Nicky Romero is back with his captivating new single, “Mahoya.” More than just another addition to his main stage repertoire; “Mahoya” is a shift towards his new underground style and an upcoming showcase of an all new sound dubbed Nightvision.
The track follows on the heels of the EP’s debut single, “Give In.” Serving as the second club-centric offering from the pressing, “Mahoya” represents the central musical theme for Nicky’s new direction and his upcoming open-to-close solo performance. What makes “Mahoya” particularly enchanting are its distinctive Kenyan vocals, drumming up an evocative and tribal ambiance to the underground thumper. But Nicky doesn’t stop there; he masterfully blends catchy vocals with larger than life piano chords and a deep, pulsating bassline complemented by Nicky’s penchant for undeniable rhythms. “Mahoya” boasts an energizing beat interwoven with catchy vocal riffs that are bound to become staples of dance floors worldwide, and will undeniably be a highlight at his debut Nightvision concept.
Glastonbury organisers have shared some important information for fans hoping to get tickets to the 2024 festival.
It was announced back in June that next year’s festival will be taking place from Wednesday June 26 through to Sunday June 30 at Worthy Farm in Pilton.
Before fans can anticipate getting in the online queue once the sale goes live, it’s essential to register to be able to access tickets, which you can do now from here until 5pm GMT on October 31.
The move was adopted by Glastonbury to help cut down on touts. Each general admission ticket will come with a photo of the ticket holder printed on it.
Any Glastonbury ticket registrations submitted prior to 2020 need to be reviewed before our next ticket sale at https://t.co/Iesl4ov8Ga and the details confirmed.
Please also take a moment to review the details and photo(s) we have on file, submitting a more recent photo if…
The festival’s Twitter (X) page has now posted on today (August 17) that any Glastonbury ticket registrations submitted prior to 2020 need to be reviewed and confirmed before the next ticket sale. You can do that here.
They also wrote: “Please also take a moment to review the details and photo(s) we have on file, submitting a more recent photo if your existing one is no longer of a good likeness, and make any other necessary amendments to your registered information no later than 30th September 2023.”
Upon clicking the registration link, you will be asked to re-enter your email, which will be followed by an e-mail from Glastonbury containing your registration number(s) and unique links which will let you view, edit or delete your details, or update your registration photo to a more recent image.
Elton John at Glastonbury 2023 CREDIT: Jim Dyson/Redferns
For fans that registered prior to 2020 who intend to buy tickets for 2024 Festival or in future years, all details will need to be reviewed/ updated and confirmed no later than Saturday, September 30 2023. If you do not confirm pre-2020 registration details, they will be deleted on Monday, October 2, 2023 and fans will be required to submit a new registration.
An exact date for the ticket sale for Glastonbury 2024 is yet to be announced, but it’s expected to take place at some point during November 2023.
Straight after this year’s festival, which saw performances from from the likes of Elton John, Arctic Monkeys, Guns N’ Roses, Lana Del Rey, Phoenix, Queens Of The Stone Age and many more, rumours began to swirl about who might possibly be headlining in 2024.
So far, the speculations range from The 1975, Beyoncé and Harry Styles. You can find NME‘s full list of rumoured performers here.
For the 2023 instalment of the iconic festival, highlights ranged from John’s career-spanning farewell performance – which NME described as “one of the festival’s best-ever headline sets” – Foo Fighters‘ surprise set which finally revealed the identity of the mystery band The Churnups and Cate Blanchett’s dance performance on-stage with Sparks. You can catch up on all of the final day’s action on NME’s liveblog.
The world’s longest-running electronic music festival is only getting stronger.
Since 1993, Mysteryland has remained a stalwart not only in the Netherlands, but also the global music festival community. Since its humble beginnings in Lelystad, it has grown into a bona fide powerhouse that functions as a hotbed for the sounds of the future of dance music.
The 2003 edition of Mysteryland.
c/o Mysteryland
However, Mysteryland goes beyond the music. Now celebrating the festival’s 30th anniversary, its organizers are meeting the moment by turbocharging their sustainability efforts. In collaboration with the Municipality of Haarlemmermeer, Recreatieschap Spaarnwoude and ID&T Group, Mysteryland’s 2023 edition will run almost entirely on green grid power in order to drastically reduce CO2 emissions.
Approximately 80% of the festival’s power consumption will consist of green grid power, which will be supplied by local energy company Tegenstroom. The remaining 20% will comprise “flexible, sustainably generated energy,” according to a press release issued by Mysteryland.
“The fact that we, as a small local energy company, can supply solar power to such a large festival almost feels unreal,” said Andrea van de Graaf, director of Tegenstroom. “Truly green, truly local. Hopefully, other festivals will soon follow!”
c/o Mysteryland
“We are extremely proud to take this important step forward together with the other parties involved and hope this will inspire other organizers to do the same,” added Milan Raven, managing director of Mysteryland. “This effort fits perfectly with our recent signing of the Green Deal Circular Festivals, which focuses on sustainable innovation and in which we have promised to work hard to become more circular and climate neutral in the future.”
With the goal of stimulating sustainable innovation, the Green Deal Circular Festivals pact galvanizes festivals to become climate neutral by 2025. Signed by a litany of European festivals in 2019, the initiative aims to implement a sustainable model for usage of energy, food, water, transport and materials.
From August 25-27, this year’s Mysteryland festival will feature Hardwell, Alesso, Sven Väth, Headhunterz, Adam Beyer, Mau P, James Hype, Malaa, MEDUZA and many more. You can check out the full lineup below and purchase tickets here.
The Cult’s Billy Duffy has joined Johnny Marr on stage to play tracks by The Smiths and Depeche Mode. Check out footage of the moment below.
The gig took place at the Cheese and Grain venue in Frome last night (August 16) as part of Johnny Marr’s latest run of solo gigs, and featured a number of tracks from across his discography, including solo tracks and classics by The Smiths.
Fans at last night’s show, however, were left surprised after the singer-songwriter and guitarist brought out The Cult’s Billy Duffy as a surprise guest for the evening.
The on-stage appearance is the latest of the multiple times the two musicians have joined forces, as they both have a long history of playing music together – stemming back to their adolescent years.
Meeting in Manchester during their childhood, Duffy was in an early incarnation of The Smiths with Morrissey and had also played guitar with Marr when the latter was just 12 years old. It was also through the three of them attending a Patti Smith gig in 1978 that Marr was introduced to Morrissey – leading to the formation of The Smiths.
At the surprise appearance in Frome last night, the two collaborated for a performance of one of The Smiths’ most famous tracks, ‘How Soon Is Now?’. Before this, however, Marr introduced The Cult guitarist to the stage with a joint cover of Depeche Mode’s 1993 hit, ‘I Feel You’.
After the set, Marr took to his Instagram to share an image of them both on stage, writing in the caption: “Thanks to my friend Billy Duffy for joining us tonight in Frome. It was rockin alright. Nice one Billy.”
Additionally, Duffy also expressed his happiness to be on stage with Marr again in a new statement (via press). “Always a pleasure to get up [on the] stage with my oldest pal and throw a few shapes, just like we dreamed in 1975,” he began.
“It was great to hang out and I hope to throw something a little different into the mix….plus I get to enjoy the rest of John’s show.”
This is the second time that the former Smiths guitarist has been joined on stage for a performance of one of the band’s songs. Earlier this month, Gaz Coombes joined him to play classic track ‘There Is A Light That Never Goes Out’ at Lakefest 2023.
Up next, Marr is set to continue his run of live solo performances with a slot at The Student’s Union in Plymouth tonight (August 17). Tomorrow, he will also make an appearance at this year’s edition of the Beautiful Days festival, held at Escot Park.
As for Duffy, later this year, the singer-songwriter and guitarist is set to rejoin forces with Ian Astbury to tour the UK, Ireland and US as part of their band Death Cult.
The live shows were announced earlier this week (August 14), and the project is an early incarnation of The Cult. Kicking off in November with a gig in Belfast, the tour will see the two play the same small clubs that they played in when first beginning their careers.
It will also celebrate 40 years since they first formed, focus on their eponymous EPs, and “boast a setlist that spans the three phases of the band, from Southern Death Cult, to Death Cult, and The Cult’s first two albums: ‘Dreamtime’ (1984) and ‘Love’ (1985).”
If you had the opportunity to expand your knowledge of sustainability practices while getting down to some genre-bending bass music in the Alaskan wilderness, would you?
Well, you actually can. The environmentally-focused bass festival Sacred Acre will make its grand return to Ninilchik’s Kenai Peninsula Fairgrounds from September 8-10, and it’s set to be one of the country’s biggest festival sends. Alaska isn’t necessarily easy to get to, but the experience itself will lend a platform for attendees to physically connect and stay educated on the active destruction of the ocean’s ecosystems while being immersed in a serene 40 acres of beautiful wooded forest.
Which makes the location of Sacred Acre that much more powerful. Located on the Cook Inlet off of the Gulf of Alaska, the festival will place attendees in arguably one of the most breathtaking environments in the United States, which has been home to indigenous and native people for thousands of years.
With the rapidly increasing demand for seafood, the area is facing real-time detrimental effects from trawling, which is set to trickle down and impact the rest of the world’s ecosystems in due time.
“The inspiration behind Sacred Acre comes from the beauty of Alaska,” Sacred Acre founder Chris Miller tells EDM.com. “The name needed to have a good cause, so the protection of the barren sea and the wilderness of Alaska was at the forefront. The name ‘Sacred Acre’ comes from a story from Ivo Dominguez Jr., where he wrote of the space between low and high tides. This space was referred to as the ‘sacred acre.’ It’s the water that truly makes this space unique and pure magic.”
“Trawling is a huge issue in Alaska. We are watching the destruction in real-time,” explained Sacred Acre’s assistant director, Hannah Stearns. “The fishing numbers are declining and the native people are being tremendously affected. The numbers of crab, halibut and salmon everywhere in the state are plummeting.”
The method of trawling—dragging a football-sized net behind the boat catching everything in its path, including marine mammals—nobody understands unless you’re here and see it,” Stearns continued. “We want to bring the conversation to the forefront of the lower 48 [states]. Knowledge is power and the more that people know what’s going on the greater the change we can make. The goal is to come together as a community with genuine passion and energy.”
To help bring awareness to this harmful practice, attendees will be able to take action onsite by listening to Alaskan native speakers, watching trawling films and mini-documentaries and scanning QR codes throughout the grounds to sign petitions that directly impact Alaskan communities. Additionally, Sacred Acre will enact a no-plastic policy, with drinks sold in steel tumbler cups and vendors using disposable ware.
“We have a ‘clean ocean ethos’ at Sacred Acre,” Miller says. “We can’t be wasteful inside the festival. We limit our attendance to only a couple of thousand so we can better control our waste.”
Along with educating the estimated 3,000 attendees about the disastrous effects of trawling while connecting to the natural world around them, Sacred Acre hopes to further facilitate the connection through the power of dance music. They’ll do so by virtue of the festival’s formidable lineup and the largest visually stunning laser and digital art stage displays ever showcased in Alaska.
“We don’t hold back at all—we want to give Alaska the best experience,” Miller said.
The three-day festival will feature headlining performances by rising bass music superstar Of The Trees, multi-instrumentalist Boogie T and two sets by electro-soul virtuoso Daily Bread—one as his main moniker and another as his throwback alias Cloud Conductor. Other artists poised to perform include Manic Focus, The Widdler, KOAN Sound, Maddy O’Neal and Marvel Years, among others.
Sacred Acre 2023 artist lineup.
Sacred Acre
As if that weren’t enough, Sacred Acre will also offer an assortment of non-music activities and adventurous excursions unique to Alaska, such as native plant foraging, underwater spearfishing, glacier helicopter tours and fly fishing. Attendees can also ground themselves with the native land around them at the Stillwater Reflection Center, where sound healing, breath work, cacao ceremonies and yoga will be held throughout the weekend.
“We want everyone to feel connected and mindful at Sacred Acre,” Stearns said. “The goal is to stay moving within the same goal and share a ‘hive mind’ to make a difference. We want people to come out with a fuller cup and feel genuine care and support, knowing that the power of music can influence change.”
Various Sacred Acre ticket, camping and shuttle packages are available here.
A Seoul court has reportedly ruled in favour of former LOONA member Chuu in her contract lawsuit against Blockberry Creative.
Today (August 17), several South Korean news outlets reported that the 23-year-old idol has won her lawsuit against the K-pop agency over her exclusive contract. Chuu had initially filed for a provisional injunction to suspend her contract with Blockberry in January 2022, which was accepted by the court.
The 12th Civil Division of the Seoul Northern District Court has now officially nullified her contract with the agency. “I confirm that the exclusive contract signed between the Plaintiff (Chuu) and the Defendant (Blockberry) in December 2017 is invalid,” said the presiding judge per Star News. Blockberry Creative has also reportedly been ordered to bear the costs of the lawsuit.
Neither Chuu nor Blockberry Creative has commented on the court’s ruling.
Following Chuu’s initial provisional injunction, the singer did not join LOONA on their first world tour that year, though the agency cited scheduling conflicts at the time. Blockberry later removed Chuu from the girl group in November 2022, accusing the idol of using “violent language and misuse of power” and claiming that she had violated terms of her exclusive contract. In a statement on Instagram in response, the singer said she had not “done anything shameful”.
After Chuu’s firing, the other 11 members of LOONA filed to suspend their own contracts with Blockberry Creative in the following months, and have since succeeded. Members Heejin, Haseul, Kim Lip, Jinsoul and Choerry are now under Modhaus, headed by former LOONA creative director Jaden Jeong, and have been releasing music under the ARTMS project.
Meanwhile, Hyunjin, Yeojin, Vivi, Gowon and Hyeju (previously known as Olivia Hye) with signed with new agency CTEDM, also founded by a former Blockberry director, and are preparing to debut as a new group, Loossemble. Member Yves has yet to sign with a new agency.
Founding Mashd N Kutcher member Matt James has announced he’s been diagnosed with multiple myeloma, a form of blood cancer.
Multiple myeloma results from an overgrowth of plasma cells in the bone marrow, which can crowd out normal blood-forming cells and lead to low blood counts, according to the American Cancer Society. This can cause anemia, a shortage of red blood cells.
James, who launched the Mashd N Kutcher project over a decade ago in 2012, took to social media to reveal his diagnosis and ongoing treatment.
“This was unexpected as I was otherwise healthy, however it has spread throughout my body causing multiple breaks in my arms, ribs, and more,” James writes. “Over the immediate months we will hit this from every angle with chemotherapy and extensive treatment ahead.”
Despite James’ health issues, Mashd N Kutcher will continue to tour. The group is heading over to Asia towards the end of the month to perform a number of headlining shows before returning to Australia in September for more performances. New music, James said, is also on the way.
“In summary, the road ahead is challenging but I’m very fortunate to have an amazing support network of family, close friends and colleagues, right now I’m physically weak but mentally strong, and I’ll be giving this everything I’ve got,” he added.
Ed Sheeran has said that he won’t be headlining a Super Bowl Halftime performance on his own.
READ MORE: Ed Sheeran – ‘Subtract’ review: his troubled times laid bare
Speaking to Andy Cohen for radio network SiriusXM, Sheeran was asked if he would ever want to perform at the Super Bowl. Sheeran said: “There was a conversation awhile ago, I think it was when Coldplay did it – of me going on to play ‘Thinking Out Loud’ and I think that would be the only way I would do it is if I were joining someone else.”
“I think it’s an American thing. I don’t have pizazz,” Sheeran explained.
Watch a snippet of the interview below.
Ed Sheeran went on to point out past grand performances from Prince, Michael Jackson, Katy Perry, Beyoncé, Lady Gaga, Rihanna, and The Weeknd as the standard for these shows.
“Like, all of these amazing performers — I’m just not that. I’m not gonna have dancers on stage. I’m not gonna have fireworks and blah blah. I just can’t, that’s not me,” he continued. “I don’t think that anyone wants to see me do the Super Bowl either.”
After joking that he could wear sparkles to give him that “pizazz”, Sheeran reiterated that he would only do it as a guest.
A performer for the 2024 Super Bowl Halftime show has yet to be announced. This year’s Halftime show was helmed by Rihanna.
Rihanna’s performance at this year’s Super Bowl game is officially the most-watched halftime show of all time. In early May, the news was confirmed by Rihanna’s label Roc Nation.
For her set – her first performance in five years – Rihanna put on a career-spanning performance saw her play hits such as ‘Bitch Better Have My Money’, ‘Where Have You Been’, ‘Rude Boy’, ‘Work’, ‘All Of The Lights’, ‘Run This Town’, ‘Umbrella’ and ‘Diamonds’.
With over 500 million streams to her credit, RIELL is no stranger to the limelight. Having toured in more than three international circuits spanning continents, and collaborated with industry giants such as Blasterjaxx, Excision, The FatRat, Besomorph, and Neoni, her journey is a testament to her unparalleled talent and drive.
She’s working on a hotly anticipated 18 track album and leading into it, has unveiled a glistening dance pop single “Happy For You”. With its upbeat rhythm, this song finds the perfect balance between a raw edge and a catchy pop vibe. It’s like a cool fusion of pop and rock, designed to get stuck in your head on purpose.
Soaking in sunshine and live music on a rooftop is a quintessential summer experience in New York—and one Brooklyn hotspot Elsewhere curates best.
Earlier this month, Enamour took to Elsewhere for a stellar sunset performance on a breezy Saturday evening. The LA-based producer is no stranger to the Brooklyn venue, having played the main space in 2022 and the rooftop in 2019.
While Elsewhere may not boast the skyline views and plush decor of upscale Manhattan rooftops, it prides itself in cultivating community and drawing crowds craving music over glitz.
Friendly, welcoming staff, wonderful seasonal drinks (like this summer’s spicy watermelon frozen margarita and yuzu hard seltzer), an intimate dancefloor devoid of tables or VIP sections, and affordable events are all part of the Elsewhere experience. Enamour’s show, among other recent events, was free for members of the Elsewhere community Discord.
Doors for Enamour’s return to Elsewhere opened at 3pm to the sounds of corinne. Formerly a Dance Music Editor at Spotify, she now juggles A&R for Chris Lake’s venerated Black Book Records imprint with DJing across New York’s most popular dance music venues, like Superior Ingredients and Public Records.
Jeanette Sopher
Having curated some of Spotify’s biggest dance-focused editorial playlists like Housewerk and Deep House Relax, her knack for selecting gems across the house music spectrum was palpable in her performance at Elsewhere. Fitting the moment, her set was filled with soulful cuts like Birds of Mind’s trumpeting “No Time For Tears” by and “L.I.F.E” by &ME, a fresh Keinemusik release.
Jeanette Sopher
corinne was followed by New York-based, Lebanese DJ duo alko. Bridging Beiruti rhythms with organic house, alko strives to bring a taste of their heritage to slow-burning dance music. At Elsewhere, they kept the crowd grooving with deep, hypnotic soundscapes under the hazy Saturday sky.
Jeanette Sopher
It’s difficult to pigeonhole Enamour’s style. From euphoric, vocal-driven anthems on Anjunadeep to hypnotic house on Get Physical and driving techno on Desert Hearts Black, the breadth of the labels he’s released on underscore his versatile sound.
His sets are equally expansive, bespoke for each setting and occasion. At Elsewhere, he dialed the energy up, dishing out high-octane tracks for two and a half hours like “Feel for Race” by Space Food and “Intelligence” by Rafael Cerato and Pavel Petrov.
His original songs were the highlight of the set. “Body Test,” Enamour’s acid-inspired release on RÜFÜS DU SOL’s Rose Avenue Records, was a peak moment as day turned into night. But of course, Enamour saved the best for last, treating the crowd to his rousing remix of RY X’s “A Thousand Knives” towards the tail of the show.
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