Adriatique are back with another run of shows in the South of France. One of the hottest artists in Europe at the moment, Adriatique have racked up an impressive amount of Summer tour dates, including a residency at Ftelia Beach Club in Mykonos, Greece. In addition to their plethora of dates in eastern Europe, Adriatique have become regulars in Ibiza at DC-10’s Circoloco night and Tale of Us’ residency at Hï Ibiza.
Making a quick pit stop across the stunning French Riviera, Adriatique will play on August 2 at Baoli Cannes and on August 4 at Indie Beach Club Saint Tropez. Known for their magical sunset performances and their visually-attentive “X” branded shows, the Swiss DJs will certainly bring in sold out crowds to both events. “Desire”, their new single with Marino Canal is the quintessential record to get fans ready for Adriatique’s upcoming dates. Reservations are available for their upcoming South of France dates here and here.
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Tags: Adriatique, CircoLoco, dc-10, Hi Ibiza, marino canal
Acclaimed Irish singer and activist Sinéad O’Connor has died at the age of 56, her family has announced.
“It is with great sadness that we announce the passing of our beloved Sinéad. Her family and friends are devastated and have requested privacy at this very difficult time,” read a statement by the singer’s family reported by The Guardian.
The news of her passing comes a year after her 17-year-old son Shane took his own life in January 2022. Her final social media post was a tweet of a picture of her late son with the caption: “Been living as undead night creature since. He was the love of my life, the lamp of my soul.”
No cause of death has been revealed.
Sinead O’Connor. Credit: SGranitz/GETTY
Born Sinéad Marie Bernadette O’Connor in Dublin on 8 December 1966, she rose to fame in the late 80s with her debut album ‘The Lion And The Cobra’.
Throughout her career, O’Connor released 10 studio albums, with her cover of Prince‘s ‘Nothing Compares 2 U’ reaching worldwide acclaim and peaked at Number One on the Billboard Hot 100 that same year.
Her rendition of the song topped the charts around the globe and earned her three Grammy nominations. The iconic accompanying video for the track, directed by English filmmaker John Maybury, became as famous as the song itself.
O’Connor would go on to have a falling out with Prince himself claiming in an interview with The New York Times that she faced a violent confrontation with the musician at his home after securing a hit with ‘Nothing Compares 2 U’.
Tributes have been pouring in for the singer from fans and celebrities across social media.
Outlander star Caitríona Balfe posted a photo of O’Connor to her Instagram page with a caption that read: “I hope you are at peace … and with your baby boy. Thank you for sharing your soul with us and soothing us with your incredible voice beautiful Sinéad. RIP.”
Garbage took to Twitter to share a photo of the singer with a caption that read: “I am heartbroken”.
The Smashing Pumpkins frontman Billy Corgan also took to his Instagram to share a photo of the Irish crooner with a caption that read: “I knew Sinead a little, having met her at a show of hers and then later when she was living at the Walker’s home outside of Chicago.”
He continued: “Fiercely honest and sweet and funny, she was talented in ways I’m not sure she completely understood. But Sinead stands alone as a figure from our generation who was always true to the piercing voice within and without. And for that I will always admire and respect her. And never forget that she was once cancelled for an act of simple resistance. Her crime? Tearing up a photo.”
Rapper Ice-T tweeted a tribute to her sharing: “Respect to Sinead … She stood for something … Unlike most people … Rest Easy..”
Check out more tributes to the legendary Irish singer below:
Oh my God – Sinead. THE greatest voice of her generation, no contest. And so egoless: her harmonies on eg: John Grant’s “GMF” are so minimal, but lift it up into the cathedral rafters.
Though O’Connor made headlines for her music, she also garnered a lot of attention for her activism and provocations.
Most notable was her infamous SNL performance of Bob Marley’s ‘War’ in which she ripped up a photo of the pope and replaced the song’s lyric “racism” with “child abuse”. She ended the performance by saying “Fight the real enemy,” and would later go on to explain the move was in protest of child sexual abuse in the Catholic Church.
The performance was met with a lot of criticism. Actor Joe Pesci threatened to smack her in his Saturday Night Live monologue, Madonna mocked her by ripping up a photo of a sex offender and saying “Fight the real enemy” and Frank Sinatra called O’Connor “one stupid broad”.
Earlier this year, O’Connor was presented with the inaugural award for Classic Irish Album at the RTÉ Choice Music Awards.
She dedicated the award for the album, ‘I Do Not Want What I Haven’t Got’, to “each and every member of Ireland’s refugee community,” adding: “You’re very welcome in Ireland. I love you very much and I wish you happiness.”
O’Connor is survived by her three children Jake Reynolds, Roisin Waters and Yeshua Bonadio.
Kygo is trading tropical house for desert heat this fall.
The Norwegian dance music superstar and his Palm Tree Crew cohorts are headed to Egypt’s Great Pyramids of Giza, the oldest of the Seven Wonders of the Ancient World, for a rare music festival.
Scheduled for October 26-29, the Egyptian offshoot of Palm Tree Music Festival will also feature performances from Tiësto, Kungs and Frank Walker.
View the original article to see embedded media.
On May 29th, legendary techno artist Carl Cox performed a megalithic set at the Pyramids. You can check out footage from the historic performance here.
Around the same time, Palm Tree Festival made its first appearance in SoCal, taking over Dana Point’s Doheny State Beach. The serene ocean breeze, towering palm trees and atmospheric ambience made for prime real estate and led to quite a debut. With its crisp air and ocean mist, the one-day festival featured Kygo, Tove Lo, Ellie Goulding and more.
Tickets to the upcoming four-day festival at the Great Pyramids of Giza are on sale now. Fans can sign up for pre-sale access here.
Steven Spielberg and Paul McCartney recently attended a screening of Christopher Nolan‘s Oppenheimer together.
The pair were spotted outside a cinema in New York’s summer vacation hotspot the Hamptons on Monday (July 24). You can view the pair at the premiere below.
McCartney and the famous director have known each other since 1986, when the former Beatle told Rolling Stoneat the time that he sought out Spielberg’s advice on the possibility of making a movie about the Fab Four’s career.
More recently, Spielberg noted that The Beatles song ‘Michelle’ from 1965’s ‘Rubber Soul’ brought back memories of his first kiss in college.
— Christopher Nolan Art & Updates (@NolanAnalyst) July 26, 2023
He toldBBC Radio 4at the time: “The melody is just heart-achingly beautiful. I look over at her [my girlfriend] and she’s got tears in her eyes just before the song was over she jumps over on my side of the car and starts kissing me.
“When I got to know Paul a number of years ago, when Paul and I met and became friends, that was one of the first stories I ever told him. I had a chance to tell Paul McCartney that story.”
Meanwhile, Oppenheimer star Cillian Murphy recently said his wardrobe for the movie was partly inspired by David Bowie during his Thin White Duke era.
“Chris sent me a couple of shots of David Bowie, certain periods in David Bowie’s career, like Thin White Duke and around ‘Young Americans’ time,” Murphy said.
“He had these massive trousers and he was so emaciated but so fucking cool. So we used that, weirdly, for some of Oppenheimer’s trousers.”
Speaking to NME recently, Murphy said that he likes playing characters that are “unknowable, ambiguous, kind of enigmatic”, adding: “To me that’s human life: the knotty, weird grey areas… A good man’s life is wholly uninteresting.”
NME described Oppenheimer, which came out Friday (July 21), in a five-star review as a “mind-blowing biopic hits like a bomb to the brain”.
The artist known to the drum & bass world as Moleman has always done things his own way. Releasing mostly on the grassroots label Fat Tape records since he began with this moniker in 2011, Moleman has lived up to his name as he’s generally shirked the limelight and big labels, preferring to do his own A&R and work with people who support his vision. Hiw music speaks for itself, however, and he’s still managed to become a household name in liquid D&B and is a favorite on Liquicity radio, BBC Radio and 1Extra, DJ Mag, et al.
The upcoming release of Moleman’s new project, a full-length LP called Duality due out this week on July 30, is no exception to his track record of doing things his own way. He’s self-releasing this 13-track album, which studies the two different sides of his work, hence the name. The first part of Duality is more energetic and pop-driven, while the second half is introspective and ambient. Let’s not cast aspersions based on that description, however: all the tracks on Duality are still up to Moleman’s high standards of production, sound design and flowy, melodic liquid.
The opening track on Duality, entitled “This Feeling” opens with quite an existential sample about perception, so even though Moleman considers the second half of the album to be the more contemplative side, fans might find themselves in a deep think even while they dance to the fast snares, celestial melodies and insane ameny breakdowns. The next track, “Beautiful Dreamer” has a similar, semi-trippy spoken word opener that may remind some dreampop fans of M83’s earlier work but it’s got that 174 pitch that is the heartbeat of any D&B head.
174 is certainly not the only tempo on Duality. Moleman draws from his work in other genres to bring dubstep, future bass and even trip hop bits into tracks like “Take On the World” and “Solar Flare.” Every track is distinctively his, however, with that instantly recognizable, lighter-than-air sound design and those crisp drumlines. By the end of the album, listeners will have bee taken on a journey through the best of liquid D&B and through the mind of Moleman.
YEDM managed to get a hold of “Starlight,” a celestially-inspired track from the second part of Duality which contains some of the fastest secondary snares ever heard juxtaposed with a vintage sample used in hip hop and rave music for nearly four decades, taken from an audio recording of an audience member during a performance of Lyn Collins’s “Think (About It) in 1972. It somehow blends seamlessly into this 2023 liquid track and gives it that ravey edge for which Moleman is known.
Duality is really a study on the many way liquid is still a very big part of the beating heart of drum & bass, pulling melody and influence from so many bygone eras and turning it into something beautiful for the modern ear. As one of the masters of the subgenre, Moleman is not only showing the many facets of his own career but of liquid and drum & bass on the whole. Expect to hear something from this album at every festival and sunrise set this season and into the future; it’s an instant classic.
Duality drops on July 30 and is available to pre-order on Bandcamp or to pre-save on Spotify.
Ah, Splash House. Where the only thing hotter than the sun is the envy of those who couldn’t make it.
Summer and Splash House go together like SPF 50 and a lifeguard’s nose. For three weekends each year, the beloved dance music festival transforms the quaint city of Palm Springs into a down-and-dirty pool party utopia.
But it wasn’t always the hedonistic house music dreamworld we see today. Splash House comes from humble beginnings, launching as a renegade independent party back in 2013 before evolving into a persevering powerhouse of the SoCal festival scene. Now celebrating the event’s 10th anniversary, its organizers are planning to meet the moment with an unforgettable pair of weekenders.
Many DJs and producers can trace defining moments in their careers to the sun-kissed pools of Splash House. We caught up with a handful of them to hear their best stories.
DJ Susan
“Last year I was playing a festival in Halifax Nova Scotia the day before my Sunday set at Splash House, and I had planned to leave after my set, fly to LA and drive to Palm Springs late that same night. Well that flight got canceled and I was forced to stay overnight. I got the first flight out the next morning, and if my flight would have been delayed even 30 minutes, I wouldn’t have made my set. But by the grace of God, I made my flight and had enough time to drive from LA to Palm Springs.
I was so hyped that I made it, I was bursting with gratitude and energy. And what happened next was one of the most polarizing Splash House performances of my career—it was absolutely insane. It was an unreal moment feeling like I wasn’t going to make it, but when I did, man…”
DJ Susan performing at Splash House.
c/o Press
Anna Lunoe
“So a few fun facts: I actually played 2013 Splash House too—it was the first year and something happened and I had to DJ from the balcony of a hotel to about five people in a pool below who may have not known where the music was coming from [laughs].
This day in early 2014 I flew in all night from another show—there were delays and I got dressed in the pick up from the Palm Springs airport and went straight on stage. The heat was immense! I had just released the All Out EP and I remember Jason Bentley from KCRW was watching my set from up the back, which felt important. The heat was almost as intense as the crowd! Huge energy from the crowd. I was on the brink of heatstroke by the end of my set! As I came off stage a young DJ called Mija and her best friend Megan came up and introduced herself. There is a pic of that somewhere.
Since then I’ve had so many defining sets at Splash House. Later that year I played what felt like a really important set that defined that moment in time. All the important DJs and managers were there, the energy was electric, my set felt huge, my songs were resonating, people were starting to really get me and after packing up my life and moving across the world in 2012, I finally felt like all the stars were aligning for some kind of big moment to come. In hindsight, I think I was right.”
Anna Lunoe performing at Splash House.
c/o Splash House
Kyle Walker
“After my set last year, the energy spilled over into a nearby hotel room where I got to play a few more tunes. The atmosphere was charged and there was full production in this regular hotel room. That afterparty was really memorable and makes me excited to get back to Splash House and do it again.”
“Last summer, we played at Margaritaville, which was the stage we played for our first Splash House years ago. That was actually one of the first DJ sets we ever did, so coming back and playing to such a packed pool was extremely surreal.
The moment I always remember from that set is playing our song ‘Lay It All On Me’ and watching a wave of splashing. Now we’re coming back for our second go at the Air Museum afterparty which, is going to be incredible. Last time we did a live set there that was one of the best shows we’ve played.”
CID performing at Splash House.
c/o Press
Following its momentous season opener in June, Splash House returns to Palm Springs for two consecutive weekends starting August 11-13. You can purchase passes and find out more on the festival’s website.
Anti-Flag have released a statement regarding the political punk band’s sudden split without any form of explanation.
Last week (July 20), the band split up and deleted all of their official social media accounts and website. The news came suddenly and unexpectedly. There has been no explanation or reason behind the decision to disband.
They took to Patreon to share the announcement of their breakup. The statement read: “Anti-Flag has disbanded. The Patreon has been switched into a mode where it will no longer charge the monthly fee.”
Today (July 26), both the band – comprised of Pat Thetic, Chris “#2” Barker and Chris Head – and frontman Justin Sane, aka Justin Geever, have released two statements regarding the decision to disband.
ustin Sane of Anti-Flag performs during the Monster Energy Aftershock Festival at Discovery Park on October 21, 2017. Credit: Tim Mosenfelder/Getty
Brooklyn Vegan has reported that allegations of sexual assault were made against an unnamed singer that many believed to be Anti-Flag’s frontman. Geever has denied the allegations against him calling them “categorically false” and says that Anti-Flag broke up because “under these circumstances it would be impossible to continue.”
His statement read: “Recently, there have been claims of sexual assault made against me and I can tell you that these stories are categorically false. I have never engaged in a sexual relationship that was not consensual, nor have I ever been approached by a woman after a sexual encounter and been told I had in any way acted without her consent or violated her in any way. Now that I have had a few days to absorb the initial shock, I am making this statement to set the record straight.
“Sexual assault is real and has a devasting impact on victims. I have devoted my entire adult life to standing up for these victims as well as those suffering oppression and inequality, who are victimized, demeaned, and abused. I have always been, and will always be, that person. The statements being told about me are the antithesis of what I believe and how I have conducted myself throughout my life.”
He continued: “In regard to Anti-flag disbanding, as a band, the decision was made that under these circumstances it would be impossible to continue,” adding “I want to thank my family and friends, and the many, many fans, musicians, and bands who have reached out to me to offer their support and help.”
Anti-Flag performs live at The Knitting Factory on March 26, 2008 in New York City. Credit: Joe Kohen/GETTY
Thetic, Barker and Head released a separate statement regarding the split and allegations that read: “A core tenet of the band Anti-Flag is to listen to and believe all survivors of sexual violence and abuse. The recent allegations about Justin are in direct contradiction to that tenet. Therefore, we felt the only immediate option was to disband.”
They continued: “We have been shocked, confused, saddened and absolutely heartbroken from the moment we heard these allegations. While we believe this is extremely serious, in the last 30 years we have never seen Justin be violent or aggressive toward women. This experience has shaken us to our core.
“We understand and apologize that this response may not have been quick enough for some people. This is new territory for all of us and it is taking time for us to process the situation,” they said, adding “It was a privilege for us to be in the band Anti-Flag, as we seek to find our path forward we wish healing to all survivors.”
In other news, Anti-Flag’s most recent album was 2023’s ‘Lies They Tell Our Children’. The LP reached Number Six on the German Album Charts. Germany was also the location of the band’s final show on June 24.
They were set to embark on a North American tour later this year but that has since been cancelled.
For help, advice or more information regarding sexual harassment, assault and rape in the UK, visit the Rape Crisis charity website. In the US, visit RAINN
Steve Aoki and Kid Cudi are on the pursuit of happiness again.
Aoki took to social media this week to share a screenshot of the duo chatting on a FaceTime call. The tease was vague, but fans are quite excited for what’s to come, considering the two artists’ rich collaborative history.
And while it’s not yet clear what the teaser is referencing just yet, they won’t have to wait long. Aoki said the news will be revealed soon.
Last fall, the “Pursuit of Happiness” stars joined forces once again for Cudi’s Entergalactic album, which features music from his animated Netflix special of the same name. In the album, which also features Skrillex, Ty Dolla $ign, 2 Chainz and more, Aoki provided production for the track “Burrow.”
“We became really close friends on his first tour in America,” Aoki told Zane Lowe of Apple Music 1 in an interview at the time. “I mean 10 years later, 10 plus years later is still the banger of my side. And I mean, I don’t want to give away anything, I probably shouldn’t say what I’m going to say, he might kill me, but we’ve been working on some music. We’ve been working on some music. That’s all I’ll say.”
Neither Aoki nor Cudi has revealed the title of release date of their next collaboration at the time of writing.
Nation Of Language have shared ‘Too Much, Enough’ – the latest single to be taken from their upcoming album ‘Strange Disciple’. Check out the star-studded music video below.
The single is the fourth track to be shared from their upcoming album, and sees the members highlight the negative consequences of becoming immersed in the endless “angering, addictive and anxiety-inducing TV news cycles”.
It also sees the trio – comprised of Ian Devaney, Aidan Noell and Alex MacKay – satirise what they see as “outrageous” television broadcasts, developing a video starring Emmy-nominated actor Jimmi Simpson (Westworld, It’s Always Sunny In Philadelphia), as well as fellow musicians Reggie Watts, Kevin Morby, Tomberlin, Moldy Peaches’ Adam Green, and LVL UP’s Greg Rutkin.
Various family members and friends also star in the visual accompaniment, with the band playing their synth-driven uplifting melodies over the top. The video was directed by Robert Kolodny.
“‘Too Much, Enough’ is a song born out of an exhaustion with the 24-hour news cycle and the outrage bait it uses to get everyone permanently wound up,” the band state, reflecting on the inspiration behind the track.
“When it came to creating a visual to go alongside the song, we didn’t want the music video to be its own form of outrage bait so we went with a more absurdist approach, gathering some friends of ours, and of our incredible director Robert Kolodny, to make something fun and outlandish to that effect.
“It’s a powerful thing to deny someone the ability to manipulate your most destructive emotions, and that’s something we want to celebrate here,” they continued.
The track is part of the band’s forthcoming third LP, ‘Strange Disciple’ – following on from previous singles ‘Sole Obsession’, ‘Weak In Your Light’ and ‘Stumbling Still’. So far, each of the tracks hone in on the overarching message that the band wanted to convey in the album: drawing attention to the unhealthy infatuations and obsessions that lie within everyday life.
“The overarching theme of ‘Strange Disciple’ is infatuation and how one’s reality can be warped by it,” the members explained. “We went a more romantic route… but News is one of those less interpersonal activities it feels like everyone takes part in, so we wanted to show our disciple is just as susceptible to it as any other figure.”
‘Strange Disciple’ is out on September 15 via PIAS, pre-order the album here.
Nation Of Language ‘Strange Disciple’ album artwork. CREDIT: Press
Later this year, Nation of Language are set to embark on a series of UK and European tour dates, including a gig at HEAVEN in London.
The UK leg of the tour will kick off in the capital on September 17, before making stops in Brighton, Bristol, Manchester and more – eventually ending with a final show in Newcastle on October 7. Find a list of UK tour dates below and remaining tickets here.
OCTOBER 4 – Manchester, New Century 5 – Leeds, Stylus 6 – Sheffield, Foundry 7 – Newcastle, Boiler Shop
Nation Of Language CREDIT: Sam Keeler
‘Strange Disciple’ will be the trio’s first full-length album since 2021’s ‘A Way Forward’. In a five-star review of the project, NME praised the band for creating an album that was “fuzzy and nostalgic, but also pure and inventive all at once”.
“This devotion to decades gone by, as well as a playful spirit, is evident throughout the record,” it read.
“Take the understated disco bassline of ‘The Grey Commute’, which leaps forward into brighter ‘80s ground, or ‘Across That Fine Line’, a triumphant anthem that’s powered by a sense of urgency and vitality. It can’t have been an easy task bettering their debut offering, but Nation Of Language have here – and, in turn, they’ve delivered a true modern-day classic of the synth-pop genre.”
Lovefest is closer than ever, with thousands of fans aching to return to Serbia’s Vrnjačka Banja to experience some of dance music’s greatest over three nights of pure energy and bliss.
With “Circle of love” as this year’s slogan, Lovefest is taking place August 3-5, 2023. According to the festival’s organizers, a safe circle of love and being surrounded by people we can call real friends are more necessary than ever during these times. The mission of Lovefest is to build a place where attendees can not only unite with friends, but also make new ones along the way.
Lovefest 2023 features a number of jaw-dropping stages that are slated to host a wide variety of acts across the electronic music spectrum. The 16th edition will be headlined by none other than Belgian techno superstar Charlotte de Witte, who made history as the first woman to close Tomorrowland’s mainstage last year.
Joining her at the festival’s Fire stage will be Marco Carola, Pan-Pot, Seth Troxler, Chris Liebing and William Djoko, while Adam Beyer, 999999999, Dennis Cruz and Mathame will also take the decks, making their debut in Vrnjačka Banja.
c/o Lovefest
Lovefest’s Ultra Energy stage, on the other hand, will feature a large number of house and electro artists, among them Louie Vega, Fjaak, Fred P, Fjaak, Hunee and Kleo. Lovefest’s smallest music corner, Stage 99, will fuse the grandiose energy of the its larger stages and host sets from Gina Jeanz, Manda Moor, Sirus Hood, Eelke Kleijn, Laolu, Cavin Viviano, Baggi and more.
Take a look at the lineup for Lovefest 2023 below. Tickets for Lovefest are available for purchase here.
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