With his second single coming in just a few weeks after his last, it’s clear to see that distinctive dance-floor producer Besomorph is on something of a roll. He has just followed on from the seriously catchy ‘DNGRS’ with ‘What I’ve Done,’ which is a cover of the Linkin Park favourite.
For this record, he has teamed up with fellow producer Behmer, and the Swedish artist is known best for his punchy bounce single ‘Supernova.’ Lunis, a French act, join the pair on vocals and they cut through the mix with clear cut direction and a homage to the rock-esque original.
The project is a special one for Besomorph and he reveals: “It was always a goal of my career to cover my childhood idols Linkin Park. I felt that I needed to convert the original into an uplifting dance anthem, give it a fresh touch – in order to be able to reach out to the younger generation and make the sound contemporary.”
Brownies & Lemonade has partnered with IHEARTCOMIX to bring back the fan-favorite LA Gives Back. While the annual benefit concert usually takes place at a club in Los Angeles, this year’s festivities will be broadcasted virtually via a 24-hour Virtual Telethon.
The fundraiser livestream will take place on December 17th at 5PM PT (8PM ET) and will feature performances by A-Trak, AC Slater, Madeon, Mija, Party Favor, Pussy Riot, Snakehips and more. It will also have appearances from Joel McHale, Eric Andre, and Chad Smith of Red Hot Chili Peppers, among others. Oh, and Keyboard Cat.
The beauty of LA Gives Back is that 100% of donations raised will benefit homeless youth and women through transformative education programs, counseling, crisis intervention, housing and resources offered by School House Connection, Downtown Women’s Center & My Friends Place. By donating, you enter into the running for exclusive items from Ariana Grande, Eric Andre and more on Fandiem.
LA Gives Back goes live on December 17th at 5PM PT exclusively on Twitch. Click here to RSVP and for more info. Check out the trailer below.
After supplying the season two opener to Foreign Family Collective‘s “Intermission Broadcast Mix” on November 26, ford. passed the sonic baton to Tycho, who assumed possession with poise, putting forth the tenth installment in the Intermission saga. With “Mix 010,” Tycho—lesser known as Scott Hansen—whets streamers palates for the new Tycho content that they’re to receive on December 18, the land date for Weather Remixes. Fortunately, the forecast for sneak previews of what is yet to come on the re-imagination of Tycho’s fifth studio LP is good, with the ambient auteur slipping several advance listens into the Intermission mix.
A characteristically lucid showing of musical self from the San Francisco creative, “Mix 010” of the Intermission series serves as a suitable warmup for the Mom + Pop/Ninja Tune-distributed Weather Remixes. It also adds further luster to Intermission cohort, which, to date, features submissions from SG Lewis, Jai Wolf, Robotaki, Chet Porter, Whethan, TOKiMONSTA, Mild Minds, and ODESZA. Tycho fans can catch him live on January 1 for a New Year’s Day livestream experience, “Solo Ascent.”
BLACKPINK have announced the postponement of their upcoming virtual concert, dubbed THE SHOW.
THE SHOW, which was originally set to air on YouTube on December 27, will now air on January 31, 2021 at 2pm KST (6am BST) instead.
The quartet took to social media earlier today (December 17) to reveal the new date, and explain that the concert was postponed due to South Korea’s current regulations to manage the ongoing coronavirus pandemic.
“We can’t wait to meet our BLINKs as soon as possible, but in order to comply with the Korean COVID-19 prevention guidelines and to ensure a safe performance, unfortunately, we have made the decision to postpone THE SHOW from December 27th until January 31st of next year,” said member Jisoo.
“Through our concert, we wanted to give you some sort of comfort during these difficult times,” said Lisa, before Rosé added: “But the most important thing is the health and safety of everyone taking part in THE SHOW. So, in order to make sure that we prepare for the concert in a safe environment, we have decided to postpone THE SHOW.”
Jennie concluded the announcement with a shoutout to the country’s frontliners: “Thank you so much to all the medical staff who are working nonstop to give their best efforts even at this moment, and all the people who are working very hard to disinfect, quarantine, and prevent the disease.”
‘THE SHOW’ POSTPONEMENT ANNOUNCEMENT#BLACKPINK: THE SHOW now has a NEW DATE
YG PALM STAGE – 2021 BLACKPINK: THE SHOW ? 2021.01.31 2PM (KST) ? Livestream on YouTube
Fans can watch THE SHOW exclusively through a paid subscription to BLACKPINK’s official YouTube channel. Access to the concert’s streaming page will open an hour before the concert is scheduled to begin, as noted by THE SHOW’s official streaming guide.
BLACKPINK released their debut album, ‘THE ALBUM’, in October. ‘THE ALBUM’, which featured tracks like ‘How You Like That’ And ‘Lovesick Girls’, also included collaborations with Cardi B – ‘Bet You Wanna’ – and Selena Gomez – ‘Ice Cream’.
‘THE ALBUM”s release was followed by Light Up The Sky, a Netflix original documentary that chronicles the group’s rise to fame and includes never-before-seen footage from their pre-debut days.
We all know that dance music is truly international. It doesn’t matter your skin color, language or upbringing, a four-on-the-floor beat unites us all! One of the most refreshing things about the dance music sphere is how personable and down to earth the vast majority of artists are. No one better exemplifies this than Brazilian producer/DJ/ duo (and brothers) Cat Dealers. Hailing from Rio de Janeiro, brothers Lugui and Pedro have been on a meteoric rise over the past couple of years.
They first broke out on the scene in 2016 with the quirky, but addictive track “Your Body.” These guys are an inspiration for fans, as they were self-described “Super Fans” themselves, before they decided to get to work behind their laptops and start making some tunes. Fast forward a few years later, and Cat Dealers are now one of the premiere acts in Brazil, and they’ve been taking the show international too.
2020 was poised to be Cat Dealers biggest year yet, but, you know what happened, the Covid-19 pandemic changed everyone’s plans and shut everything down. Not to be deterred, Lugui and Pedro have been putting out a steady stream of releases and have been regulars on live streams as well. We got the chance to sit down and have nice chat with boys about their career accomplishments, how they stayed sane this year, and their new chapter with Armada.
Hey Lugui and Pedro, thanks for chatting with us! As we near the end of 2020, reflect on the year and what are you proud of accomplishing?
P: “I think this year we didn’t accomplish a lot of stuff. But, we were happy with the year because we had free time that we haven’t had since, like, five years ago. So, that was good, staying with the family and girlfriends.”
L: “I think the achievements, they were more personal achievements.”
P: “Yeah, personal achievements, not career. Of course, we still did a lot of good stuff as well, we were working on a lot of new tracks. We have almost a full album of stuff that we did in quarantine.”
L: “Yeah, we have almost all the new singles scheduled for the next year. And we have almost an album done, and we have done a lot of different stuff for the project, some of it we didn’t use at all, because we haven’t had any shows. But we’re doing a whole new show, the visuals, the lighting, for when shows come back.”
P: “Yeah, so they’re almost done, all the stuff, I don’t know that it’s an achievement yet, but it will be.”
L: “We signed with Armada as well, so that’s something that’s really cool for us. We signed with Armada, and we did a whole lot of live streams during the year to keep the fans into what we’re doing.”
P: “I think we evolved too, our personal music tastes, since we’ve been at home, we’ve got time to explore new sounds.”
L: “Also, we participated in a lot of huge online festivals. We did EDC, TomorrowLand, a lot of other festivals that we did some live streams. We did a special one for Arca here in Brazil, it was super big with a lot of production. So, we’ve tried to stay really active during this time because if you relax…I know the phrase in Portuguese, but not in English”
P: “If you’re not seen, you’re not remembered”
L: “So, yeah, staying active, otherwise people will just forget who you are.”
You guys just put out your most recent single “Save Me Now” on Armada. Tell us how you came up with the single and what does your new partnership with Armada mean?
P: “The single, we actually had this vocal for a long, long time, I think for almost two years now. We were working on it for a long time, but we weren’t happy with how the track was going. We tried a lot of different stuff and we ended up like two years later with the track we have now. We’re really good friends with Guz, he’s a producer here in Brazil, the collaborator. We were stuck with the vocal and we sent him some ideas.”
L: “Yeah, we were planning a collab with him for a long time so we got this vocal and, at the time, we didn’t know what to do exactly with the vocal. So, we sent it to him and he did some ideas, but ,this was like two years ago. So, the track, these vocals have been in like four different styles. We really like the vocal so we didn’t want to release something that wasn’t perfect for us, so we waited.”
I know you guys were about to start touring when Covid hit. Were you guys on the road, where were you when you were told, yeah, you can’t tour or perform?
P: “We were actually on vacation.”
L: “We had Carnival here in Brazil. We have two times of the year that are the biggest rush, that’s New Years and Carnival, because you have almost a full week of two or three shows a day, so it’s insane. So we finished our shows for Carnival.”
P: “Coronavirus was already a thing, people were talking about it, but it was still in China. So right after the tour we got on the plane to Europe. He went to France to go skiing and I went to Iceland. So that’s where we were when everything started to fall apart. Iceland is super small, so there’s no one there, they had completely normal lives, but we were reading the news like what is going on? The next part of my trip was in Paris, and I went there and everything was starting to lockdown. So, there in Paris, I started to freak, like, oh fuck, I can’t get out. And Lugui was in Prague, and that’s when we found out and we came back to Brazil. Like two days after my flight all the flights to Europe got cancelled. We had one last show in Brazil the weekend we came back, that was it.”
What have you guys been doing to keep busy during quarantine? Any hobbies or binge watching?
P: “There was a long time where we couldn’t do anything, so just staying at home and meeting some friends. I’m starting to go to the beach, not in the crowded parts, but we have lots of beaches here. I try to go far away where there’s almost no one. And playing video games, of course, because, gamers, we’re prepared for quarantine.”
L: “We’ve actually done a lot with the time, because looking at the good part of what happened. We’d been touring for like four years, non-stop, and it was really great to have time to relax.”
P: “Yeah, just staying at home with friends on weekends, that’s super crazy.”
L: “So, we played a lot of video games, we stayed with the family, had some road trips.”
P: “A lot of barbecues with friends…But, we’re doing our part, we stay at home, we almost don’t leave. We don’t have parties in Brazil, but people are still going out, illegal parties. But we’re not going out, Especially because we know that our industry was the first one to stop and will probably be the last one to come back.”
I know you guys did a virtual set for Insomniac. What goes into taping one of those sets, how do you guys get in the mood to play for nobody?
P: “In the beginning of quarantine it was super hard playing for cameras. But, I think we got used to it, because there were so many live streams we had to get used to it.”
L: “I think the quarantine taught me how to dance to some things that people aren’t dancing too. Because it will happen, the DJs don’t like to show that much, but there are a lot of shows you do where people aren’t vibing at all. But, when you’re playing for those crowds sometimes you’re just like, ugh, I just want to finish this. So, now I’ve learned how to enjoy it by myself. If other people aren’t enjoying it, that’s sad, but it happens. In the beginning we were doing a lot of stuff in our studio. But, here, there’s not a vibe at all, just a closed space we did a lot of recording here. So, we started to try different places to record. And when you’re in a different place with different people and everyone is giving their best, you have a vibe, even though no one’s dancing.”
P: “You have a working vibe!”
L: “So you want to deliver something really nice to everyone watching at home. The EDC one we recorded in Tulum.”
P: “We have a friend living there, he moved back in June, we had tickets, so we went.”
L: “We recorded a video on his rooftop.”
P: “Yeah, he’s actually a professional videographer, so it was a match.”
What can fans expect in 2021 and any other words?
L: “We have a lot of new music, you can expect one release per month right now, at least. We have so much music done right, I’m really sure we’re going to do one per month, probably even more. Because we have a lot of remixes we’re always doing, so we have a lot of club music in the making right now. So it will be a year full of releases, way different than it was the last two years. As for our new live show, we’re planning a really really special live stream for the beginning of the next year. I can’t say a lot about it, because.”
P: “It’s still in the process.”
L: “But it will be special, at the same level or better than one we did for Arca. Our next song will be released on January 22.”
P: “And of course, continue with the plans of this year. We had a super cool tour in North America that was supposed to happen in June. It’s going to happen next year so we’re super looking forward to it. Not only in North America, we have a European tour as well. TomorrowLand, the tour that was supposed to happen will happen next year. A lot of stuff in Europe as well, so we’re super, super excited about it. Because this year, I think, was supposed to be our biggest international year. Now it will be next year.”
L: “I’m actually really happy, because this year we had a huge touring schedule, but we were super busy, and we would not have had the time to focus on the music like we have this year. So the next year I hope that we’ll be able to do all the tours and we’ll have a lot of new songs to play on those tours and have a whole year full of new music.”
P: “In Brazil, we have an expression, when a door closes, a window opens.”
Check out the latest from Cat Dealers & Guz Zanotto “Save Me Now” featuring Moore, out now on Armada. Relive their epic EDC Orlando live stream from beautiful Rio de Janeiro as well.
Bass heads, it’s time to preemptively put on your neck braces because Excision has unveiled the second chapter in Subsidia RecordsDusk series. The label head said it best when he wrote that it’s the perfect combination of “wobbly, wonky and wonderful.”
Featured on Dusk: Vol. 2 is music from Dion Timmer, Kaivon, Sam Lamar, Code: Pandorum, Notixx, YDG, and Excision himself, among many others. The tracks fall under the experimental umbrella like the previous Dusk installment. Each chapter of Subsidia’s debut compilation—Dusk, Night, and Dawn—represents a different sector of bass music. Prepare for your speakers to take a beating with these 20 tracks, each packed full with debauchery.
Earlier in December, Subsidia released the second volume of their Night series. The 20-track compilation featured original music from Downlink, Antiserum, JEANIE, and more. Following the unprecedented release of 118 new tracks, Excision’s newly minted Subsidia banner has quickly positioned itself as a major player in the bass music scene this year.
Subsidia recently earned itself a spot on EDM.com‘s “Best of 2020: Industry Leaders” list as the year’s Best Record Label. You can check out the full list of winners here.
As arguably the most unpredictable year in recent times nears its conclusion, 2020 has produced yet another headline in its final breaths. Sensorium, a virtual reality music platform that has collaborated with titan DJs Carl Cox and Armin van Buuren, among others, has partnered with artificial intelligence (AI) music producer Mubert to create, as they describe it,
“The world’s first AI-driven DJs that will autonomously create a constant flow of ever-changing music that adapts to all kinds of moods and environments.”
In other words, fans can now tune in to virtual reality raves to listen and watch an avatar of an AI DJ perform music exclusively produced by robots. The music can be generated in real time, constantly adapting to crowd reception. Mubert explains that the AI technology has access to a gargantuan database of samples from which they can make their tunes.
Sensorium has amassed more than $100 million in funding, as well as lucrative partnerships with top international DJs. On schedule to launch in 2021, the revolutionary new platform is certain to make waves in the scene.
System Of A Down frontman Serj Tankian is set to be the focus of a new documentary, titled Truth To Power, due out on February 19.
Released by Oscilloscope Laboratories, the documentary will reportedly focus on Tankian’s role in the Armenian revolution of 2018, as well as examining his long history of activism.
“With Oscilloscope and Live Nation at our back, the music and message of our film can now touch the hearts and minds of audiences across the world, inspiring all of us to speak – and bring – truth to power,” the film’s director Garin Hovannisian said in a statement.
Tankian had previously spoken about the documentary to Rolling Stone back in 2018, saying: “I also have a music documentary I’m doing that’s tentatively called Truth to Power, looking through my eyes at how message becomes reality through the arts.
“Instead of focusing on me as an artist, it asks, how does one’s message come to fruition? Can music change the world?”
Hovannisian has previously worked on projects around the revolution, including 2018’s documentary I Am Not Alone, which was executive produced and scored by Tankian.
System Of A Down recently released their first new music in 15 years, with two songs ‘Protect The Land’ and ‘Genocidal Humanoidz‘. The songs were released as a way to raise awareness and funds for the conflict between Artsakh and Azerbaijan.
All royalties from the songs’ downloads on Bandcamp went to the Armenia Fund.
In a recent interview, Tankian said of the conflict: “Today Armenian people face an existential threat as Turkish-backed Azerbaijani forces attack residential areas, maternity hospitals, and cathedrals in the Republic of Artsakh, even using cluster bombs, in direct contravention of international law.”
Certain cultural institutions, for example Glastonbury, which would have celebrated its 50th year in 2020, are worth preserving. The global pandemic COVID-19 has hit every industry different albeit overall badly, though some have been hit harder than others.
Glastonbury founders Emily and Michael Eavis want to be able to throw their annual event this coming year, but insurance is holding them back. NME writes, “Eavis and her father Michael have said it’s “already getting tight” to prepare for next year’s event because insurers are still cautious about offering cancellation cover – potentially putting millions of pounds in revenue at stake, which the organisers say they cannot afford to lose.”
To that effect, they have appealed to their government for “direct financial support.”
“If the government can share the risk by offering direct financial support, then it gives everyone the opportunity to move forward with the planning in the hope that things will be safe to run in the summer, and in the knowledge that backing is available if we’re simply not in a position to go ahead,” Emily said.
The Department for Digital, Culture, Media and Sport said: “We know these are challenging times for the live events sector and are working flat out to support it. We have invested £1bn so far through the culture recovery fund to protect tens of thousands of creative jobs… with £400m more support still to come.”
Eavis added: “We’re doing everything we can on our end to plan and prepare, but there are still just so many unknowns and factors which are completely out of our control.
“What we definitely can’t afford to risk is getting too far into the process of next year, only for it to be snatched away from us again. We lost millions this year, and we can’t risk that happening again.”
The event’s lawyer Ben Challis said recently that plans are moving ahead for the festival’s 50th anniversary event to be staged in June 2021, but that’s contingent on many factors aligning.
via NME (1) (2) | Photo via Paul Holloway/Wikimedia Commons
NOMAD is here to let you know rebellion is always an option with his new singles, “System” and “Call.” The producer holds nothing back on these dark, hard-hitting tracks that vehemently knock down the powers in play with angsty bass house.
In “Call,” NOMAD throws down nasty saws and thick subs, which run roughshod through the house arrangement along with rhythmic perc shots à-la Valentino Khan‘s “Deep Down Low.” The single exudes the intensity of the underground ethos with its deep bass subcurrents and a quirky dial tone that beckons listeners to answer. You can listen to “Call” below.
With brooding synths and pulsating basslines, “System” hits just as hard as its thumping predecessor. The track’s defiant refrain haunts ominously in the background like the devil on your shoulder, but lets the beat lead the charge. The echoing vocal chops and snaps create the perfect backdrop for NOMAD’s sinister sound design to infiltrate your mind long after the track’s conclusion. If “Call” was announcing you to fight the system, “System” is your reminder to get going.
Check out “System,” which will definitely make for a great live set addition once we can get back out to shows, in full below.
NOMAD’s love for music began at a young age when he began playing electric and acoustic guitar. That passion flourished when he began listening to a melting pot of futuristic electro house and future bass. He now aims to bridge the gap between these inspirations and convey them in his menacing sound design.
You can stream “System” across all platforms here and “Call” here.
We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. By clicking “Accept”, you consent to the use of ALL the cookies.
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.