#SaveOurSummer 2021 report to restart live music industry


UK Music have shared a new report, Let the Music Play: Save Our Summer 2021, outlining their recommendations for how to restart the UK’s live music industry once it is safe to do so.

While the roll-out of coronavirus vaccinations has boosted hopes that live music will be able to return in the UK later this year, there remains great uncertainty over whether this summer’s festival season will be able to go ahead as planned due to the ongoing pandemic.

  • READ MORE: Everything we know so far about festival season 2021

As MPs on the Digital, Culture, Media and Sport Select Committee open their inquiry into ‘The future of UK music festivals’ today (January 5), UK Music – whose CEO Jamie Njoku-Goodwin is among those set to give evidence to the inquiry this morning – have published their Let The Music Play report, which they say “outlines a clear strategy to protect and support the multi-billion pound live music industry so it is ready to restart when safe to do so later this year”.

“The music industry has worked hard to make event spaces as safe as they can possibly be,” UK Music said in a statement accompanying the new report. “This includes launching testing pilots to be able to hold mass events safely, working with government to develop guidance for how to hold events safely, and looking at new ventilation and air purification systems that would dramatically reduce the risk of transmission.

“But there is no certainty about when the industry will be allowed to hold mass events once again.”

The report warns that the lack of coronavirus cancellation insurance is “the biggest barrier to major events happening in 2021”, and calls on the UK Government to implement an insurance scheme as it has done for the film and TV sector.

It is still unclear whether 2021 festival season will be able to go ahead (Picture: Getty)

While UK Music welcomed the government’s £1.57 billion Culture Recovery Fund, which helped support the live music industry during the pandemic last year, the sector still “urgently needs to be able to plan for the post-pandemic period and the peak summer season” this year.

Among the key calls for action in the organisation’s Let the Music Play report is “an indicative date for a full capacity restart” for venues and festivals, a government-backed indemnity scheme and targeted financial support for the live music industry.

UK Music are also calling for an extension to the VAT rate reduction on tickets, a rollover of the paid 2020 Local Authority licence fees for festivals to 2021 and an extension to business rates relief.

The organisation have also warned that up to 50% of the UK music festival industry’s workforce are at risk of being made redundant after a disastrous 2020 for the sector, while further reiterating fears that up to 71% of musicians are either actively considering leaving the sector or are unsure if they will continue (according to a recent survey conducted by the Musicians’ Union) due to the effects of the pandemic on the music industry.

“While this pandemic is still raging and continues to cause devastation to lives and livelihoods today, there is an endpoint in sight,” UK Music’s Jamie Njoku-Goodwin said. “Government is rolling out the vaccine and is openly speculating about returning to normal by the spring – but there is a serious risk that even if this proves to be a reality, lack of notice and available insurance options will mean much of the 2021 summer music season can’t go ahead.”

Njoku-Goodwin added that the “clock is ticking, and any day soon we could see major festivals and events start pulling the plug for lack of certainty”.

“With the right support the live music industry can be at the forefront of the post-pandemic recovery and play a key role in our country’s economic and cultural revival – but there will need to be a concerted effort from industry and the Government together if we are to let the music play and save our summer.”

Glastonbury founder Michael Eavis said over the weekend that he hopes the festival, which was cancelled in 2020, would be able to return this summer providing that the “majority” of the UK’s population is vaccinated against coronavirus by June. In December, Emily Eavis stressed that Glastonbury 2021 has “not [been] cancelled yet”.

Speaking to NME back in September, Reading & Leeds boss Melvin Benn maintained that “everyone will be tested” for coronavirus at this year’s planned dual festivals.

“We don’t need a vaccination because we can work through the problem with a really good testing regime. We’ll be able to do this by next year [2021],” he said.

“If there is a vaccine, there will be sufficient for the old and the vulnerable. Young people can resist it. The government know that now. In March and April, they didn’t know that. Everybody was shit-scared and that’s inevitable, but as we’ve learned more, we know the strong and healthy are able to survive it.”





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What So Not Announces New Music Releasing This Week

After a very quiet 2020 on the music production front, What So Not isn’t wasting any time in 2021. 





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Geoff Stephens, Grammy-winning songwriter, dies aged 86


Grammy Award-winning British songwriter Geoff Stephens has died, aged 86, as confirmed by his family.

Stephens died before the turn of the new year on December 24 from pneumonia. The songwriter had previously tested positive and recovered from COVID-19. In a text message sent to Variety, Stephens’ children said he “passed away with my Mum, his wife of 63 years, by his bedside”.

Born in 1934 in London, Stephens kicked off his songwriting career in musical theatre, before eventually moving into pop music. He made his big break in the pop world with his 1964 single for The Applejacks, ‘Tell Me When’, co-written with Les Reed, which landed in the UK Top Ten. His success continued with ‘The Crying Game’, first recorded by Dave Berry, which went on to be covered by Boy George in the ’90s and used as the theme for the Neil Jordan film of the same name.

One of Stephens’ most notable successes, however, was when he formed The New Vaudeville Band to record his song ‘Winchester Cathedral’. The song went on to earn Stephens the Grammy Award for Best Contemporary (R&R) Recording in 1967. The track was subsequently covered by Frank Sinatra.

Stephens also wrote ‘There’s a Kind of Hush’ for The New Vaudeville Band, which was covered by Herman’s Hermits and The Carpenters in later years.

In addition to his group, Stephens also wrote or co-wrote successful songs for other high-profile artists including Tom Jones (‘Daughter of Darkness’), Scott Walker (‘Scott Walker’), Elvis Presley (‘Heart of Rome’) and The Hollies (‘Sorry Suzanne’).

Upon hearing of his death, fellow lyricist Sir Tim Rice celebrated Stephens’ life on Twitter, describing him as a “major talent and lovely chap”.





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Armin van Buuren is Highlighting the Top 1,000 ASOT Tracks in Weeklong Stream

On New Year’s Eve, Armin van Buuren sent off 2020 with the 997th episode of his illustrious A State of Trance radio show. Not long before that, he treated fans to an end-of-the-year mix, highlighting some of his favorite releases of the year.





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Justin Bieber denies reports he is training to become a Hillsong minister


Justin Bieber has denied reports he is training to become a religious minister with Hillsong, taking to social media to quash the rumours.

The story was first published by OK! Magazine and subsequently covered by Page Six. The article took quotes from an anonymous source, who said Bieber “doesn’t plan to give up his music career, but he feels there’s a bigger calling out there for him”.

“He wants to be a full-fledged minister next year.”

In response, Bieber shared the Page Six article, overlayed with the caption, “I’m not studying to be a minister or anything even close to that. Have no desire for that this is fake news.”

CREDIT: Justin Bieber (via Instagram).

The OK! article has since been taken down, but Page Six has left its article up at the time of writing, continuing to report on Bieber’s desire to work with Hillsong.

The singer also clarified on Instagram he worships with the religious group Churchome, not Hillsong.

Justin Bieber released his latest album, ‘Changes’, in February last year. The record was given a two-star review from NME, which described his “limp comeback” as a “collection of loved-up songs lacking innovation or substance”.

“Overly reliant on trendy production and profound(ish) romantic proclamations, it’s a disappointing comeback from an artist who has a track record in creating hits. It may be an album filled with sex jams and lovelorn lyrics, but sadly this is one romp that never reaches climax.”

Following ‘Changes’, Bieber released a string of collaborative singles, including tracks with Ariana Grande, Chance the Rapper and Benny Blanco. He shared his first single for the year, ‘Anyone’, on New Year’s Day.





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Excision Announces Artists on Upcoming Subsidia Melodic Showcase, “Dawn Vol. 2”

Excision left no neck unbroken in 2020 with the debut of his own record label, Subsidia. Split into three volumes, Dusk, Night, and Dawn, the 118-track debut of the label rocked the bass music world to the core and made Subsida an easy choice for EDM.com‘s Record Label of the Year.





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Demi Lovato back in the studio, says Scooter Braun


Demi Lovato is back in the studio working on new music, according to her manager Scooter Braun.

The record executive, who also manages the likes of Justin Bieber and Ariana Grande, took to Twitter yesterday (January 3) to announce that Lovato was back recording.

“Demi is in the studio,” he wrote, following it up with a pair of emoji eyes.

The singer, whose last album was 2017’s ‘Tell Me You Love Me’, recently appeared on All Time Low’s ‘Monsters’, alongside blackbear.

The pop punk band teamed up with their “long time friend” on a new version of the track from their acclaimed LP, ‘Wake Up, Sunshine’.

Lovato also teamed up with up with Marshmello in September for a new awareness song called ‘OK Not To Be OK’, released to coincide with Wolrd Suicide Prevention Day.

According to a press release, the song – penned by Gregory “Aldae” Hein, James Gutch and James Nicholas Bailey – serves “as a humbling reminder that it’s ok to let go of feelings of self-doubt and embrace the fact that we’re all human”.

Meanwhile, Pharrell Williams has shared his thoughts on the recent dispute between Taylor Swift and Scooter Braun, after the latter notoriously purchased the singer’s former record label and the master rights to her first six albums.

Braun’s Ithaca Holdings LLC acquired the Big Machine Label Group back in June 2019, giving the company the rights to six of Swift’s albums from her 2006 self-titled debut through to 2017’s ‘Reputation’. The singer signed with Republic Records, who are owned by Universal Music Group, in 2018.

Speaking in a new interview, Pharrell called the fall out between the pair “unfortunate” and said that the industry isn’t always fair to its artists.





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Ten Albums To Look Forward To In 2021: Porter Robinson, Zhu, & More


2020 saw a lot of incredible albums come out, despite the obvious trials and tribulations of dealing with a global pandemic. However, many artists either chose or were forced to delay their projects and so 2021 inadvertently has turned into an incredible prospective year of albums.

Zedd

We’ve been waiting for Z3 for a little while, but, if things go well this year, we’ll likely get it before the end of 2021. Zedd said in a recent AMA on Reddit, “I decided to push back the album to when things are more back to normal.

“I really wanted it to come out this year but I put the album on stand-by because during quarantine I just didn’t feel the inspiration to make this the best album possible.”

With a vaccine already here and shows looking promising to come back around the middle of the year, at least in some capacity, perhaps that inspiration will return!

Zhu

Zhu’s third album was first announced at the very beginning of 2020, but that obviously didn’t go as planned with COVID taking over everything. Same as Zedd, with things going as they are at the beginning of this year, we can hope to hear it soon!

Porter Robinson

Nurture, Porter Robinson’s sophomore album, was due out last year but was pushed back for the same reasons as Zedd and Zhu. He recently announced that the album is completely finished, so we should be hearing new singles and the full project within the next few months!

Flux Pavilion

Flux Pavilion was set to release his third and most sonically experimental album, .wav, toward the end of last year. Tragically, close friend Cookie Monsta passed away and out of respect and personal grief, the album was delayed. It’s now due out this month!

Dimension

Dimension’s hotly anticipated debut album, Organ, was due out last year, as well, but is now expected Spring 2021!

The UK drum & bass artist quickly became one of the hottest commodities of 2019 thanks to singles like “Desire” with Sub Focus and “If You Want To.” A fantastic live performance debut also catapulted his rise to fame, but COVID got in the way and pushed plans back a bit.

Cheat Codes

Cheat Codes is the first group in the list that didn’t already have an album scheduled for last year, but their debut album is on its way!

The group will be releasing three full-length parts, each influenced by a distinct sound and passion from each member of the group. Hellraisers Pt. 1 represents Trevor and his pop focus. Four singles have already been released, and the fifth single from the album is due this Wednesday with part one of the full length album due out shortly after.

Kavinsky

Kavinsky surprised everyone with an unprompted tracklist to a presumed forthcoming album last year, and then… nothing. That was back in August, but his Instagram has since been scrubbed and his bio now just reads, “New album coming soon.”

So consider this one confirmed but unsure as to when! Either way, we’re extremely excited for the follow up to 2013’s OutRun which featured the hit song, “Nightcall.”

Moore Kismet

Moore Kismet had a phenomenal 2020, but 2021 is looking even better for the young artist. They are releasing their debut album this year and it’s one that will showcase a newer musical side as they’ve mentioned a desire to move away from the bass music realm they’ve cultivated so far.

Wuki

Wuki’s album was expected last year with a bunch of singles already out, but 2021 is going to be a banner year for the Grammy-nominated artist. Collaborations with Diplo, Shaq, and more already make this album one for the books but we can’t wait to hear what else he has in store.

Feed Me

Feed Me takes the list for the most recent album announcement, revealing December 21 that a new album is done, “minus some vocals.” Expect singles to start coming out in the next couple months with a full release likely after summer! This would be his fourth studio album, following Feed Me’s Big AdventureCalamari Tuesday, and High Street Creeps.



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Laidback Luke’s Mixmash Records Announces Remix Contest of Iconic Song “Show Me Love”

Earlier in the week, fans began to scratch their heads after Laidback Luke‘s Mixmash Records kicked off 2021 by wiping their Instagram clean. Most dance music music fans know that when an artist or label does this, something big is on the way.





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16 of the most-anticipated albums of 2021: Skrillex, SG Lewis, Porter Robinson, and more – Dancing Astronaut


After 2020’s unprecedented disruption of release schedules and touring itineraries, 2021 is shaping up to be one of the most unpredictable years in “most anticipated albums” history. Though the year has shifted, artists with 2021 album plans face 2020 challenges. Collaborations, for the most part, must continue to be carried out virtually. Supporting tours remain in stasis. And, most of all, the idea of an album’s release date being totally “confirmed” remains more subject to change than ever before.

Yet, as in 2020, producers will continue to adapt to the non-traditional album rollout, and, as with previous years, 2021 nevertheless holds the promise of new favorite projects. Below, in no particular order, Dancing Astronaut presents a handful of the year’s most anticipated albums.


Confirmed: February 19, 2021

Words by Rachel Narozniak

Come February 19, SG Lewis‘ September 2015 Shivers EP and his ensuing Dusk, Dark, Dawn triptych, delivered over the course of 2018 and 2019, will prove the sonic checkpoints that paved the way to a career benchmark: the release of times, the UK sweetheart’s debut LP. Long before Lewis formally announced the album on October 27, 2020 with “Feed The Fire,” he was already adding color to a grey-scale year with “Chemicals” and “Impact.” The times rollout grew only more robust in the months to follow, touting an official “Feed The Fire” remix from The Brothers Macklovitch in November 2020 and “Time” one month later in December. This recent string of releases magnified SG Lewis’ presence in electronic and cross-genre contexts, contributing to a still growing sense that times will be one of the most significant long-form outings made in 2021. As they say, times will tell.

Confirmed, date pending

Words by Austria Masim

More than six years after Porter Robinson‘s seminal debut LP Worlds shook up electronic music, Robinson’s follow-up, Nurture is “100% finished.” Touting his sophomore album as “the most favorite music [he’s] ever made,” Robinson has yet to set a formal release date for the sophomore showing. However, the LP is confirmed to release in 2021, and speculation situates the date in the spring. 

The first single in Nurture‘s lengthy rollout, “Get Your Wish,” released nearly a year ago, arrived in tandem with the album announcement. A few months later, Robinson followed the lead single with “Something Comforting,” but a five-month delay between this and the third Nurture preview, “Mirror,” slowed momentum. Robinson’s December announcement on social media stating that the LP is completely done was the first update on the forthcoming album in months, and serves as the first definitive news narrowing down a date for Nurture‘s release. In the meantime, fans can expect a single or two to be released before the project lands in full.

Confirmed: March 2021

Words by Ross Goldenberg

It’s been nearly two full calendar turns since AREA 21’s musical vessel last touched down on Earth with “HELP,” but Martin Garrix confirmed in a handful of virtual ADE conversations that he and Maejor had completed their alias’ debut album, with a March 2021 due date on the books. Expectations for what Martin Garrix and Maejor have schemed up in the new year are maxed out when considering the timetable between AREA21 releases along with Garrix describing the album as “not super electronic,” while also comparing it to a cross between Gorillaz, Outkast, and Daft Punk. Although this would serve as a decisive shift from the project’s previous hip hop-heavy and dance music-oriented catalog, Martin Garrix and Maejor have yet to fall short of any musical ingenuity with AREA21 thus far, and the same can hopefully be said about their side project’s full-length debut.

Confirmed: January 2021

Words by Rachel Narozniak

Drake‘s Certified Lover Boy was one of 2021’s most talked-about albums in 2020—to no one’s surprise. On October 25, 2020, October’s Very Own lived up to the title with a one-minute trailer for the LP. It was evocative, to say the least, for those who’d pledged allegiance to the self-proclaimed “6 God” in the earlier stages of his career. By shifting from revisualizations of the 2011 Take Care and 2013 Nothing Was The Same album artwork, which showed Drake assuming the same poses that he did on the respective covers in the video, the Certified Lover Boy heart logo shaved in his hair, the trailer not only recalled the two prior LPs but also implied their significance to the incoming delivery.

A cut to the comparatively more recent Dark Lane Demo Tapes, placed near teaser’s end, gave further shape to the visual’s suggestion that these three albums in some way influenced Certified Lover Boy. Though Drake has already gone on record with his anticipation that Certified Lover Boy might fall victim to a lukewarm critical reception, as Views did upon its May 2016 drop, Toronto’s pride is preemptively shrugging off any critiques, calling the LP “music to evolve to.”

Confirmed: January 22, 2021

Words by Mitchell Rose

More than three years after their debut studio LP Glue, the rollout for Bicep’s sophomore record has been nothing short of sublimeDropping on January 22, 2021, Isles is shaping up to be even more powerful than its predecessor. The album’s singles have demonstrated that the duo has a firm grasp on its personal sound and has tapped into it in a way that makes it even more potent. From the fullness of “Apricots” to the frenetic nature of “Atlas,” the diverse and robust sound of Isles seems to already position Isles as a 2021 Album of the Year contender.

Confirmed: January 15, 2021

Words by Austria Masim

In November 2020, KSHMR announced that his upcoming debut LP, his first extended project since 2017’s Materia, would release on January 15, 2021. The news, which was accompanied by a visual trailer and a live countdown, follows the Dharma Worldwide label head’s recent rollout of his Dreamz side project through his debut and sophomore singles under the alias, “Casual,” and “Anywhere You Wanna Go.”

The album title and tracklist for KSHMR’s inaugural long-form have yet to be revealed, and the brief trailer offered little sound to speculate about the sonic direction that the renowned producer would take, leaving the element of surprise active. Fans, however, can most certainly anticipate something special.

Unconfirmed

Words by Sami Weisband

In November 2020, RÜFÜS DU SOL announced that they were readying their fourth studio album for release, assuring fans in a tweet that they were “working on it every day.” Beyond bestowing their Live from Joshua Tree film in early March, the trio spent the majority of 2020 in the studio—and fans couldn’t be more excited. After signing an international deal with the largest neighboring rights agents in the world, Kobalt Music Group, the Australian masterminds have given streamers yet another reason to look toward the new year with starry eyes. Though RÜFÜS DU SOL did not formally specify 2021 as the year that would bear witness to their fourth LP, we have reasonable grounds to assume that it will likely land sometime in this upcoming 12-month span.

Confirmed, date pending

Words by Rachel Narozniak

The smoke-tinged and velvet-textured noir aesthetic that has lent inimitability to ZHU‘s style since the release of 2016’s Generationwhy will spill forth on a studio album slated for 2021, the producer confirmed on January 2. Though anonymous to us in name at this present moment, the follow-up to ZHU’s sophomore LP, Ringos Desert (2018), won’t exactly signal the return from a hiatus of any sort. Rather, the impending LP will arrive as an impassioned extension of ZHU’s stamina-illustrating 2020 activity.

After a handful of high-profile remixes and a slew of singles that attracted attention from just about every corner of the electronic context over the past year, ZHU isn’t hopping back in the driver’s seat—he’s been in it, and his foot remains firmly planted on the gas. No formal release date for the project has been specified nor further details revealed, but more is assuredly to come and soon, at that.

Unconfirmed

Words by Ross Goldenberg

The two-year anniversary of Alesso‘s PROGRESSO VOLUME 1 mixtape is approaching, and it seems like the follow-up could be in order much sooner rather than later. Alesso had hinted to Dancing Astronaut in the summer of 2019 that the series’ second volume was happening, although no other concrete information or updates have been provided in the time since. If the mixtape’s sophomore edition falls similarly in line with its predecessor, which comprised three tracks, Alesso’s ID trifecta from his Ultra Taiwan performance, including “Somebody Like You,” could make up the next PROGRESSO tracklist. Alesso had recently alluded to his excitement for the music he has scheduled for the new year, so only time will tell in the forthcoming weeks if that hinted towards another PROGRESSO mixtape or something else.

Unconfirmed

Words by Ross Goldenberg

Ascend celebrated its one-year anniversary in August 2019, and Illenium has squandered zero time piecing together the confirmed body of work that he alluded to being the first to fall beyond the AshesAwake, and Ascend album trilogy. Currently preceded by three potential album singles, “Nightlight,” “Paper Thin” with Tom DeLonge, and “Hearts On Fire” with Dabin and Lights, based solely on their collective Spotify grouping, Illenium’s fourth album appears to be trending in his most forward-thinking and exploratory direction yet. While an official date, title, tracklist, and any other details are still wrapped up at the time of writing, it seems as if Illenium is preparing for its release in the not-so-distant future, especially considering the fact that he had joined the 12Tone Music roster just a few months prior to the new year.

Unconfirmed

Words by Austria Masim

In August, KSHMR announced his Dreamz alias, debuting a pair of productions with vocalists Nevve and KARRA, who featured on the respective singles “Casual,” and “Anywhere You Wanna Go.” The new moniker was immediately shown to step away from KSHMR’s customary sound, with the introductory releases showcasing a mix of harmonious vocal arrangements and downtempo house grooves.

This, of course, is the not the first time that the producer has experimented with different genres. He first rose to fame through his involvement in The Cataracs, and continued his name-making campaign through the duo’s electro-pop crossovers such as “Bass Down Low,” and “Like A G6.” Dreamz is an evolved representation of KSHMR’s production versatilities, and the alias’ upcoming material will expectedly show that his venture into new territory will be nothing short of quality. Though KSHMR plans to color 2021 with the release of his primary project’s debut LP, the thought that Dreamz’s continuation into the new year could also yield an album isn’t outside the realm of possibility.

Unconfirmed

Words by Rachel Narozniak

In a December 2019 tweet, Zedd confirmed that his third studio outing, informally christened “Z3” among fans, would land in 2020. One full calendar turn later, and we now know that the follow-up to 2015’s True Colors was put on “standby.”

“I decided to push back the album to when things are more back to normal. I really wanted it to come out this year but I put the album on standby because during quarantine I just didn’t feel the inspiration to make this the best album possible,” Zedd wrote in a November 18 Reddit AMA. Though the “Inside Out” producer did not disclose a target release date for what will presumably be an Album of the Year frontrunner no matter the year that it arrives, Zedd divulged that he’d not only “started on” the album, but also had “some amazing songs close to finished already.” These disclosures alone provide enough reason to speculate that 2021 could conclude the five-year gap in between Zedd’s sophomore long-form submission and the now nearly mythical Z3.

It’s worth noting that in the same Reddit AMA, Zedd additionally stated that he’d “recently talked” to Porter Robinson “about getting together and working on some music.” It’s not far-fetched to think that Z3 could carry a Robinson assist; the Shelter album maker notably holds a writing credit on “Clarity,” and fans of each producer have clamored for further collaboration, meaning that Zedd and Robinson streamers just might get everything they’ve wanted in 2021.

Unconfirmed

Words by Rachel Narozniak

On February 24, 2020, The Chainsmokers informed followers that they would “be taking some time to create [their] next chapter in music” and largely “taking a break from social media” to do just that. The “next time you see our faces on here will be when TCS4 is ready…time for album mode,” Alex Pall and Drew Taggart wrote in an Instagram post. They more or less kept this promise in 2020, surfacing only a select few times, most notably to score Words on Bathroom Walls. With nearly one full year of their social media respite in the rearview, The Chainsmokers can be expected to provide some updates on the status of “TCS4” this year, if they don’t release the project in full altogether.

Unconfirmed

Words by Rachel Narozniak

A steady stream of singles have kept Adventure Club’s following, well, adventuring in the time that’s succeeded the duo’s 2016 debut, Red // Blue. Fortunately for fans, in 2020, these weren’t just standalone one-offs—they were album singles. During their set at April 2020’s Digital Mirage festival, Adventure Club confirmed that their sophomore album would arrive by summer’s end and on April 6, 2020, previewed the LP’s first single, “Rebellious” featuring Yuna. Though the project did not pull up to streaming platforms by summer or 2020’s close, for that matter, its pending status seems only to signal a possible 2020 drop.

?

Words by David Klemow

Fans have been waiting on Skrillex‘s second full-length since about 15 minutes after Recess landed. Something about the inextricable tie between Sonny Moore’s meteoric rise and dance music’s rapid ascension to popularity in the 2010’s, the raw, fresh nature of his sound at the time, and increasingly restless release schedules left fans wanting more right from the jump. Skrillex’s rookie showing was a gold mine of futuristic dance sounds that helped inform the remainder of the decade in dance music. So to assume his sophomore studio album would be a second lightning strike is a fair expectation. And while aforementioned fans have been chomping at the bit since the moment they digested Recess, it is also fair to note that the album turns seven this year, and craving a follow-up isn’t exactly out of line. That said, 2020 was likely supposed to be the year we got new Skrillex projects—he’s confirmed the existence of multiple albums in the works numerous times. While COVID-19 may have derailed those plans, 2021 seems like the year we see at least one longer project from Skrillex…and good things come to those who wait.

¯_(ツ)_/¯

Words by Ross Goldenberg

We all know there’s a less than zero percent chance of a Swedish House Mafia album—or maybe any music at all for that matter—in 2021, but we thought it would still be amusing to speculate what could be, on the off chance that the triumvirate proves us wrong. The Swedes have six reunion IDs locked away in the vault right now: the two IDs premiered during their Ultra 2018 reformation, “Underneath It All” with Mike Posner and “It Gets Better” from their Stockholm tour opening, and “Frankenstein” with A$AP Rocky from Ultra Europe.

Although Swedish House Mafia have virtually been silent in the time since their reunion tour’s finale in September 2019—minus Axwell’s assistance to Lady Gaga’s Chromatica and the trio’s support of Black Lives Matter in June 2020—it remains to be seen if the COVID-19 pandemic actually prevented them from continuing their new-age campaign and releasing their first bit of music since the now eight-year-old “Don’t You Worry Child” with John Martin.

Tags: Area21, KSHMR, Maejor, Martin garrix, Most anticipated albums of 2021, SG Lewis, skrillex, zhu

Categories: Features, News






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