New Artist Spotlight: Antman Ant’s New Album Will ‘Resonate’ With EDM and Ambient Fans Alike


Antman Ant is, by his own admission, nothing if not an OG raver so it’s not really fair to call him a “new artist.” He has, however, been sort of hiding his huge talent from the wider EDM world, so he’s new to us. Producing since well before the current generation of EDM fans were even born, his work is less about any sort of throwback style than a consistent evolution that’s moved in time with that of dance music at large. This means he can, and often does, draw on nearly 30 years of dance, sound design and groove to make his music. His latest releases, April’s heady, ambient-laced deep house album Resonate and the just-released singles, the ethereal and ambient “Weightless” and the deep disco bop called “Breathe It In” certainly prove that point.

Happy to be in the underground for many years, splicing together vintage electro and modern bass house for the fun of it seemed to be Antman Ant’s bag until the pandemic hit. As with many creatives, the Sussex, UK native found himself with more time he ever dared dream and the need to create both for himself and for the entertainment-starved public. He got to work releasing and has amassed a huge discography since 2020: seven full albums and a string of interstitial and teaser tracks in between. It appears Antman had been sitting on a veritable treasure trove of tunes the like of which the house and ambient worlds have never seen in such a short period. He quickly became a deep house playlist favorite on Spotify and is gaining traction on Beatport, with some of his singles being picked up by Dark City Music.

The scale of music Ant’s been able to release in just under three years is impressive, sure, but it’s the quality of the work that pushes him into gobstopping territory. Each track is a rich, complete composition drawing from every style and genre imaginable and harnessing to the artist’s own unique and emotive style, each album takes the listener on a journey through emotion more than music. This isn’t your usual club house, though it’s often fresh and very danceable.

It’s impossible to go through Ant’s massive catalog in the space of a short article so we’ll be focusing on the most recent releases, but suffice it to say if you want beautiful beach music that incorporates all the best parts of house, ambient, progressive and trance, look no further than his Spotify page. Now, to highlight a few key points from Resonate: this album opens with a beatless intro track that really sets the tone for the rest of the album. Ant’s not one to rest on his laurels with any particular genre, and “100 Years Asleep” is certainly a nod to that. With a haunting piano melody grounding this track rather than a discernable drum or bassline, Ant also showcases his experimental side in the ambient sound design. What a side it is, as well, as a perfectly pitched sine wave synth is pushed through the beginning of the track, along with other sound samples that sort of make the track feel like we’re listening to the soundtrack of the world turning. It’s both relaxing and a promise of the work to come.

From beatless to “Progressive Beats,” Resonate proceeds to take listeners on a temporal journey through ambient rave with everything from the afore-mentioned progressive beats to deep bass rumbles to celestial, Goa-style melodies. There’s always a mix of old school and modern, and Ant employs the vintage elements in a number of different ways: sometimes it’s a sample, others it’s the equipment he uses. It’s so varied yet well-constructed, “Resonate” it’s almost like a perfectly constructed DJ set paying homage to all the eras of rave, but it’s all written and produced by one artist.

While they’re certainly as good as the album, upon listening to Ant’s recent tracks post-Resonate, “Weightless” and “Breathe It In,” it’s instantly clear why he didn’t include them. They both have a totally different vibe to the album. With a definite celestial and 90s Enya-inspired instrumental track, there’s a levity to “Weightless” (hence the name) that is removed from the deep vibes of the Resonate tracks. “Breathe It In,” just released in late July, however, is full of electro and big room sounds while also being rooted in Ant’s signature vintage synth style. “Breathe It In” is easily the most ravey, dancefloor track of the 2023 releases, and it will likely play well at festivals as the summer season draws to a close.

That’s likely Antman Ant’s ultimate goal: reviving the dancefloor in his own unique way, bringing the history of rave to this point in its near 40-year history in a way that modern crowds can not only appreciate it but love where we’ve come from and where we’re going. Now with real momentum and an unmistakable talent, here’s hoping Antman Ant’s work continues to Resonate with ravers for another 40 years and beyond.

Check out “Breathe It In,” “Weightless” and the rest of Antman Ant’s mindblowing discography on Spotify and rave on.



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Breaking Barriers: Nostalgix and EVAN GIIA's Defiant Collaboration on "LIMIT"

Success doesn’t happen by accident.

Nostalgix and EVAN GIIA resonate with this idea all too well. In late June, the pair collaborated for the first time and unveiled “LIMIT,” which encourages us to fearlessly go after our dreams. With its raw power and compelling message, the track draws inspiration straight from their go-getter mindsets.

While GIIA recently embarked on a path of newfound independence after parting ways with a label, Nostalgix faced her own trials and tribulations during a challenging season of self-management. Both artists had undergone a period of self-discovery, forging a strong connection with their authentic voices and inner power.

“The day that I met with Gix we were just talking about that feeling of owning my art and my voice and the freedom that comes along with it, and how powerful I felt,” GIIA tells EDM.com. “It kind of quickly shaped into the lyrics of this song.”

The personal meaning of “LIMIT”

At this critical juncture of their music careers, both Nostalgix and GIIA have arrived at a profound sense of creative liberation. Having grasped the essence of owning their art, they are now resolute in charting their own path.

Unshackled from external influences, they have embraced the conviction to follow their hearts’ desires, undeterred by the opinions of others. 

“I just had so many people telling me what I should do, who I should be, what I should be doing with my music,” Nostalgix said. “I’m just gonna do what feels right and I’m just gonna keep moving towards what I want. I’m gonna create my own path and I don’t need to listen to anybody else.”

Nostalgix.

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The journey towards unshakable confidence was not always paved with ease—it was something that had to be learned. Nostalgix recalls her early days as a DJ, when she felt shy and reserved while performing. Through consistently putting herself out there and confronting her fears head-on, she gradually emerged as a performer brimming with confidence both on and off the stage.

Similarly, GIIA’s singing career was not without its roadblocks. Hailing from a small town, she was always recognized as a great singer. She decided to enroll at Berkeley School of Music and after being surrounded by a multitude of exceptionally gifted singers, her confidence faltered.

For four years, she stopped singing altogether and instead majored in music business. Two years after graduating, her resilient attitude and strong support system breathed life back into her passion. Armed with newfound courage, she rekindled her love for singing and songwriting.

“I was so nervous,” GIIA’ recalls. “And then 40 bad songs later I was just like, okay maybe I can do this.”

Navigating self-confidence struggles

With such a demanding job, nurturing a self-care routine is paramount to ensure performers remain motivated, grounded and in good health. Both Nostalgix and GIIA have openly expressed their love of fitness, recognizing its transformative impact on their lives. Dedication to fitness serves as an anchor, keeping their spirits high and motivation unflappable.

“When you take that 30 minutes or that hour for yourself that day, you’re proving to yourself in that moment, ‘Yeah, I can do anything I want to,'” Nostalgix says of her fitness routine. “It’s not the easiest thing but I’m going to do it for myself. And once you do that, anything else is easy.”

Their journeys serve as a beacon of inspiration, reminding us that success is often achieved through the accumulation of small, determined steps. Each stride they took, every hurdle they overcame and every moment of self-discovery contributed to shaping the artists they are now.

“I can do hard things,” GIIA adds. “I scream that to myself on the treadmill at the worst moments. That really sets the tone for my whole career. It’s like, ‘Okay, rough spot, we’re gonna get through it.’ And it boosts confidence as well.”

EVAN GIIA.

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Moreover, both find solace and rejuvenation in nature. Stepping outside for walks and immersing themselves in the great outdoors offers a respite from the demands of the industry, giving them fresh perspectives and alleviating stress. The harmonious union of fitness and nature cultivates their wellbeing, paving the way for their brilliance to shine through.

When asked for advice to offer those grappling with the pursuit of their dreams, both artists agreed on a valuable insight: direct your attention to the next step, rather than the entirety of the journey. In the face of overwhelming aspirations, focusing on the bigger picture can be daunting and breaking it down into micro-steps paves a clearer and more manageable path.

Embracing these small but decisive strides not only empowers us to keep moving forward, but also fosters inner strength and growth throughout the process.

“Just keep finding different ways to move forward,” Nostalgix said. “Whether that’s a tiny step in one day or if it’s a big step. Don’t be hard on yourself and just know that eventually you’re gonna get there, 100%. Believe it, you will get there. All those little things make you stronger. You’ve got to also think that if you could have everything you ever wanted tomorrow, where’s the fun in that? You have to work towards it.” 

“The cool thing with that is the more you push yourself or you challenge yourself or you break those limits, you notice that you’re capable of doing it, so you can keep doing more in the future,” she continues. “That’s honestly the coolest thing. You have this belief of what you’re able to do.”

Dealing with criticism

Despite their wins, both women remain susceptible to criticism within the cutthroat music industry. Doubters and naysayers have not been scarce, to say the least.

Rather than allowing these voices to deter them, they stay focused and guided by their unwavering belief in their vision. Listening to their intuition and following their creative instincts allows them to stay true to their unique identities.

“That’s probably the most challenging part and section of EVAN GIIA that I’ve ever had,” she explained. “To just maintain the confidence and steadfast belief in your project when other people are like, ‘I don’t know, this might be just a flash in the pan, it doesn’t seem like your numbers are there, where are your stats…’ But no matter what, I’m going to wake up and work towards my goal. It’s who I am, I couldn’t even take it out of me if I tried. I’m grateful for that.” 

Nostalgix (L) and EVAN GIIA (R).

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While they strive to shield themselves from negativity and doubt, they maintain an open-mindedness towards constructive criticism. Embracing a growth mindset, they actively seek to push their boundaries and challenge themselves further. When individuals they admire offer valuable insights, they will consider implementing the suggestions into their endeavors.

“I always want to better what I’m doing in my art, in my personal life. So I will always listen where I see fit. But for the most part I just tune out criticism or hate or people saying that I can’t do something,” Nostalgix explained. “We can do anything we want. We can literally go to the moon if we wanted to. We can literally set our minds to anything and achieve it, so why can’t I do that thing?”

The future of “LIMIT”

Although concrete plans for new music together are not on the immediate horizon, both artists are eager to unite onstage and deliver a live performance of “LIMIT.” Having already played the song in their individual sets, they have witnessed firsthand the positive response it has garnered from their audiences.

“I play it in my sets and people just go crazy,” GIIA gushes. “It’s the classic people on the rail just give a bass face right away which to me is the highest compliment you could ever get.”

With a shared commitment to delivering an unforgettable experience, their live performance of “LIMIT” promises to be an exhilarating celebration of their boundless potential. In the meantime, fans can stream the song here.

Follow Nostalgix:

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Watch the first teaser for NCT 127’s docu-series ‘The Lost Boys’


NCT 127 will star in their own documentary series called The Lost Boys, set to debut on Disney+ this month.

In a press released June 6, Disney+ announced that the upcoming four-part NCT 127: The Lost Boys will follow the K-pop boyband as they “take time to pause and reflect on their success”.

The nine-member group – made up of Taeil, Johnny, Taeyong, Yuta, Doyoung, Jaehyun, Jungwoo, Mark and Haechan – will open up about their childhoods and feelings about their international success over the course of the series.

Notably, each episode of the docu-series will “focus on two-to-three members of the group as they talk about their past”, alongside never-before-seen interviews and exclusive footage.

The brand-new teaser for NCT 127: The Lost Boys, released August 1, features archival footage of the boyband from their travels over the world, while the group speaking about “still [being] on our journey”.

NCT 127: The Lost Boys is directed by Pak Jayil (2020 short film Georgia), and is created by Cho Youngchul (So Not Worth It) and Yim Pilsung (Persona). The series will debut on August 30 with its first two episodes, with the final two premiering on September 6.

NCT 127 member Taeyong made his solo debut with ‘SHALALA’ in June. The mini-album featured a lead single of the same name, as the song ‘Move Mood Mode’ with Red Velvet main vocalist Wendy.

The K-pop idol was also recently named Spanish luxury fashion house Loewe’s newest global brand ambassador. Speaking about the partnership, Taeyong said: “I’ve been a huge fan of Loewe, not only for the designs, but also for the brand’s philosophy and unique way of communicating.”

Meanwhile, bandmate Doyoung was named Dolce & Gabbana’s newest ambassador. In its announcement, the Italian luxury fashion house noted that Doyoung would be the brand’s ambassador in Korea and Japan.





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Zedd Drops Incredible Remix of John Summit’s “Where You Are”


The wait is finally over, Zedd’s coveted remix of John Summit’s now iconic track “Where You Are” is available now on all platforms. Zedd has used his euphoric remix of John Summit’s iconic track as his intro for all of his new sets, including massive appearances at Ultra Miami and EDC Las Vegas. Utilizing some of Zedd’s tried and true tactics, including the ticking clock, this is a remix that is sure to excite fans of all genres.

Combining Hayla’s timeless vocals with Zedd’s impeccable progressive house melodies, “Where You Are” is sure to dominate any set, whether it’s a Zedd main stage set, or a John Summit after hours. The chord progression along with the dancefloor-ready beat is impeccable. This is a song that has been on repeat, play it at max volume.

Check out Zedd’s official remix of John Summit & Hayla’s “Where You Are” out now on Off the Grid.



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Listen to Grimes' New Single, "I Wanna Be Software"

Showcasing her signature cyberpunk style and love of technology, Grimes has unveiled a new single, “I Wanna Be Software.”

She co-produced the track, off her long-awaited forthcoming Book 1 album, with prolific record producer and longtime Weeknd collaborator Illangelo. The song finds Grimes making heavy use of vocoders in a saccharine, four-on-the-floor beat.

In the midst of the ever-evolving discussions surrounding artificial intelligence, Grimes has emerged as a prominent advocate for its use in the music industry.

In a groundbreaking move, she recently introduced AI software that empowers fellow artists to emulate her voice for a 50% royalty split, even leveraging her innovative GrimesAI-1 Voiceprint tool. She then collaborated with TuneCore to cultivate a new distribution blueprint for the AI-generated music.

Grimes has clarified that the production of “I Wanna Be Software” did not incorporate “This song does not use AI,” she said in a recent tweet. “It is 100% human (and synth).”

Listen to “I Wanna Be Software” on streaming platforms here

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Holy Ship! Wrecked Announces Lineup for 2023 Edition


You might be feeling the FOMO watching all of your friends on vacation in Europe this summer on their IG feeds. But, fear not; you can get your revenge by going on a winter vacation on the pristine beaches of the Mexican Riviera and partying to the sounds of world class DJs at Holy Ship! Wrecked this December.

Taking place at the Hard Rock Riviera Maya on the shores of the Yucatan Peninsula, Holy Ship! Wrecked is the premiere destination festival; featuring a world class lineup and a bevy of luxury resort amenities. Holy Ship! Wrecked is a HARD event, so the lineup reflects the diversity and eclecticness of HARD. House music is heavily featured this year as names like Chris Lake, Chris Lorenzo, Dombresky, Mau P and Wax Motif grace the lineup poster. D&B is also well represented on the Holy Ship! Wrecked lineup as artists like Sub Focus, Culture Shock and 1991. Other highlights include renowned HARD artists like 4B, Valentino Khan, Troyboi and Boys Noize.

On top of the stacked lineup, you can expect party takeovers from ArdyPardy, Black Book, Desert Hearts, and more. The musical journey of Holy Ship! Wrecked will transport fans from sunset to sunrise, flowing between six uniquely intimate stage environments, pool and beachside pop ups, plus late night sets and surprise sets to keep the party going. The dedicated Shipfam community can also expect all of the extracurricular activities the event is known for – theme nights, old school field day games, fashion shows, the OG Party, and many more surprises captained by fan-favorite artists.

Holy Ship! Wrecked will take place December 12-16 at the Hard Rock Riviera Maya. Click here for ticket & room options.



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A$AP Rocky Reveals Swedish House Mafia Production on New Album, "Don't Be Dumb"

A$AP Rocky and Swedish House Mafia are once again in the collaborative spirit, so says the chart-topping rapper. 

Details on his upcoming fourth studio album, Don’t Be Dumb, are finally coming into focusAfter revealing the record, his first album in five years, during an Amazon Music-hosted live concert in 2022, a new interview has brought to light more information about its production.

When asked about the album’s producers, Rocky didn’t hold back, dropping Swedish House Mafia’s name in the process.

“We got Pharrell Williams, we got Dean Blunt, we got Metro Boomin,” Rocky told Complex of Don’t Be Dumb. “I don’t want to leave people out. We got Hitkidd, we got Tyler, the Creator, myself, Madlib, The Alchemist. We also got Mike Dean, Swedish House Mafia, and I don’t want to give too much away.”

The collaboration is especially notable after the two previously joined forces for the menacing “Frankenstein,” which appeared on 2022’s Paradise Again, Swedish House Mafia’s long-awaited debut album.

No official release date currently exists for Don’t Be Dumb. However, Swedish House Mafia are teasing an album cycle of their own this year, so there’s a surefire chance fans will be hearing more from the iconic Swedish trio in the very near future.

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Watch Daft Punk’s unseen ‘Random Access Memories’ studio footage


Daft Punk have released a new video series titled ‘Memory Tapes’ that reflects on the creation of their final LP ‘Random Access Memories’.

The series is made up of eight episodes that offer an inside look at the creation of the album as well as highlights from the various collaborators who were featured on the LP. The collaborators share their favourite memories and the impact both Daft Punk and the album have had on their music and careers.

The first two episodes of Memory Tapes feature The Strokes’ frontman Julian Casablancas who collaborated with the French duo on ‘Instant Crush’ and pianist Chilly Gonzales who played on ‘Within’ and ‘Give Life Back To Music’.

Upcoming episodes will include contributions from Pharrell Williams, Todd Edwards, DJ Falcon, Nile Rodgers and others.

The interviews were conducted at Henson Studios in Los Angeles and Gang Studios in Paris which are two of the five spaces in which ‘Random Access Memories’ was recorded. Each episode also features never-before-seen studio footage of Daft Punk during the recording process.

The Memory Tapes series is part of the 10th anniversary content for the album which was released in 2013. Other anniversary content included a reissue of the LP including unheard tracks such as ‘Infinity Repeating’ as well as a re-release of a mini documentary series that was made about the album in 2013.

In a five-star review of the album, NME shared: “By assembling a cast of their favourite musicians and delving into their adolescent memories, Daft Punk have created something as emotionally honest as any singer-songwriter confessional – and a lot more fun to dance to. Go out and rejoice: there’s something new under the sun.”

NME also explored how ‘Random Access Memories’ became the most hyped album of its era in a special retrospective feature.

In other news, Daft Punk memeber Guy-Manuel was credited as a producer on Travis Scott’s latest album ‘Utopia’. He worked on the track ‘MODERN JAM’ (Feat. Teezo Touchdown).

Earlier this year Thomas Bangalter explained the reasons behind the duo’s split in 2021. “My concerns about the rise of artificial intelligence go beyond its use in music creation,” he said, explaining that fans often misunderstood their music.

“[In Daft Punk,] we tried to use these machines to express something extremely moving that a machine cannot feel, but a human can. We were always on the side of humanity and not on the side of technology,” he continued. “As much as I love this character, the last thing I would want to be, in the world we live in, in 2023, is a robot.”

Following them calling it quits, Bangalter announced his first solo album in over 20 years, ‘Mythologies’ – which was originally conceived as a ballet score and performed at Bordeaux’s Grand Théâtre de Bordeaux last July.





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Apashe Creates Earth-Splitting "Fracture" in Mighty Collaboration With Flux Pavillion, Joey Valence and Brae

Apashe’s musical renaissance continues on, leaving fiery remnants of his path behind him.

The innovative and boundary-pushing producer has released his latest single, “Fracture,” following his previous release in April, “Gasoline,” which featured Delhi hip-hop artist RAGA. The towering track fires up immediately as we’re greeted with a barrage of 808s, booming low end and razor-sharp percussion. Joey Valence and Brae’s vocals stomp atop bellicose production from Apashe and Flux Pavilion.

Apashe’s sound has evolved rapidly over the years. The Belgian-born, Canada-based artist has effortlessly found a way to weave in classical, cinematic sounds into aggressive bass music, and that approach is omnipresent in “Fracture.” 

The new single is a small taste of what fans can expect from his forthcoming album, Antagonist, which will feature classical music recordings of Prague Philharmonic Orchestra and high-profile collaborations.

“This was really motivating because I’m just at the edge of trying new things and there is so much room for improvement,” he told EDM.com after his Electric Forest 2023 performance. “You always need to remember no one does anything great alone, there’s always people behind you.” 

Although Apashe has not yet announced the release date of Antagonist, it’ll likely align with his upcoming tour of the same name. The tour will kick off on October 7th at Denver’s Mission Ballroom before making stops in Los Angeles, Nashville, Chicago, and more. Fans can purchase tickets here

FOLLOW APASHE:

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New Sia song ‘Champion’ debuts during Women’s World Cup


A clip of a new Sia song has emerged after receiving its debut as part of the coverage of the 2023 Women’s World Cup.

The artist allowed Fox Sports in the US to the new song, who have also been playing a number of her hits throughout their coverage of this year’s competition – including ‘Chandelier’, ‘Titanium’, ‘Unstoppable’, ‘Alive’, ‘Cheap Thrills’ and more.

Last Wednesday (July 26), a clip of unreleased Sia was premiered on the channel, airing during the US team’s match against the Netherlands that resulted in a one-all tie.

Another anthemic and empowering song to add to her discography, the song’s name is speculated to be ‘Champion’ due to the chorus: “I’m a champion and I’ve got my hands in the air, yeah, yeah.” Listen to the fan-captured snippet below.

The 2023 Women’s World Cup kicked off on July 20, taking place in Australia and New Zealand. England’s Lionesses won their first group match against Denmark last week (July 28) and will face China next Tuesday (August 1) to see who advances in the competition.

This year, Mel C, Self-Esteem and more were a part of Hope FC, the supergroup behind the Lionesses’ “unofficial” 2023 Women’s World Cup anthem  – ‘Call Me A Lioness’. One of the song’s producers and songwriters is Olivia Dean, who said: “We wanted to make a song that gives girls a soundtrack to their pride of the Lionesses and of being a woman, and to unite everyone in that pride.”

Last year, the Lionesses were the winners of the Women’s Euros. Many from the entertainment world showered the England team with praise, including members of Blur, The Rolling Stones, Kasabian and more.

“England won the Euros! Congratulations Lionesses! You’ve made us all so proud. What an incredible result! Thank you forever,” wrote Ronnie Wood on Twitter. Rapper and YouTuber KSI also took to social media to celebrate the victory, writing: “ I’m so happy right now. This is huge for all of us. What a win! It finally came home.”

In other news, Indian multihyphenate Dlijit Dosanhjh has made headlines after sharing a picture of him and Sia in the studio. The caption read: “‘Unstoppable Vibe’ SIA – What An Energy Happy Vibe.”

Back in May, Tove Lo told NME about her love for Sia and how she has “been in touch” with the Australian singer. “I feel like that’s going to happen when time allows,” she said. “I can’t believe that [tweet] actually: I was shocked and so excited. She’s got an incredible voice, and I think she has amazing lyrics with these very powerful melodies.

“She can put this very universal, really strong emotion that people think they’re the only ones feeling into one very clear sentence in a super-powerful, strong melody that’s euphoric, but there’s still pain there. It’s a really amazing ability to make you feel like the song is just for you, but still like it’s [for] the world.”

In the same month, Sia revealed to the world that she has been diagnosed with Autism. She told the hosts of Rob Has A Podcast that she is “on the spectrum, and I’m in recovery and whatever. There’s a lot of things.”





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