David Guetta Nabs Miami Waterfront Mansion Listed at $69 Million

David Guetta is literally putting the “house” in house music, spinning his way into Miami’s luxury real estate market after purchasing a lavish waterfront mansion.

The terms of the final sale have not been made public, but the property’s page on Zillow last listed it at a cool $69 million. We’ve opted not to include a link to the listing for the sake of Guetta’s privacy.

Located in a secluded enclave known as “Billionaire’s Bunker,” the spectacular, 15,578-square-foot home has 12 bedrooms and 16 bathrooms. It sits on 1.23 acres in a guard-gated village with its own 18-hole golf course and country club.

The dance music superstar purchased his new digs from famed Miami Beach developer Todd Michael Glaser and his partners, The Real Deal reports. The property reportedly sold for $23.8 million in 2021 before Glaser and his team demolished the existing home and started construction on a new one.

Zillow

Two summers ago, Guetta spun his catalog of dance hits into a massive deal with Warner Music, who acquired the rights for a figure north of $100 million. The music giant nabbed Guetta’s worldwide catalog from the last two decades and inked a new pact for future recordings at the time.

He joins quite an inner circle on Indian Creek Island Drive. Members of the neighborhood’s upper crust include NFL legend Tom Brady, billionaire hedge fund manager Eddie Lampert and Hotels.com co-founder Bob Diener. Guetta’s home is also next-door to Ivanka Trump and Jared Kushner’s property, per The Real Deal.



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Ciara attracts backlash for new collaboration with Chris Brown


Ciara is facing criticism on social media over her new collaboration with Chris Brown.

The Texas-born singer teamed up with Brown on the single ‘How We Roll’, which was released today (Friday, August 4). It’ll appear on Ciara’s forthcoming EP ‘Ci Ci’ (out August 18).

Some fans, however, have questioned the R&B artist’s decision to work with Brown again after he was convicted of assaulting his then-girlfriend Rihanna back in 2009.

He has since been accused of assault multiple times. In 2021, Brown was under police investigation after a woman alleged he had “smacked the back of her head so hard her weave came off”. That case was ultimately dismissed owing to “insufficient evidence”.

Upon ‘How We Roll’ being announced earlier this week, numerous fans took to Twitter to air their disappointment in Ciara. “Cute. A domestic abuser,” one person tweeted. “What a shining example.”

Another asked: “Why is Ciara platforming Chr*s Br*wn knowing he’s an abuser?”

Elsewhere, a Twitter user criticised Ciara for choosing to collaborate with Brown over “all the upcoming rappers” who could’ve featured on ‘How We Roll’.

Someone else wrote: “Disrespect of black women will continue as long as black women keep allowing it to happen. Why are you all still supporting him? Why are you supporting the women that choose to be associated with him?”

Another said: “Every time an artist (especially female) collab with this man, I wonder how they’re going to explain it to their children. How do you explain to them that you don’t care about his long rap sheet or his victims because he can dance and carry a tune?”

You can see those tweets and more reactions below.

Ciara toured with Brown back in 2005. Additionally, he featured on the singer’s track ‘Turntables’ from her 2009 album ‘Fantasy Ride’. Around the time of the record’s release, Ciara explained that she’d considered removing Brown’s vocals after he was charged with assaulting Rihanna.

But she ultimately decided to keep Brown’s contribution. “I wanted to focus on the music and leave it at that,” she told MTV News, “because it’s a record that I’ve had for a while, I love the way it sounds and it’s one of my most favourite records on the album.

“And if I alter it, it’s not gonna sound the same. So for me, really it’s nothing more than about the music, so I kept it there.”

However, Ciara said it “definitely took time” for her to come to that decision.

Ciara has not yet responded to the criticism surrounding ‘How We Roll’.

Earlier this year, Chlöe Bailey defended her Chris Brown-featuring single ‘How Does It Feel’. Brown, meanwhile, took to Instagram in February to rant about the “hate” he still gets for a “mistake” he made when he was younger.

In 2022, Jordin Sparks joined Kelly Rowland in defending Brown after he was booed by audience members at the American Music Awards.

Joey Bada$$ also defended his decision to collaborate with Brown following a backlash from fans, saying “people make mistakes”. In 2021, Lizzo was criticised online after footage emerged of her calling the singer “my favourite person in the whole fucking world”.





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Last Heroes deliver expansive debut album on Lowly, ‘All I See, You See Me’ – Dancing Astronaut


by: Zach Salafia


Aug 4, 2023

Last Heroes‘ debut album is here. Over a year ago, they set out to the mountains of Colorado with a singular goal of refining their craft and focusing their energy on the body of work that would become their debut album. Now, their creation is ready for the world to hear on Lowly.

All I See, You See Me shows off the Denver-based duo’s refined production skills, perfectly blending different genres and soundscapes across a 12-track album. And it captures the feelings of euphoria and sadness, energy and calm, and everything in between. It’s deeply moving while maintaining an ease of listenability and while diverse in style, the album remains cohesive. 

The meaning behind All I See, You See Me is an extension of why Last Heroes started the project in the first place. The valorous moniker came to be through the duo’s hopes of creating a platform that would bring people together, and remind everyone that they have a purpose in life. Big or small, visible or not, everyone has an impact that ripples and the message and meaning behind their debut album is no different.

“‘All I See, You See Me’ is a representation of everything we have been working to accomplish in music. The album really feels like a piece of us, reflecting on past experiences as well as the moments we lived while writing it. It’s so unreal to finally have it out in the world.” – Last Heroes

Last Heroes have methodically risen the ranks since they formed in 2016 and All I See, You See Me is the culmination of their efforts. Everything they’ve learned along the way—through collaborations with legends like Seven Lions and Tritonal, remixes for Gryffin and ILLENIUM, and solo projects like their ‘Finding Light’ and ‘Threads’ EPs—gave them the skills they needed to put out a body of work as ambitious as this. Previously delivered singles like one of Dancing Astronaut‘s most-anticipated IDs of 2023 “Odd Ones Out,” “Stay The Night,” “I Love You Enough To Let You Go,” “Back Now,” and “Atmosphere” were released in the rollout to the album’s full release.

The album arrives the same day Last Heroes kick off their debut headline tour in San Francisco at The Midway. The 14-stop tour features dates in Denver, Los Angeles and New York to name a few. Listen to Last Heroes’ debut album All I See, You See Me, released via Lowly, below.

Last Heroes deliver expansive debut album on Lowly, ‘All I See, You See Me’356069557 3823674874556200 4962713366304556217 N

Featured image: Alex Kittoe

Tags: last heroes, lowly, lowly.

Categories: Music





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Church from Chemical Brothers’ ‘Brothers Gonna Work It Out’ artwork now Grade II* listed


The church featured on the cover art for The Chemical Brothers’ compilation album ‘Brothers Gonna Work It Out’ has been given Grade II* status.

As The Guardian reports, the Our Lady Of Fatima Church in Harlow, Essex was upgraded from a Grade II listed site by the government on the advice of Historic England. The move will protect the modernist building’s historic and architectural significance.

  • READ MORE: The NME Big Read – The Chemical Brothers: “Dance music has always been the sound of Glastonbury”

It is said that the church’s appearance on the cover of the dance duo’s 1998 album was not a factor in upgrading its protected status.

However, the Old Lady Of Fatima Church’s innovative “in-the-round” design and freestanding altar in the centre of 500 seats did contribute to its significance, as did the building’s colourful glass windows.

The church – complete with a tall needle spire – was designed by British architect Gerard Goalen between 1953 and 1954, and construction was completed in 1960.

Sharing the news on Twitter yesterday (August 3), The Chemical Brothers’ Ed Simons wrote: “Harlow church on Chemical Brothers album cover granted protected status 🙏🙏🙏.” See that post below.

The ‘Brothers Gonna Work It Out’ cover art features a photograph of the church on a blue-skied sunny day. A group of people are seen gathered by the entrance, while a notice board outside displays the album’s title. Check it out in the tweet above.

In other news, The Chemical Brothers have announced their 10th full-length record ‘For That Beautiful Feeling’, which is out next month (pre-order here). It’ll follow on from 2019’s ‘No Geography’.

The band also shared a new single, ‘Live Again’, last month.

The Chemical Brothers recently wrapped up a series of festival slots across Europe, including an appearance at Glastonbury 2023.

They’ll embark on a UK and Ireland arena tour in October – you can find any remaining tickets here.





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Mindchatter Announces New EP, Drops Introspective Single "Day Dreams"

Mindchatter’s awe-inspiring creative output is seemingly endless. Following the release of his forthcoming EP’s lead single “Growing Pains,” he’s now returned with “Day Dreams.”

“Day Dreams” is an introspective look into the mind of Mindchatter and a descent into escapism. As reflective as it is beautiful, the song uses its charming topline to weave through its fluttering synths and subtle percussion. The beat itself is refreshingly unique, adding even more depth to Mindchatter’s meditative project.

Last year, Mindchatter released his thought-provoking sophomore album DREAM SOUP, giving fans more than enough to mull over for the remainder of the year. He’s now revealed a new EP, Spiritual Puberty, due out on September 22nd via ODESZA’s Foreign Family Collective imprint. The six-track project is a coming-of-age tale that delves into into his own quarter-life crisis.

“We’ve been big fans of Mindchatter over the past couple of years and are excited to have him join Foreign Family,” ODESZA said in a press release. “He does an incredible job of blending his impressive vocal work and meticulous production in his new music. We are looking forward to seeing what this next chapter holds for the Mindchatter project.” 

Listen to “Day Dreams” below and stream the new single here.

FOLLOW MINDCHATTER:

Facebook: facebook.com/mindchatter.music
Twitter: twitter.com/mindchatter_
Instagram: instagram.com/mindchatter_
Spotify: spoti.fi/38E2eOp





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David Hockney’s Harry Styles painting to go on display at National Portrait Gallery


A painting of Harry Styles, created by renowned English artist David Hockney, is set to be displayed at the National Portrait Gallery in London.

The painting is one of over 30 new portraits that will be showcased for the first time in the Trafalgar Square gallery. They will all be featured as part of a new installation, titled David Hockney: Drawing from Life, which will open on November 2.

The portrait of the pop star was created by the veteran artist in his art studio in Normandy, France, where Styles sat for him. It depicts the ‘Watermelon Sugar’ singer wearing blue jeans, a pearl necklace and an orange and red striped cardigan, sitting facing forward.

Other portraits set to feature in the upcoming display include a painting of Hockney’s late mother, Laura, fashion designer Celia Britwell, former partner Gregory Evans and people from his local community in Normandy.

Although the exhibition will see many of Hockney’s works being displayed publicly for the first time, this isn’t the first time that the collection has been showcased in the National Portrait Gallery. Back in 2020, the original collection of artwork was open for visitors, however only remained open for 20 days, with the gallery closing due to the pandemic.

As reported by The Independent, as well as having 33 new works, there are also colour-pencil drawings, created in Paris in the early 1970s, as well as a selection of drawings from the 1980s – made during a period where the artist created a self-portrait every day over a period of two months.

Combined, the exhibition will see a total of around 160 of Hockney’s works displayed, collected from both his public and private collections.

“Closing this five-star exhibition after just 20 days in 2020 was incredibly disappointing for the gallery and its many visitors,” said Sarah Howgate, senior curator of contemporary collections at the National Portrait Gallery.

“Now revitalised with over 30 new energetic and insightful painted portraits of friends and visitors to the artist’s Normandy studio, it is a real privilege to have the opportunity to collaborate with David Hockney again.”

Additionally, the Director of the National Portrait Gallery, Nicholas Cullinan, added: “Hockney is one of the most internationally respected and renowned artists today, and to see his new portraits, made over the last couple of years and which demonstrate his constant and continuing ingenuity and creative force, is life-affirming.”

Find out more about the exhibition and find out pre-order tickets here.

This isn’t the first time that Harry Styles has been represented in an artistic form in recent weeks. Last month, it was reported that there were seven new wax figures of the former One Direction member made for display in Madame Tussauds.

The majority of the looks captured in the waxworks are taken from looks Styles wore during his recently-concluded Love On Tour shows, and are set for display in London, New York, Hollywood, Amsterdam, Berlin, Singapore and Sydney.





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RN ISMO Returns To His Roots Via ‘Growing Up,’ Released On Label: Issues


When the worlds of fate, talent, and determination collide, they often create a melody that lingers. For RN ISMO, this collision has been nothing short of harmonic brilliance. The minimal house scene has witnessed an unparalleled confluence of sound and storytelling with his entrancing journey.

Imagine a young, eager talent submitting a seemingly simple remix for a contest hosted by Woodlands Studios. This task, made available by the renowned Detlef, was a call to remix Detlef’s piece, “Dub Clap,” for the renowned label, Issues. RN ISMO’s rendition stood out, not for its complexity, but its arresting simplicity. This winning moment was more than just a victory; it was RN ISMO’s gateway into the intricate universe of minimal house.

Fast forward a bit, and the world is now graced with “Growing Up”. This masterpiece intricately weaves RN ISMO’s seasoned sound with Cami Jones’s moving vocals. While their earlier work, “Melting Head”, gave listeners a taste, “Growing Up” serves as a rich, musical memoir, detailing the metamorphosis of an artist.

Life’s symphony often feels like a repetitive tune, but RN ISMO’s journey resonates differently. It’s a melodic manifestation of aspirations from the past marrying present-day triumphs, rising like a phoenix and rhythmically dancing to its beats.

Detroit’s vibrant underground scene was the crucible where RN ISMO’s unique sound was molded. His singular blend of minimal grooves and eye for technicality soon turned heads regionally and online. His debut stunner “Elevate” made waves on the Tech House Hype chart on Beatport. But it wasn’t just his original creations that earned him applause. His refreshing take on Detlef’s “Dub Clap,”  mentioned above, placed him on the global music map.

By 2022, RN ISMO joined forces with Repopulate Mars, further anchoring his reputation with tracks like “Melting Head”, in tandem with Andre Salmon and Cami Jones. His Beatport chart successes, including the “Underground” EP on ARRITMIA and the “All I Can Be” EP, continued to accentuate his musical growth. Sharing stages with luminaries such as John Summit and Westend, and absorbing wisdom from mentor Ramin Rezaie, RN ISMO’s ascent is a sign to his value of taking advantage of the opportunities life presents each and every day.



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New Music Festival to Take Place in Historic Stone-Carved Valley of Wadi Rum

Promoters have become more and more creative with the locations of festivals as electronic music continues to prove its commercial value, but Medaina Festival may have taken the crown for the most interesting yet.

Medaina Festival is set to take place in the ancient, stone-carved Valley of the Moon, best known as Wadi Rum in the Hashebeat Kingdom of southern Jordan. Festival-goers will traverse the age-old valley beginning in Petra, moving through the Valley of the Moon over its five-day span.

Thanks to its extraterrestrial beauty, the locale, a UNESCO World Heritage Site, is nicknamed “Mars on Earth.” Medaina is by far the most ambitious festival so far from promoters Tithorea, who have organized events all around the globe, like San Miguel in Mexico, Cappadocia in Turkey, Nosara in Costa Rica and Transylvania in Romania.

Wadi Rum at night.

Davide Mauro

“After scouting many countries and cities we landed on Petra and Wadi Rum in Jordan,” Shahin Mani, co-founder of Tithorea, told MILLE. “I believe these locations have very strong cultural and historical elements that will be inspiring for our audience and will also serve as very unique and aesthetically pleasing locations to create a mind-blowing production aligned with the culture, history, and geo elements of the place.”

Those eager to attend still have quite a bit of time to get their travel plans organized. Medaina Festival is scheduled for May 22-27, 2024 and tickets are not yet on sale.

View the original article to see embedded media.



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‘Love, Sounds + Robots’ collide: Soleil and VKZ’s electrifying collaboration – Dancing Astronaut


by: Dancing Astronaut Staff


Aug 3, 2023

In their much-anticipated debut album, ‘LOVE / SOUNDS + ROBOTS,’ the dynamic duo of singer-songwriter Soleil and the prodigious producer and multi-instrumentalist VKZ have unleashed an exhilarating sonic journey that will leave listeners enthralled. With eight electrifying tracks that effortlessly blend genres, this collaboration is a testament to their unbridled creativity and boundless musical prowess.

Soleil, a seasoned singer-songwriter hailing from the vibrant streets of New York, brings her mesmerizing vocals and years of stage experience to the forefront. Her soulful voice casts a spell on every track, drawing listeners deeper into the enchanting world they’ve crafted. VKZ, the maestro behind the boards, possesses an uncanny ability to infuse his productions with an air of unpredictability and innovation. His quest for novel musical experiences ensures that each piece is a breath of fresh air, a delightful deviation from the norm.

“SOLO LOVER (I’M YOURS),” the opening track of the album, sets the tone with its infectious beat and funky grooves that beckon you to hit the dance floor. Transitioning to “ZODIAC,” the tempo mellows, shrouded in haunting undertones that tug at your heartstrings and leave you lost in introspection. As the rhythm escalates in “COMPLICATED,” multiple instrumental breaks transport you to euphoric heights, commanding you to surrender to the dance-induced trance. “LION’S DANCE (CLOSER),” one of the album’s most soul-soothing tracks, invites you to sway with the intoxicating rhythm, perfectly intertwining with Soleil’s captivating vocals.

“LOVING IS EASY (U GOT THE LOVE)” continues the sonic adventure, infusing euphoria into every note, destined to become a staple on your summer playlist. The synth-laden party anthem “GREAT BEYOND” showcases Soleil’s prowess over the layers of sound, elevating the euphoria to another level. Stepping into a more mellow, R&B-inspired soundscape, “STRANGERS” unveils stunning harmonies that resonate with raw emotions. The final gem in the treasure trove, “NTBYG,” breaks away from the pack with its gritty and darker ambiance, serving as the perfect album closer. In “LOVE / SOUNDS + ROBOTS,” there lies something for every soul and every mood. Each listen unravels new nuances and surprises, an auditory feast that never ceases to delight.

Soleil and VKZ’s synergistic collaboration is a testament to their commitment to pushing musical boundaries, and we can’t wait to witness their future musical endeavours. Brace yourself for an electrifying ride as you immerse yourself in the world of Soleil and VKZ, where love, sounds, and robots harmoniously collide.

Categories: Music





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Thomas Bangalter “relieved” over way Daft Punk ended


Thomas Bangalter – one half of Daft Punk – has revealed that he was “relieved” over the way that the band ended.

The musician, who founded the French electronic duo with Guy-Manuel de Homem-Christo,  was speaking as part of a new interview when he reflected upon his time in the group, and recalled his feelings towards calling it quits back in 2021.

In the discussion with BBC Radio 6 Music, Bangalter explained that it “felt good” to draw the project to a close and was sometimes left surprised by how long Daft Punk continued to make music, following their 1997 debut album, ‘Homework’.

“The question I ask more myself is why we did end it rather than how it could last for so long,” he said after he was asked why they decided to part ways. “It’s a lot like a story or mini saga – sometimes there’s a TV show that has a special place in people’s hearts and it keeps that place, and it runs for one, two, three, four, five, sometimes 10 seasons.

“There’s a moment where it ends and I think it’s actually interesting to have this opportunity to start, have the middle and to end it… [I was] relieved and happy to look back and say: ‘OK, we didn’t mess it up too much.’”

Daft Punk. Credit: Kevork Djansezian/Getty Images

Elsewhere in the interview, he also shed insight into their reasoning behind the anonymity when starting Daft Punk, and explained why they chose to wear their signature masks.

“You have an idea when you’re like 25, [but] you don’t say ‘You know what? We’re going to dress up like robots until the day we die…’,

“I really remember thinking – it would be fun to just have some special effects guys from Hollywood do these personas – robotic personas like if they were part of the cantina scene in Star Wars or something like that,” he added. “It was a weird idea and neither me nor Guy-Man ever imagined it would end up taking such proportions.”

In a separate interview back in April, Bangalter once again explored the reasons behind the band calling it quits in 2021 – revealing that he wanted to distance himself from his technology-inspired sound.

Thomas Bangalter
Thomas Bangalter. Credit: Stephane Manel.

“I love technology as a tool [but] I’m somehow terrified of the nature of the relationship between the machines and ourselves,” he said. “Now the story has ended, it felt interesting to reveal part of the creative process that is very much human-based and not algorithmic of any sort.”

Following their split, Bangalter announced his first solo album in over two decades, ‘Mythologies’ – which was originally conceived as a ballet score and performed at Bordeaux’s Grand Théâtre de Bordeaux last July.





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