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Home / News / Watch Glass Animals cowl Future’s Kid’s ‘Say My Title’

Watch Glass Animals cowl Future’s Kid’s ‘Say My Title’

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Glass Animals have lined Future’s Youngster‘s ‘Say My Title’ throughout an look on triple j’s Like a Model section, whereas in Australia for the Splendour within the Grass competition.

The band’s rendition transforms the 1999 R&B hit right into a blissed-out nu-raver. Foregrounded by crisp digital drums, excessive basslines and woozy synths, frontman Dave Bayley delivers Beyoncé‘s iconic verses, his vocals manipulated and pitch-shifted beneath.

The band additionally performed an emotive, stripped-down model of their ‘Dreamland’ favorite ‘Warmth Waves’ – which topped triple j’s Hottest 100 of 2020 countdown – with Bayley accompanied solely by guitarist Drew MacFarlane. Watch each performances beneath:

Glass Animals aren’t the one UK act to have shared their tackle a music for triple j’s Like a Model in latest weeks. Earlier this month, Moist Leg carried out a canopy of ‘Smoko’ by Australian punks The Chats whereas showing on the section.

Throughout their look, the band’s Rhian Teasdale even donned a pair of pace vendor sun shades, a la Chats frontman Eamon Sandwith. “The Chats are a beacon of pleasure and enjoyable and never being too severe in a severe world,” Moist Leg’s Hester Chambers stated throughout an accompanying interview.

Earlier this month, Glass Animals introduced an intimate London present on the Village Underground on August 25, to ‘re-launch’ 2020’s ‘Dreamland’. The band previewed cuts from the album on the similar venue in early 2020, simply earlier than the pandemic hit. In an announcement saying the present, Bayley described it as a possibility to hold out “among the issues that have been in our authentic plan” surrounding the discharge of ‘Dreamland’.

In the meantime, Beyoncé launched seventh studio album ‘Renaissance’ as we speak (July 29), after previewing it with lead single ‘Break My Soul’ final month. A fan who obtained a vinyl copy of the album shared a picture from an accompanying booklet, through which Beyoncé describes the album as a part of a “three act venture” that was recorded “over three years in the course of the pandemic”.

In the meantime, Kelis has claimed her Neptunes-produced 2000 monitor ‘Get Alongside With You’ was sampled on ‘Renaissance’ monitor ‘Power’ with out her permission. “It’s not a collab it’s theft,” the singer has remarked.





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