86TVs discuss the “perfect heartbreak” of The Maccabees never headlining Reading & Leeds


86TVs, the new band of The Maccabees’ Felix and Hugo White, have spoken to NME at Reading Festival 2023 about the “perfect heartbreak” of their old band never headlining the festivals.

  • READ MORE: Reading Festival 2023 liveblog: all of the weekend’s action as it happens

The group – comprising the White brothers and their third brother Will (the latter formerly of mid-noughties indie band Talk Taxis and his solo project BLANc) and The Noisettes’ drummer Jamie Morrison – recently released their debut single ‘Worn Out Buildings’.

Speaking to NME at this weekend’s Reading Festival, where they played a secret set on the BBC Introducing stage, they discussed their hopes for the band, their history with the festivals, and how they believed The Maccabees could have one day headlined.

Asked whether they ever believed they would top the bill at the dual festivals, Felix said: “That is so heartbreaking to hear you say that, because I definitely had that [thought]. I used to keep all those yellow [line-up] posters, and the first one The Maccabees did, we were the first on the new bands tent. I would have been 19, 20. 2007 maybe.

“We had this relationship with Reading & Leeds. It was like a montage that was too perfect – every two years we’d see ourselves go further up the bill until we were near the top of the main stage.”

Felix added: “From my personal perspective, I was thinking R.E.M., Arcade Fire, all those groups. We were going to be that band. But that’s part of the perfect heartbreak of the end of The Maccabees is that we didn’t quite get there.”

“We were so close to it, man,” Hugo added. “We headlined Latitude and that was our first step into that thing. Reading was always on the list.”

Elsewhere in the interview, Felix discussed the band’s hopes for 86TVs, and how their drummer transformed the idea of what the band could be.

“Having Jamie Morrison come in, who wasn’t one of our siblings, and was so committed to it, with no financial incentive, no pension, no reason to be involved. He was playing for the Stereophonics at that time.

“He just thought there was a magic in it, so all of his spare moments were coming back into the band. We realised that as the three brothers, if we sing together, it has a magic to it.”

He added: “That developed its own instrument and superpower, and once we got that together, it felt like this is a real entity, and up there with the music we made in the past. We felt confident that we can walk onto stages with the three of us up front, lining the front [in an] attack formation, and be a really outreaching, positive guitar band”.

In another recent NME interview, Felix discussed how Johnny Marr helped steer the direction of new music with his comeback band, and recalled once chasing Noel Gallagher out of HMV.

Check back at NME here for the latest news, reviews, interviews, photos and more from Reading & Leeds 2023.





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Ariana Grande pays tribute to Mac Miller with new ‘The Way’ video


Ariana Grande has paid tribute to Mac Miller in the video for a new version of the pair’s 2013 track ‘The Way’.

Last week (August 25), Grande shared a 10th anniversary deluxe reissue of her debut album ‘Yours Truly’, featuring a host of rarities and unheard material.

She also released a new live performance video for ‘Baby I’, filmed at the Soho House in London, where Grande is currently filming for the Wicked movie.

Also included in the album celebrations is a series of new videos, including one for ‘The Way’. In the video, the background fades out at the end and left are the words “Feat. Mac Miller,” which glow in white at the track’s conclusion.

Miller’s second verse in the song is also given a new orchestral string accompaniment, while the song is otherwise unchanged.

Watch the video below.

Earlier this year, Grande marked 10 years since the release of ‘The Way’ by paying tribute to Miller, who died in September 2018 following an accidental overdose and dated the singer between 2016-2018. Since then, Grande has paid tribute to her late ex-partner on her albums ‘Thank U, Next’ (2019) and ‘Positions’ (2020).

In 2020 Grande remembered Miller’s passion for music, saying she believed “nothing mattered more to him than music, ever”.

“He was the kind of person who woke up, tumbled out of bed [and] into the studio next door. Nothing was more important,” the singer explained.

Last April, one of the three drug dealers charged in the death of Miller was sentenced to 11 years in prison.

 





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“It isn’t healthy for me”


Miley Cyrus has opened up about why she has struggled with the demands of touring in her career, sharing that it “isn’t healthy for me”.

  • READ MORE: Miley Cyrus – ‘Endless Summer Vacation’ review: a potent reclamation of power

Speaking in a new ‘Used To Be Young’ interview series for TikTok posted yesterday (August 27) – following the release of her new song of the same name – the pop star opened up about the various reasons she finds that aspect of being a music artist so challenging.

It was confirmed back in May that Cyrus would be taking a hiatus from touring, sharing that “singing for hundreds of thousands of people isn’t really the thing that I love”.

The mixed response from fans prompted her to clear up the misinterpretation on social media, writing: “For clarity I feel connected to my fans NOW more than ever.”

Elaborating further in the new interview clip, Cyrus shared that “what people don’t really understand about touring” is that “the show is only 90 minutes, but that’s your life”.

@mileycyrus

Used To Be Young (Series) – PART 6

♬ Used To Be Young – Miley Cyrus

She continued: “If you’re performing at a certain level of intensity and excellence, there should be an equal amount of recovery and rest.

“There’s a level of ego that has to play a part, that I feel gets overused when I’m on tour and once that switches on, it’s hard to turn it off. And I think when you’re training your ego every single night to be active, that’s the hardest switch for me to turn off.”

She went on that “having every day, the relationship between you and other humans being ‘subject’ and ‘observer’, isn’t healthy for me”.

The singer continued: “Because it erases my humanity and my connection. And without my humanity and my connection, I can’t be a songwriter, which is my priority.”

In the separate social post back in May, Cyrus insisted that “performing for YOU has been some of the best days of my life & we will continue this journey together as we have for the last almost two decades.”

“This has nothing to do with a lack of appreciation for the fans & everything to do with I simply don’t want to get ready in a locker room. Which is the reality of life on the road,” she added.

Elsewhere, Cyrus revealed that she was “thinking of Adele” when writing ‘Used To Be Young’.

She also recently discussed her 2013 public argument with Sinéad O’Connor to mark her song ‘Wrecking Ball’ turning 10.





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Troye Sivan teases PinkPantheress remix of ‘Rush’


Troye Sivan has teased a new remix of ‘Rush’ featuring PinkPantheress.

  • READ MORE: Troye Sivan – ‘Bloom’ review

Australian pop singer-songwriter Sivan made his return to music last month with new single ‘Rush’ and announced ‘Something To Give Each Other’ – his first full-length album in five years, out October 13.

This month, he also released a collection of ‘Rush’ remixes from artists Big Freedia, Punctual, Tom Santa and Leland.

Now, PinkPantheress and Sivan have teased their own new version of the track.

Posting a snippet of an unreleased verse to TikTok late last night (August 27), PinkPantheress screengrabbed one of her own tweets from last month that read: “troye sivans new song is toooooo tooooo good wtf.”

She overlaid the text “another successful manifestation, while the video caption read: “so excited for you guys to hear the rush remix.”

Sivan also shared his own TikTok teaser in which he played a snippet of a PinkPantheress song with the caption: “Wow love this lady’s voice. Would love to sing w her one day.”

@pinkpantheress

so excited for you guys to hear the rush remix 🎧 ❤️ feat my @STARFACE cos my skin is broken

♬ original sound – 😘🙈☺️

@troyesivan

It’s 8 oclock in the morning

♬ original sound – 😘🙈☺️

Sivan previously described ‘Rush’ as “the feeling of kissing a sweaty stranger on a dance-floor, a 2-hour date that turned into a weekend, a crush, a winter, a summer”.

“Party after party, after party after party. All of my experiences from a chapter where I feel confident, free and liberated,” he added in a press statement. “Independent, yet somehow the most connected to the music and community around me.”

Sivan has also described his forthcoming new album as “a celebration of sex, dance, sweat, community, queerness, love and friendship”. Pre-orders are available here.

Troye Sivan, 2023. CREDIT: Press

Last month, Sivan responded to backlash he received over the lack of body diversity in the music video for ‘Rush’.

“I definitely hear the critique,” he told Billboard. “To be honest, it just wasn’t a thought we had — we obviously weren’t saying, ‘We want to have one specific type of person in the video.’ We just made the video, and there wasn’t a ton of thought put behind that.”

In a five-star review of 2018’s ‘Bloom’, NME wrote that “with his triumphant second album, the Perth pop star tears away all the filters to share a deliriously upbeat statement that washes over you like a dopamine rush”.





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Taylor Swift performs ‘Cornelia Street’ for first time on ‘Eras’ tour


Taylor Swift has finally performed ‘Cornelia Street’ for the first time on her ongoing ‘Eras’ world tour – watch fan-shot footage of the performance below,

  • READ MORE: Taylor Swift re-recordings: everything we know about the albums

While performing at the Foro Sol in Mexico City on August 26, Taylor Swift whipped out two crowd-favourites for her “surprise songs” section of her ‘Eras’ tour set.

Swift said to the audience before diving into ‘Lover’ cut ‘Cornelia Street’: “The acoustic set of the ‘Eras’ tour, I’m always trying to do songs that I either haven’t played live or haven’t played live in a long time. And I’ve really been trying to challenge myself to play song that I haven’t played yet on the Eras tour.”

“You’ve been beyond patient and supportive, and it’s taken us this long to come here and play for you. So I wanted to play a song tonight that a lot of the fans have been requesting for the whole tour,” she continued.

Watch fan-shot footage of Taylor Swift performing ‘Cornelia Street’ in Mexico below.

https://www.youtube.com/watch?v=UrbSJmoN3fc

https://www.youtube.com/watch?v=hkOTx158gKE

Following ‘Cornelia Street’, she performed ‘You’re On Your Own, Kid’ for just the third time on the ‘Eras’ tour.

https://www.youtube.com/watch?v=v9xo-Zk0O_U

During an earlier show in Mexico City on August 24, Swift gave ‘I Forgot That You Existed’ from 2019’s ‘Lover‘ and ‘Sweet Nothing’ from last year’s ‘Midnights’ their live debuts during the ‘surprise song’ segment of the gig.

Swift wrapped up the 2023 US leg of her mammoth ‘Eras Tour’ earlier this month. During the last show at California’s SoFi stadium, the star surprised the audience by announcing ‘1989 (Taylor’s Version)’.

Swift is scheduled to bring the tour to Argentina and Brazil in November. The huge ‘Eras Tour’ will then visit Australia in early 2024, with European and UK dates set to follow next spring/summer. Further concerts in North America are due to take place later next year.

Meanwhile, Swift shared a snippet of ‘Look What You Made Me Do (Taylor’s Version)’ in the trailer for new TV series Wilderness. The original track appears on Swift’s 2017 album ‘Reputation’, one of the albums she is set to re-record in full but has yet to announce.





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New Timbaland, Nelly Furtado, Justin Timberlake song coming soon


Timbaland‘s long-awaited reunion with Justin Timberlake and Nelly Furtado is coming soon.

  • READ MORE: Timbaland and Swizz Beatz on ‘VERZUZ’ battle series: “We want to celebrate the architects of good music”

This past weekend (August 26), the producer and singer took to social media to confirm the release date of his previously teased upcoming single with Timberlake and Furtado. According to his posts on Instagram, the track is being titled ‘Keep Going Up’ and will be released this Friday (September 1).

In the clip above, Timbaland and Justin Timberlake play the track’s final cut for Nelly Furtado. Timberlake also describes Furtado’s vocals on the track as a mix of ‘Promiscuous’ and ‘Say It Right’ in one track. The clip also includes a snippet of the track’s chorus.

‘Keep Going Up’ will mark the first time the trio have released a song together since 2007’s smash hit ‘Give It To Me’. Prior to that, Timbaland had worked with Furtado and Justin Timberlake extensively on separate occasions.

Nelly Furtado, Justin Timberlake and Timbaland. Credit: Chris Polk/FilmMagic

Earlier this year, Timbaland confirmed that his longtime collaborator Timberlake has finished his next album.

Earlier this month, Timbaland paid tribute to his longtime collaborator and rapper Magoo, who died at 50. Magoo was best known for being one half of the Timbaland & Magoo duo, which formed in 1989. The pair met as teenagers and released their debut album ‘Welcome To Our World’ in 1997, spawning the hit ‘Up Jumps Da Boogie’.

Timbaland & Magoo would also become part of a collective, known as Da Bassment Cru, which featured Missy Elliott, Ginuwine and Playa. Magoo is also credited with introducing Missy Elliott to Timbaland, who would go on to form a genre-changing collaboration.





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Watch Robbie Williams reunite onstage with former Take That bandmate Mark Owen


Robbie Williams reunited onstage with his former Take That bandmate Mark Owen on Saturday (August 26) for the first time in 12 years.

The singer was performing at Sandringham House in Norfolk when he introduced his “oldest friend from the band” and brought out Owen for a rendition of their 2008 single ‘Greatest Day’.

The pair embraced on-stage and lead a singalong from the crowd for portions of the track. “Mr Mark Owen, everybody,” Williams said after their performance, adding: “I love my boys.”

Watch fan-shot footage of the performance below.

The singer is also performing a second night at Sandringham Estate today (August 27), with the venue marking the final stop on his 2023 ‘XXV’ European tour, celebrating 25 years of his solo career.

Elsewhere, the singer recently made an unlikely appearance on Soft Play’s (formerly known as Slaves) new song ‘Punk’s Dead’.

Speaking to Jack Saunders on BBC Radio 1, Soft Play said that Williams was a fan of the band and wanted to collaborate in some way, which resulted in his surprise guest feature.

In other news from the singer, Williams recently said that he wants to recruit Radiohead for a cover of ‘It’s Raining Men’.

He told The Sun‘s ‘Bizarre’ column: “I want to do a cover of ‘It’s Raining Men’ but I want Radiohead to do a backing track for me.

“But they have not got back to me. I keep asking but nothing back. I dunno. I might ask Trent Reznor.”

Reviewing Williams at Madrid’s Mad Cool festival back in July, NME said that he was “still the ultimate showman”, who brought “melodrama and self-effacing humour to his back catalogue of hits”.

The four-star write-up added: “As he introduces ‘Angels’ by talking about how he overcame a decade of mental health issues, it is clear that, for Williams, entertaining thousands of people at festivals like this one still acts as a healing salve. He is a performer with more than enough heart to match his humour.”





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Watch a 360 degree video of Aphex Twin’s Field Day 2023 set


A 360 degree video of Aphex Twin‘s entire set from Field Day 2023 this month has been shared online – watch it below.

The DJ headlined this year’s festival in Victoria Park last weekend alongside a stacked line-up that included Bonobo, Arca, Kelela, Fever Ray, Jayda G, Jon Hopkins, Sudan Archives, Mount Kimbie and more.

Now, NTS Radio have this evening (August 27) shared a full stream of the entire set using a 360 camera.

Check it out below.

During the set, Richard James used photos of Charli XCX, the late pop producer SOPHIE, Dua Lipa, Stormzy and others with his face superimposed on them as visuals for a part of his show.

Responding to the visuals, Charli tweeted: “I’ve officially made it.”

Elsewhere in Aphex Twin’s world recently, the DJ and producer launched a new augmented reality app to accompany his recent EP ‘Blackbox Life Recorder 21f / in a room7 F760’.

The AR app called ‘YXBoZXh0d2lu’, which translates to ‘aphextwin’ when decrypted using Base64 binary-to-text encoding, presents an alternate world of interactive AR – bringing the artwork, music and video from the ‘Blackbox Life Recorder…’ era to life in 3D.

Fans can access numerous AR landscapes soundtracked by music from Aphex Twin’s most recent EP. The experiences are triggered by pointing your smartphone camera at the packaging for the release.





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Brandon Beal, HEDEGAARD and Lizzy Wang revive Red Hot Chili Peppers’ sample on ‘The Ones We Lost’ – Dancing Astronaut


Three globally recognized talents – Denmark’s HEDEGAARD, America’s Brandon Beal, and China’s Lizzy Wang – have come together for a stunning collaboration titled “The Ones We Lost.”

This isn’t the first successful rendezvous between HEDEGAARD and Brandon Beal. Their previous collaboration, “Twerk It Like Miley,” boasts a staggering 110M streams on Spotify and has amassed 255M views on YouTube. These boys are masters at delivering catchy hooks and approachable club tracks that are fun and flighty without taking themselves too seriously. And now with Lizzy Wang lending her touch to the production the three-way merge of styles turns out a truly unique offering.

Sharp-eared fans might detect a familiar sample woven through the track. It originates from “Pretty Little Ditty” by the Red Hot Chili Peppers (also sampled by Crazy Town for their massive hit “Butterfly.)” A nod to the heyday of rock and some of the Chili Peppers best and earliest work.

Seamlessly blending heartfelt emotion with club-ready beats, the song captures listeners right from the start with Beal’s evocative vocals laying in their hooks while a somber guitar sequence lays things on thick. Everything plays in harmony, a perfect juxtaposition to an uplifting bassline that is both resonant and rhythmic, richly textured with layers of depth hidden in a heartfelt message.

Categories: Music





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Arlo Parks on Reading 2023, Holly Humberstone and love of Arctic Monkeys


Arlo Parks caught up with NME backstage at Reading & Leeds 2023 to discuss her upcoming book of poetry, surprise apperance with Holly Humberstone, and her love of Arctic Monkeys’ debut album. Check out the full interview above.

The singer, songwriter and poet kicked off her performance yesterday afternoon (August 26), with two tracks from her new album, ‘My Soft Machine’, long before indie giants The 1975 and The Killers took to the stage to end the night with their headline sets. To fans’ surprise, she also appeared briefly on stage during Holly Humberstone’s set on the main stage, joining her for a rendition of her new single ‘Room Service’.

Catching up with NME backstage afterwards, Parks spoke about how the guest appearance arose and recalled the special meaning that the new single from Humberstone’s upcoming debut album means to her.

“She’s the sweetest, honestly. We bumped into each other a couple of times and I was a big fan of her music,” she began. “And then she asked me [at the] last minute whether I wanted to join her on stage.

“It’s something that I absolutely love doing,” she added, going on to recall her appearance with Phoebe Bridgers last year. “I did it at Glastonbury with Phoebe and a Coachella as well… I think there’s something really special about joining the stage
with a friend.”

Arlo Parks. CREDIT: Sarah Louise Bennett

“‘Room service’ is such a beautiful song, you know? That sense of missing your friends from afar and wanting to kind of lock yourself away from the world and reconnect and kind of delve into your friendship. So it was a special song to do as well.”

In the discussion with NME, Parks also touched upon her upcoming book of poetry, The Magic Border: Poetry and Fragments From My Soft Machine and recalled the artists whose lyrics she finds herself most drawn to – namely Arctic Monkeys’ 2006 debut ‘Whatever People Say I Am, That’s What I’m Not’.

“[There are] so so many,” she told NME. ‘I’m a big fan of Big Thief, the indie band, and I do that a lot with Adrian Lanka’s lyrics because they’re so rich and poetic and beautiful.

“I used to do it a lot when I was younger because I was a big fan of rock music,” she continued. “So [there was] a lot of Deftones and Arctic Monkeys – their first record was the first record I ever bought on my iPod Nano… I was obsessively reading all the lyrics to that record. I love that album”.

Arlo Parks.
Arlo Parks. CREDIT: Sarah Louise Bennett

Towards the end of the chat, the 23-year-old musician also took a look back at a previous interview she did with NME – shortly after the release of her debut ‘Collapsed In Sunbeams’ – where she admitted she found it “weird” to come to terms with the fact that she was gathering fans across the globe.

“I think there’s no way that that can ever feel normal you know,” she responded yesterday, asked about whether her stance has changed, two years down the line.

“I think so many people spend their whole lives writing music in their bedrooms or in studios and it never reaches beyond their friendship group. [So] being able to be in Tokyo and sell out a room and have people like singing to lyrics when it’s not even their native language it’s always going to be something that I think I’ll never take for granted.”

Check back at NME here for the latest news, reviews, interviews, photos and more from Reading & Leeds 2023.





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