Nathy Peluso declares ‘Grasa’ 2025 tour dates in UK, Europe and US

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Nathy Peluso has introduced a tour to help her new album ‘Grasa’ that can cowl the UK, Europe and the US in 2025. See the total checklist of dates beneath.

The Argentine-Spanish singer launched her second album ‘Grasa’ on Might 24 by way of Sony Music Latin and 5020 Data. It included the only ‘Aprender a Amar’, in addition to a collaboration with Blood Orange within the type of ‘El Día Que Perdí Mi Juventud’.

She's going to play a complete of 11 dates in February and March subsequent yr, kicking off in Milan on February 9, and taking in Berlin, Amsterdam, Paris and Brussels, earlier than a present at London’s Roundhouse on February 19. Tickets for the London present will be discovered here.

[embed]https://www.youtube.com/watch?v=rcC1CrV6fuo[/embed]

From there, she is going to head to the US to play Miami, Washington, DC, Brooklyn and Chicago, earlier than wrapping up at Los Angeles’ The NoVo on March 15. US tickets will be discovered here.

“I’m thrilled to announce the GRASA TOUR, which is able to embrace, for the primary time, many exhibits within the U.S.,” Peluso instructed Nylon. “This tour is all about embracing who we're and celebrating it with each beat. It’s going to be uncooked, highly effective, and filled with vitality. I can’t wait to share these unforgettable moments with all of you!”

Nathy Peluso’s Grasa Tour poster

Nathy Peluso ‘Grasa’ tour will play:

FEBRUARY 2025
9 – Milan, Italy, Fabrique
11 – Berlin, Germany, Columbiahalle
13 – Amsterdam, Netherlands, Melkweg
15 – Paris, France, Salle Pleyel
16 – Brussels, Belgium, Cirque Royal
19 – London, UK, Roundhouse

MARCH 2025
5 – Miami, FL, Fillmore Miami Seaside
7 – Washington, DC, 9:30 Membership
8 – Brooklyn, NY, Brooklyn Paramount
12 – Chicago, IL, The Vic
15 – Los Angeles, CA, The NoVo

[embed]https://www.youtube.com/watch?v=Z1Qlhfgv5Fg[/embed]

Again in 2022, Peluso spoke to NME about what followers may count on from the “huge building” album. She stated it might not “sit in only one model”, and that on the time she had “so many” tracks for the document, and that she “can’t cease producing increasingly more and extra”, including that she was “obsessed”.


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