After months of singles and teasers, Flume has lastly delivered his hotly-anticipated third studio album, Palaces, through Future Traditional.
Palaces is a groundbreaking album that expands Flume’s influences to even deeper reaches of digital music. He is taken his signature experimental sound and perfected it, resulting in a few of the finest music he is written so far. It is an LP that speaks to his imaginative and prescient and undertaking as an entire, giving listeners a style of precisely who Flume is even when they’ve by no means listened to the rest in his discography.
Opening with excessive vitality on “Highest Constructing” that includes Oklou, the monitor units the tempo for the remainder of the album. Feelings run excessive all through, because the vocals and assorted assortment of sounds assist steer the course. Whereas there are moments of angst and frustration displayed by way of aggressive synths and pounding manufacturing, lots of the lighter components pave the way in which for a love-driven really feel.
The vacillating temper can really feel jarring, although that is the place the great thing about the LP lies. A transparent instance of that is how “Hole” that includes Emma Louise and “Love Mild” play again to again, adopted by the cruel, ethereal sounds of “Sirens” with Caroline Polachek. The album takes on a a lot airier sound instantly after, because the stress-free beat of “Go” blends completely into the namesake tune with Damon Albarn, “Palaces.”
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In all, Palaces is yet one more masterstroke from Flume. The unpredictability meshed with the exceptional sound design and total manufacturing makes for one of many Australian producer’s most spectacular tasks so far. Moreover, the heavyweight contender has unleashed a high prospect for album of the 12 months in what’s shaping as much as be an extremely aggressive battle.
Take heed to Palaces on streaming platforms here.