Guitar Center Files Bankruptcy, Expects Recovery by End of Year


Guitar Center has filed for Chapter 11 bankruptcy along with efforts to restructure and refinance the company.

Even before the pandemic happened and the shutdown began, online retailers such as Sweetwater became direct and fierce competitors with Guitar Center. Still, the nation’s largest retailer of music instruments expects to bounce back from bankruptcy by the end of the year. Guitar sales are apparently soaring as more people are finding time to explore musical hobbies — and Black Friday is just around the corner.

According to a report from Billboard, the newly approved restructuring support agreements (RSA) aims to slash Guitar’s Center $1.3 billion-dollar debt by approximately $800 million. Also according to Billboard, that number includes $375 million in Debtor-In-Possession financing and $335 million in new senior secured notes.

Guitar Center CEO Ron Japinga explains via press release:

This is an important and positive step in our process to significantly reduce our debt and enhance our ability to reinvest in our business to support long-term growth. Throughout this process, we will continue to serve our customers and deliver on our mission of putting more music in the world.

Across the US, Guitar Center currently owns 300 flagship stores and 200 Music & Arts stores, which specialize in band and orchestral instruments.

Shop Guitar Center here.

 

Source: Billboard



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Kryder Enters the VR Space With Launch of New “Kryteria Metaverse”

Having moved forward with a jam-packed year of releases, the launch of his own music production coaching service, and now the debut of his new VR experience, Kryder has not allowed the pitfalls of 2020 to get the best of him. 

With the launch of “Kryteria Metaverse,” the renowned English DJ and producer has rendered himself into CGI-character form for his exciting VR concept, which brings fans along for a 60-minute monthly show. The episodes will showcase the best new music from his trio of labelsKryteria, Sosumi, and Cartel Recordings





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Insomniac Events launches Insomniac East division, shares EDC Orlando’s 10th anniversary dates for 2021 – Dancing Astronaut


It’s far from a well-kept secret that the East Coast’s live electronic music space has been severely lacking throughout the years. After acquiring Washington, DC event promotion entity Club Glow and its two renowned venues, Echostage and Soundcheck, earlier in November, Pasquale Rotella and his events powerhouse brand, Insomniac Events, are making a move to rewrite the East Coast’s status with the formal launch of their Insomniac East division.

While EDC Orlando has served as Insomniac Events’ flagship East Coast festival for quite some time now, in 2021, it will officially act as Insomniac East’s first festival offshoot, with its return to Tinker Field for its 10-year anniversary slated for November 12–14, 2021. What else Insomniac East has mapped out for the coming year and beyond remains to be seen, especially considering the uncertainty of the COVID-19 pandemic. However, Washington, DC alone can be expected to play host to a wealth of upcoming events given Insomniac’s recent purchase.

The November 20 installation of Insomniac East’s Twitter account, billed as the “new home” for “all new East Coast Insomniac shows, festivals + lineups” announcements, is perhaps the clearest signal that Rotella and company’s East Coast bid will expand beyond EDC Orlando—and perhaps even DC—at a minimum. The next location on which Insomniac East might set its sights could very well be New York, given EDC New York‘s ongoing erasure from Insomniac Events’ destination list, dating back to 2017. The Tri-State area’s harsh deficiency in the festival department seems only to validate this possibility.

For now, read Insomniac East’s full announcement below and find more details surrounding EDC Orlando’s 2021 installment here.

Featured image: Alive Coverage

Tags: EDC New York, EDC Orlando, insomniac east, insomniac events, pasquale rotella

Categories: News






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Noel Gallagher’s written a new song that “sounds very much like The Cure”


Noel Gallagher has revealed that he’s written a new song that “sounds like The Cure“.

The former Oasis musician released his third High Flying Birds album, ‘Who Built The Moon’, back in 2017. He later told NME that he the music he’d been working on since sounded like “if The Police and The Cure were in a band together”.

  • READ MORE: The amazing story of Oasis’ ‘(What’s The Story) Morning Glory?’ – in numbers

Speaking to the Daily Star, Gallagher has now mentioned a new track called ‘Pretty Boy’ which he likened to the work of Robert Smith and co.

“The stuff I’ve been working on is fucking great, really great,” he told the newspaper (via Music-News.com).

“I’ve written a tune that sounds very much like The Cure, and I didn’t even have to dial back the copyright, it just sounds like The Cure. It’s called ‘Pretty Boy’.”

Noel Gallagher of Noel Gallagher’s High Flying Birds (Picture: Mariano Regidor/Redferns)

He added: “I have to say the two tunes I’ve done over the last couple of weeks are easily the best of the High Flying Birds stuff I’ve done. One of them is just fucking ‘wow’ – I even amaze myself sometimes.”

Gallagher recently teamed up with CamelPhat on the duo’s song ‘Not Over Yet’, which features on their debut album ‘Dark Matter’. He’s also worked on a new track with Dizzee Rascal, the ‘E3 AF’ rapper revealed last month.

Meanwhile, Gallagher celebrated the 25th anniversary of Oasis’ second album ‘(What’s The Story) Morning Glory?’ with a new documentary called Return To Rockfield (released on October 1).

The guitarist also filmed a track-by-track breakdown of the record, in which he shared his memories of writing and recording each of the songs featured.





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No Man’s Sky Players Create Dedicated Rave Planets


When video game No Man’s Sky first released on August 9, 2016, many of the core features that developers had promised players were missing. At the time, the game was losing users by the thousands, but English indie studio Hello Games worked tirelessly and offered massive, free patches one after another to make it into the very fully functioning game it is today.

With all of the new updates, players are able to do things they never would have dreamed of at launch, including creating full “rave planets.”

Many games like Minecraft, Fortnite, and Roblox are also getting in on the virtual rave craze these days, but No Man’s Sky is the only one that offers both a fully customizable environment as well as AAA graphics.

Hello Games added a fully functional synthesizer to the game late last year, allowing players to create unique music that can be heard by visitors. After coming up with the idea, a group of players, known as The Galactic Hub, “settled on two planets in No Man’s Sky that were in close proximity to each other and began building dozens of bases that feature musical stages, meteor showers, and inventions that combine music with mini-games,” reports Game Rant.

new byteblast at the rave colony (PC normal) from NMSGalacticHub

The planets are called Lepios and Electric Diplo Carnival, each with their own unique ecosystems and planetary events. Hello Games released the Origins update to No Man’s Sky earlier this year that dramatically increased the planet count and made some major UI changes to the game. Up to 32 players band together to explore the vast beyond on next-gen consoles, meaning you can create some very intimate settings for friends.

Go out and find the planets and have fun!

 

via Game Rant





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KSHMR Teases New 2021 Album

KSHMR is preparing to kiss 2020 goodbye and kick off 2021 with a bang.

It seems the renowned dance music producer and Dharma Worldwide label head has a new album on the horizon. KSHMR wiped his Instagram account today and only six posts remain, all of which pertain to the upcoming project. He was cryptic in the teaser’s details, however, only divulging a release date of January 15th, 2021 and a website.

One of the posts contains a short audio preview, which should delight longtime fans of KSHMR due to the Middle Eastern-inspired sound present. It features spacey vocal swells and nature foley, akin to his signature hypnotic yet soaring Dharma sound. You can check out the preview below.





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The Glitch Mob advance ‘Drink The Sea’ decade rollout with new STS9 remix – Dancing Astronaut


The Glitch Mob continue to close in on the forthcoming deluxe reissue of their 2010 LP, Drink The Sea, sharing another rare remix from the group’s vault. Led by their remix of Nalepa’s “Monday,” the latest piece to arrive from the Los Angeles trio takes on STS9‘s “Beyond Right Now.” Originally released more than ten years ago, The Glitch Mob remix has now officially landed on Spotify for the first time ever.

The Glitch Mob’s transformative reimagining of “Beyond Right Now” delivers an electronic immersion of distinct glitch-hop and bass. Retaining the psychedelic elements of its predecessor, the remix warps the lead guitar and other instrumental aspects into a sound palette primed for distortion and synapse-firing construction. Its equally exquisite and dimension-transporting qualities come in congruence with The Glitch Mob’s attuned fusion of melodic and heavy-hitting production. Both nostalgic and modern, the resurfacing of the STS9 remix is the natural commemorative advancement towards the arrival of The Glitch Mob’s decade celebration of their breakthrough album.

Drink The Sea (10 Year Anniversary Edition) will be available on December 4.

Featured image: Daniel Johnson

Tags: Beyond Right Now, drink the sea, Drink The Sea (10 Year Anniversary Edition), remix, STS9, the glitch mob

Categories: Music






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Taylor Swift reveals the identity of ‘Folklore’ song co-writer William Bowery


Taylor Swift has revealed the true identity of songwriter William Bowery.

Bowery, who is credited as a songwriter on two songs on Folklore (‘Betty’ and ‘Exile’), is in fact Swift’s boyfriend, Joe Alwyn.

The news, which has long-been suspected by fans, was confirmed by Swift in her new concert film Folklore: The Long Pond Studio Sessions, which was released on Disney+ today (November 25) which was billed as “an intimate concert of the record-breaking ‘Folklore’”.

Speaking about the true identity of Bowery, Swift said:“There’s been a lot of discussion about William Bowery and his identity because it’s not a real person.

Taylor Swift CREDIT: Beth Garrabrant/PressShe added: “So, William Bowery is Joe, as we know.”

Swift went on to reveal that the pair wrote ‘better’ together after she heard him singing the chorus to the song during lockdown. She explained: “It was a step that we would never have taken because why would we have ever written a song together?

“So this was the first time we had a conversation where I came in and I was like, ‘Hey, this could be really weird, and we could hate this, so because we’re in quarantine and there’s nothing else going on, could we just try to see what it’s like if we write this song together?’”

Swift also revealed that Alwyn wrote the first verse and piano accompaniment on ‘Exile’.

Taylor Swift has now also shared a new ‘Folklore’ live album on streaming services, in line with her new Disney+documentary.

Reviewing the singer’s quarantine album, NME wrote: ‘Folklore’ feels fresh, forward-thinking and, most of all, honest. The glossy production she’s lent on for the past half-decade is cast aside for simpler, softer melodies and wistful instrumentation.

“It’s the sound of an artist who’s bored of calculated releases and wanted to try something different. Swift disappeared into the metaphorical woods while writing ‘Folklore’, and she’s emerged stronger than ever.”

In other news, ‘Folklore’ has been nominated for a number of 2021 Grammy awards. The singer has been nominated for Album of the Year for the album she created in lockdown. Among three other nods are Best Pop Solo Performance for ‘Cardigan‘, which is also up for Song of the Year.





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Your EDM Premiere: The Final Chapter of Sound In Noise’s Epic LP ‘Shapes’ Is About to Drop but It’s Only the Beginning [RAM]


Sound In Noise’s (SIN) first track on RAM was a retro liquid jam on the label’s 2017 Annual compilation of promising new artists and sick upcoming releases. From there is seems SIN was gunning for RAM (or maybe vice versa) so it was only a matter of time until, after four more tracks on comp albums, he would be signed for his own solo track release in 2018. “Ping Pong” showed his style developing nicely into a heavy dancefloor vibe that more than deserved its own album.

Cut to: 2019 when Shapes, Sound In Noise’s debut album, was announced. It was to be released in parts (quite a different format back then, especially for a debut) and Shapes Part 1 stunned the D&B world with the diversity, understanding of the genre’s history and melding of subgenres. Each track on the Shapes series has been a surprise and style-wise it runs the gamut from dark and techy, bordering on neurofunk to ameny retro jungle vibes to ultimate vocal rave vibes. It’s been a zig zag of a sonic journey in the best possible way and now with Shapes Part 4, dropping Friday, November 27, the journey is coming to an end with lots of heavy dancefloor vibes and introspective, heart-rending melodies.

There are four tracks on Part 4, including our premiere of the title track today. “Touch” has a very late 00s dancefloor neuro vibe and it’s so teeth grindingly techy it almost sounds like it’s going to be industrial in the intro. “Nights Like These” feat. Daniel Levi has a big, cinematic big room sound which must have been absolutely painstaking to put together sound design-wise. Making all those big tones and echoey vox sound as clean as they do is not mean feat.

Part 4 goes back to uber-techy vibes for “Expert Killer,” both in the neurofunk sense and in the German techno sense before winding into the title track. Said title track features Marie on vocals and it’s easily the most melodic and emotionally charged track in this chapter of Shapes, possibly even on the whole album. Sound In Noise had a very specific vision for this track:

For the track “Shapes” I produced the music whilst Marie wrote the lyrics. It’s based around a painting by Anu Muiste’s, which will be sold with the album. The painting is called “The Change.” The collaboration with Marie speaks about dark shapes and thoughts, represented in both the album’s artwork and the painting the title track is based on. It’s about how other people around you may not see these dark thoughts and times you’re going through.

Well said, Sir. It’s another case of art inspiring art and knowing SIN and Marie wanted to make music to express this extraordinary painting makes it that much more poignant. Not to mention the “changes” and “shapeshifting” we’re collectively experiencing these days.

Shapes is truly a seminal album for Sound In Noise and its title track may also be career defining for the shockingly mature artist who, unbelievably, is just getting stared. It’s a perfect dénouement to the album which will close a chapter for Sound In Noise but will likely open countless new volumes as well.

Shapes Part 4 drops this Friday, November 27. No pre-order/save, so stop by RAM’s website tomorrow for all the details.

 



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Gerry Read’s “8Head Guide to Thanksgiving” is the Raving and Turkey Day Crossover You Didn’t Know You Needed


Since his appearance in the EDM scene in 2010, chef-turned-producer Gerry Read has been steadily growing a reputation for his humor, hot takes and crafty lo-fi beats. Now, the British artist has prepared a visual feature exclusively for EDM.com, pulling from his time in both the food and music industries to craft a menu and playlist specially concocted for Thanksgiving. 





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