Olivia Dean declares new album titled ‘The Artwork Of Loving’

Olivia Dean has introduced her second album, titled ‘The Artwork Of Loving’, which is because of be launched on September 26.

Launched by Capitol, ‘The Artwork Of Loving’ explores the various dimensions of affection, together with romantic, platonic and self. The album follows her 2023 debut ‘Messy’.

The album will characteristic ‘Good To Every Different’, which was launched earlier this month.  Talking concerning the tune, Dean mentioned: “‘Good To Every Different’ is a tune concerning the push and pull of exploring your independence in relationship. It’s about having fun with somebody within the current and permitting it to be each mild and significant. I believe this tune and video represents a playfulness in me that I’m excited for folks to see.”

The observe is accompanied by a one-take visible captured by Jake Erland, watch it under.

[embed]https://www.youtube.com/watch?v=VI0NDsh2b8k[/embed]

Visit here to pre-order ‘The Artwork Of Loving’.

Later this summer time, Dean will be part of Sabrina Carpenter at her BST Hyde Park present on sixth July, then embark on her sold-out North American tour.

In different Olivia Dean-related information, she has launched the duet model of ‘Rein Me In’ with Sam Fender, which was initially featured on Fender’s third and newest studio album ‘Individuals Watching’.

Because it was shared, the Geordie singer-songwriter has been placing a brand new spin on the tune throughout his large reside present throughout the UK. The primary of which passed off at London Stadium earlier this month, when Fender introduced Dean out to the 80,000-strong crowd and carried out a collaborative rendition.

The 2 of them would then be part of forces twice extra at reveals to share the duet – each held at Fender’s large homecoming reveals at Newcastle’s St. James’ Park.

Now, a brand new model of the duet has formally been made accessible on streaming platforms. A brand new video has been shared too, that includes footage from Fender’s latest sell-out stadium run in London and Newcastle, shot by Daniel Broadley.