee. 

Guided by the ethos of “music and events without limits,” Off The Grid’s propulsive stride temporarily stalled in July, when Summit announced via Twitter that he would be required to rebrand the label and event brand, owed to allegations of trademark infringement. Though the situation was not one that he could have foreseen from his figurative chairlift overlooking the slopes of the dance music industry—a double black diamond in its own right—Summit, who has been skiing since he was three years old and says he was “basically raised on skis,” is applying the same principles that he would on the slopes to Off The Grid’s rebrand: adaptability, skill, and resilience. Not coincidentally, these are the characteristics that have enabled him to deftly navigate the most difficult skiing runs and the commensurately challenging music industry. 

On September 6, the “Where You Are” producer announced that Off The Grid would become Experts Only—a nod to his nearly three decades of experience with the adventure sport. (And yes, he owns the trademark).

“My parents were born in Michigan, so they’ve been skiing their whole lives, whether it’s snow or water skiing,” Summit told Dancing Astronaut. “Skiing was a big part of my life growing up, from being in the ski club in middle school to going [with family] to ski. Because my dad’s a pilot, we would fly out to Breckinridge and Beaver Creek, et cetera, et cetera. Those were our family vacations—we never did Cancun or anything like that. It was always going to the mountain and skiing.”

Pictured above: John Summit with his dad. Pictured below (left): John and his sister. Pictured below (right): John. All photos courtesy of John Summit.

While the moniker “Experts Only” is inspired by what can be called Summit’s first love, what many may not realize is that it also has a unique tie to Off The Grid’s earlier days. 

“We had ‘experts only’ on [Off The Grid] merch that we released over a year ago,” Summit notes. “It wasn’t like, ‘Oh, we gotta rebrand, what name do we do?’ and scrambling. I always thought ‘experts only’ was a super badass slogan, and that’s why we made that merch.”

The double black diamond symbol synonymous with the high-intensity ski runs and now, Summit’s label-event brand, will figure prominently in creative assets affiliated with Experts Only, including its logo. In line with Summit’s intention for Experts Only to function as a “more mature brand,” it debuted with a noticeably darker color palette and cleverly leverages the outline of the double black diamond symbol, enclosing the brand’s existing mountain-inspired logo art within it.

Experts Only: The story behind the new name of John Summit’s label and event brandT87tw1v30qmb1

The Miami-based producer, fittingly clad in a black t-shirt and baseball cap turned backwards on his head, talks animatedly. He exudes a sense of excitement about the new name that feels potent, so much so that it seems almost as if it could cross through his computer screen, which he leans closer into as he talks. There is no tinge of wistfulness about the need for change, but rather bright enthusiasm and the tacit resolution that the outcome of the need to rebrand is and will continue to be well-suited to what he’s already built. He doesn’t need to explicitly say this, and he doesn’t need to–I can hear it in his inflection, can see it in the way he carries himself during our interview. It’s not verbal or physical, it’s energetic. 

As he tells it, the choice of how to rechristen Off The Grid was clear, not only for its existing presence in the world of Off The Grid, but also for its synchronization with the motif undergirding the name “John Summit” and the label/event brand’s general outdoorsy aesthetic. Before the multiple Beatport No. 1s, his first-ever headline stadium show, and all of the commercial acclaim in between, the former accountant turned then, too, to his love of skiing to inform his creative decision-making process. 

“I was just like, ‘I need a DJ name, I love skiing in the outdoors, I’m gonna name myself Summit.’” He fiddles absentmindedly with one of the two silver chains that encircle his neck and, with a touch of incredulity, remarks, “It was a simple name because I never planned on becoming a big DJ at all.”

Though the label/event brand is now known as Experts Only, its ethos remains unchanged. On the label side, Experts Only will continue to champion rising talent while serving as a hub for the dance floor-facing strains of house, tech-house, and techno for which it has won early success. 

Meanwhile, on the events end, it will “[take] what we have learned over the past year and take things to new heights,” per Summit. He means that literally—in concert with his team, the label head is actively exploring event planning in the Swiss Alps. “Hopefully, we can do a little ski tour sometime,” he shares. “The goal is to do an Experts Only event not just out West, but in the Alps someday.” There is nothing on the books for 2024 at present, but there is much, he assures me, to come.

With active planning for next year’s Experts Only event calendar ongoing, the dance music A-lister is concurrently preparing for the brand’s November 3 show at Frost Amphitheatre in Stanford, California, where he will premiere Experts Only in the live setting. Keeping with the motif not only of his artist name but also of his label/event brand, the show will greet fans with the Experts Only caution signs quintessential to the double black diamond slopes. “I think I’m gonna have the dancers wear snow goggles too,” he adds with a good-natured laugh. 

While live events are an integral part of Experts Only, the Chicago-born tastemaker’s main focus for the rest of the year is on the music. “It’s gonna be pretty nonstop with the releases,” he says.

Before Summit fires off his first single on Experts Only, Australian DJ/producer ODD MOB and Los Angeles’ own OMNOM will be responsible for making the label’s first tracks with their titillating ID, “Losing Control.” Out September 15, the one-off, says Summit, “is the definition of kicking it off with a bang,” and represents “probably the most requested track in my sets all summer.” The timing couldn’t be more serendipitous, considering that Summit signed the song in the Off The Grid days.

Of course, the barrage of new music to come includes a slew of Summit’s own productions, many of which will harken back to what he calls “the old John Summit tech-house underground”—a stylistic diversion from the more anthemic, cross-genre, vocal-centric productions (think powerhouse single “Where You Are”) that he’s recently put out. 

“Because we’re having a fresh start with the label, I want to go back to making real club records—that’s where I got my start,” Summit concludes. “And that’s not to say I’m not gonna keep making big vocal tracks and anthems, because I do love making those records, but I think it’s a fun way to get back into my roots.”

Tags: Experts Only, interview, john summit, off the grid

Categories: Features





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Radiohead’s Thom Yorke on embracing having a voice like Neil Young


Radiohead‘s frontman Thom Yorke has revealed how he learned to embrace having a voice similar to Neil Young‘s.

  • READ MORE: The Smile live at Brooklyn’s Kings Theatre review

In an excerpt from Jason Thomas Gordon’s upcoming book The Singers Talk (via Rolling Stone), the singer discussed how he honed into his signature sound with the help of Young and Jeff Buckley.

Yorke shared that he always felt like his register was “uncomfortably high or awkward”. At 18, he created a demo and sent it over to a magazine which earned him a great review and the response: “‘Who is this guy? He sounds just like Neil Young!’”

“I went, ‘Who’s Neil Young?’” Yorke recalled. “I’d never even heard Neil Young, so I went out and bought ‘After The Gold Rush’ and was like, ‘Wow! It’s OK to sound like that?’ Because he’s slightly higher than me, but there was a softness and a naiveté in the voice which I was always trying to hide. Then, it was like, ‘Oh, maybe I don’t need to hide it.’”

He also explained how seeing Buckley also helped him embrace and get comfortable with his voice. “When we were doing the second record [‘The Bends’], I went to see Jeff Buckley before he died,” he said. “Again, that was one of those, ‘It’s OK to do that?’ And it reminded me of this vulnerable part of me that I was choosing to hide. I remember I recorded ‘Fake Plastic Trees’ on my own to begin with. Then, when we came together to listen to it, the others said, ‘We’ll use that!’ and I was, ‘No, no, we can’t use that, it’s too vulnerable. That’s too much me.’”

Yorke shared that he keeps his voice in shape with vocal warmups before their shows as well as bringing a chiropractor on tour to re-align his spine when his voice feels stiff.

Thom Yorke of Radiohead on 8/3/01 in Chicago, Il. Credit: Paul Natkin via GETTY

“It’s quite an amazing feeling when your voice just opens up like that,” he said. “It’s mental. But this is what happens when you’re touring a lot, you have to have someone fix you up if you throw yourself around like I do.”

In other news, Yorke’s band The Smile recently released their single ‘Bending Hectic’. As per a press release, the new track is not taken from any upcoming project, and is instead a standalone single that has been highly anticipated by fans. It was recorded at the iconic Abbey Road Studios in London.

Also, the frontman’s son, Noah Yorke, recently shared a new song titled ‘Cerebral Key’.

Writing about the track on Instagram he wrote: “My first time in a studio for my own work, it was a great experience, and i am proud of the results. it has been a reflective and formative process to write and record this project for you, and i hope you enjoy it.”





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Indulge in Valencia’s Vibrant Music and Nightlife Scene at Marina Beach Club

In the heart of La Marina de València, Marina Beach Club stands as a posh paradise for those seeking the ultimate beach clubbing experience in the Mediterranean. This unique project combines sun, sea, pool, DJs and a diverse culinary journey to create the ultimate leisure destination.

Marina Beach Club boasts two exceptional restaurants. Marina Restaurant seamlessly blends modern, avant-garde cuisine with Mediterranean tradition. El Portet Restaurant, on the other hand, is nestled on the beach and specializes in seafood and Valencian rice dishes, accompanied by an extensive selection of national and international wines.

Marina Beach Club

From spring to early autumn, Marina Beach Club offers beachfront beds, allowing visitors to soak in the Mediterranean sun, while also including an infinity pool, surrounded by water beds, sun lounges, daybeds, and tables.

The distinctive dome of the club hosts live music, concerts, and international DJs, encapsulating everything that makes Valencia’s nightlife special. Throughout the summer, the club comes alive, while being soundtracked by some of the world’s most acclaimed DJs. Throughout the past years, Marina Beach Club has hosted to world-renowned names such as Sunnery James & Ryan Marciano, Gordo, Claptone, Fedde Le Grand, Deborah De Luca, Korolova, Joris Voorn, Vintage Culture and more.

Marina Beach Club

Since its inception in 2016, Marina Beach Club has become one of Valencia’s trendiest spots, offering a million-dollar view of the Mediterranean that’s hard to beat. Marina is more than a beach club; it’s an experience where music, relaxation and culinary delights unite to create unforgettable moments.

Whether you’re into lounging by the pool, dancing under the dome or indulging in world-class cuisine, Marina Beach Club is the place to be.

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